Tango is Charly García's first studio album with Argentine musician Pedro Aznar. Tango was captured as a maxi-single, as its six tracks exceeded the number of tracks for a single, but fell short of the full-length. The album was recorded at Secret Society and Unique Recording Studios in New York, United States, in December 1985, and mastered at Sterling Sound by Ted Jensen. All instruments were played by Charly García and Pedro Aznar.

25 Japanese Anniversary Edition with 4 Bonus tracks.
In between albums, Billie Eilish won two Oscars, a pair of Golden Globes, and a handful of Grammy Awards. What would typically be huge feats for regular folks has become the norm for the dynamic duo of Eilish and her brother, Finneas, but could they extend that success for another album cycle? For that third effort, Hit Me Hard and Soft, she didn't offer an advance single or major promotion, a move that might have been construed as getting ahead of any negative critical evaluation. And yet, it simply signaled a quiet confidence in the project, which is another home run. This pair can really do anything. A brisk ten songs, this is a "no skips" gem that is ideal for leaving on repeat and getting lost in the hazy, yearning snapshots of lust, longing, and heartbreak…

Adrian and Paul Gurvitz might be better known for their travels with Ginger Baker in the Baker Gurvitz Army, but in the late '60s the brothers helmed the heavy rock trio Gun and caught a whiff of success in the U.K. with their debut single "Race with the Devil." Using the less-ethnic surname Curtis, Adrian (guitar) and Paul (bass) teamed up with drummer Louis Farrell and pounded out some distinctive psych-flavored proto-metal. Floating about in the mix along with the guitar pyrotechnics and drum workouts are brass and string sections that aren't always welcome, but "Race with the Devil" uses these potentially square instruments well, adding texture to an otherwise brutal stomp. "Yellow Cab Man" is the highlight of the set, a hard pop number with a buzzing guitar hook and frantic, heavily distorted soloing from Adrian…

The second album by Brazilian organist Walter Wanderley, released originally in 1963, is a hidden bossa nova gem. Fortunately the latest reissue reveals the sounds, rhythms, and swirling organ lines to be as crisp and soothing as ever. Wanderley’s albums have sometimes been packaged as lounge or exotica, but this release locates Samba No Esquema De Walter Wanderley firmly in the pantheon of first-wave Brazilian bossa nova.

Being labeled and marketed as a blues musician was never really a good fit for Keb' Mo'. True, he first came to the attention of most when he came out of Compton playing Robert Johnson songs on a National Steel guitar, and that’s how his recording career started, but this is a guy who used to be a staff songwriter for A&M Records, so he has always had plenty of pop, soul, R&B, and jazz in his kit bag and, truth be known, he’s really closer to an artist like James Taylor than he is to Howlin’ Wolf. His album The Reflection, the first on his own Yolabelle record imprint (he also self-produced the album) after several releases with Sony, has nothing on it that could be called blues, and nothing that even really comes close. It’s a calm, easy, and mellow mixture of adult pop…

The Codex Faenza 117 features the richest instrumental variations of medieval plainchant masses and offices that have come down to us, including three pairs of Kyrie-Gloria settings, a ceremonial motet and several sections of a Marian office. Mala Punica’s ground-breaking recording of this repertoire has shown different possible combinations between voices and—mostly keyboard—instruments to be suitable for the repertoire. The program stages five voices and five instrumentalists.

Long one of the finest living interpreters of Bach's sacred music, Philippe Herreweghe here adds two secular cantatas to an already distinguished discography. In the festive Vereinigte Zwietracht der wechselnden Saiten and the celebratory Tönet, ihr Pauken! Erschallet, Trompeten, Herreweghe leads his Collegium Vocale, Ghent in performances of rare beauty and great joy. Taking the symbolic roles of Diligence, Honor and Gratitude in one cantata and the scarcely less symbolic roles of Irene, Bellona, Fama, and Pallas in the other, the vocal quartet of Carolyn Sampson, Ingeborg Danz, Mark Padmore, and Peter Kooy performs with brilliant characterizations and consummate artistry.

The title Seelen-Music (Soul Music) refers to the first complete collection of all the extant Cantatas by Johann Theile for soprano solo with viol accompaniment, presented here with the recording premieres of Sacred Concertos by Theile’s fellow Northern German Christian Flor and Instrumental Suites by the Gottorf violinist Gregor Zuber. The composer Johann Theile is of great significance in music history inasmuch as he is held to be one of the last pupils of Heinrich Schütz, who was the most important German-language composer of the seventeenth century.

