The Bee Gees' third album is something of a departure, with more of a rocking sound and with the orchestra (apart from a few well-placed harp arpeggios) somewhat less prominent in the sound mix than on their first two LPs. The two hits, "I've Gotta Get a Message to You" and "I Started a Joke," are very much of a piece with their earlier work, but on "Kitty Can," "Indian Gin and Whisky Dry," and "Such a Shame" (the latter written by the group's then lead guitarist, Vince Melouney), among other cuts, they sound much more like a working band with a cohesive group sound, rather than a harmony vocal group with accompaniment.

Following in the wake of Mostly Autumn, Karnataka aim to synthesise traditional Celtic music with melodic Progressive rock. Formed in the mid 90's, the original line-up of the Swansea based band included Rachel Jones (vocals), Ian Jones (bass), Jonathan Edwards (keyboards), Paul Davis (guitars) and Gavin Griffiths (drums), with Steve Simmons guesting on Saxophone. Their eponymous debut demonstrated the bands capability in creating romantic, melodic, Camelesque and Floydian soundscapes, laced throughout with strong folk and Celtic influences (enhanced through the use of flute). These often atmospheric ambiences provide a backdrop for the beautiful, haunting voice of Rachel Jones; again reminiscent of Mostly Autumn's Heather Findlay, both in terms of her range, and in the harmonies she is able to create…

A magical violinist, Lina Tur Bonet pays tribute to the music of Fanny and Felix Mendelssohnn. Lina Tur Bonet, concertmaster of Jordi Savall’s Concert des Nations, proves her curiosity for rare scores… This new recording, devoted to the parallel paths of the Mendelssohn siblings, will not belie her reputation! On the one hand, Felix Mendelssohn, celebrated prodigy who, at the age of thirteen, composed the Violin Concerto in D minor. Lina Tur Bonet has rediscovered the first, unpublished version of this work.

Little Brother Montgomery was one of the finest of the first generation of blues pianists who came out of the barrelhouse and back rooms of the rural South in the early 1900s. This fine collection is mostly unissued cuts recorded from the late 60s to the early 80s. Excellent for collectors, and great old piano stylings as well.

Blue Note Re:imagined returns in 2022 with a new 16-track compilation featuring fresh takes on music from the illustrious Blue Note vaults recorded by a heavyweight line-up of the UK jazz, soul and R&B scene’s most hotly-tipped rising stars. Arriving off the back of the widespread international success of the first volume, which topped jazz charts around the globe in 2020, Blue Note Re:imagined II once again infuses the spirit of the new UK jazz generation into the legendary label’s iconic catalog, balancing the genre’s tradition with its future and reflecting the melting pot of talent and diversity within the current scene. The second volume presents covers of classic Blue Note tracks by Donald Byrd, Grant Green, Wayne Shorter, Thelonious Monk, Bobbi Humphrey, Marlena Shaw, Chico Hamilton, Chick Corea, Joe Lovano, Cassandra Wilson, and Norah Jones by a rollcall of acclaimed talent including Yazz Ahmed, Conor Albert, Parthenope, Swindle, Nubiyan Twist, Ego Ella May, Oscar Jerome, Daniel Casimir, Theon Cross, Maya Delilah, Kay Young, Venna & Marco, Reuben James, Binker Golding, Cherise, and Franc Moody.

Blue Note Re:imagined presents classic Blue Note tracks, reworked and newly recorded by a selection of the UK scene’s most exciting young talents today. Representing a bridge between the ground-breaking label’s past and future, the project will feature contributions from a rollcall of internationally acclaimed jazz, soul and R&B acts – Shabaka