After the impressive list of awards, sales results and chart positions all over the world, Gregorian certainly need no introduction. It is in fact a project that long has become a music genre itself.
For one more time, the interpretations of iconic pop and rock songs in monk s cowl take the listeners on a fantastic journey across all genres and decades and offer a balanced mix of classic pop and rock from the past and present. Ranging from the melancholic Angel, originally performed by Sarah McLaughlin, to recent chart success by the young British alternative trio London Grammar (Strong) to maybe the most recognizable songs from the 80s, Tears For Fears Shout, Gregorian constantly perform at a high level. With two original compositions the hymn Masters Of Chant featuring the stunning Amelia Brightman who also showcases her impressive vocal range on Rihanna's Farewell…

Back To School is a carefully curated live compilation that dives deep into the Grateful Dead’s legendary campus concerts of the 1970s. Released by Rhino in 2025, it brings together historic performances from venues like Barton Hall (5/8/77), Harpur College (5/2/70), Yale Bowl (7/31/71), Penn State (5/6/80), and more.

The Brecker Brothers - Michael and Randy - were one of the most successful of the jazz/fusion groups that arose in the 1970s, recording 6 best-selling albums for Arista between 1975 and 1981. Musicians on the records make a jazz/fusion hall of fame including David Sanborn, Steve Gadd, Will Lee, Harvey Mason, Marcus Miller, George Duke, and many more. In 1979 they also participated in all-star shows at the Montreux Jazz Festival. The band was Steve Khan, Tony Levin, Mike Mainieri and Steve Jordan. These two albums are included here as bonuses. This boxset is presented in a clamshell box with a booklet that, in addition to a detailed track and personnel listings, has aintroduction by Randy, and each album is housed in a mini-LP replication of the original vinyl releases.

Recorded in Germany, July, 1993. Recorded in Germany with a solid rhythm section provided by Fred Hopkins on bass and Andrew Cyrille on Drums, LIVE '93 ACOUSTIC OCTFUNK is a mature and expressive bit of modern jazz. While it is Murray's alternately lilting and ferocious tone that is dominant, Hopkins and Cyrille provide a dynamic backdrop to the intensity of the songs. Much like Murray's output in the late 1970s, there is a distinct Coltrane influence in his sax work, especially on "Mr. P.C." and the beautifully haunting "Joanne's Green Satin Dress"(featuring a dizzying bass solo by Hopkins). If anyone can conjure up the spirit of how Coltrane might sound today, it's Murray. LIVE '93 ACOUSTIC OCTFUNK will appeal to devoted fans and recent converts, as it captures the essence of Murray's greatness.

On this Release, Revered Blues/Rock Guitarist Pat Travers, Delivers a Truly Brilliant Live Performance. Hard Rocking Blues in the Signature Pat Travers Style: In Your Face and Full of Great Guitars. The Songs Include "Crash and Burn", "Heat in the Street" and "if I Had Possesion Over Judgement Day" Amongst Others.

Most of the contents of Super Lungs: The Complete Studio Recordings – most especially the albums Bang, Bang You're Terry Reid and Terry Reid – will be familiar to the singer's fans, and may dissuade people from picking up this double-CD set. That would be a shame, however, in view of the other material that is here – starting with his work with Peter Jay & the Jaywalkers, which opens disc one and dates from well before his solo debut, Reid reveals himself as an extraordinarily (jaw-droppingly good, in fact) soul singer, with range, power, charisma, and taste, even on those early sides, and the package is extended into genuinely uncharted territory with a half-dozen newly discovered, newly mixed outtakes from Bang, Bang You're Terry Reid, and two tracks from Reid's first recording session in 1966, "Funny How Time Slips Away" (which is almost worth the price of the double-CD set by itself) and "I'll Take Good Care of You." The sound quality is spot-on perfect, state of the art, the annotation by Peter Doggett is entertaining and informative, and the whole package is some of the best British-spawned soul and R&B that one can find.

For almost 60 years Ennio Morricone has been composing some of the most beautiful film scores of all time. This collection shows the darker experimental side of Ennio with pieces that have accompanied such films as The Cat O' Nine Tails (Dario Argento), The Devil In the Brain, Il Serpente, Drammi Gotici, The Infernal and many more. Frightening orchestrations, dark jazz tapestries and unsettling piano movements are brought to life. With this release Rustblade attempts to shine a light on the compositional magic of an undisputed musical genius.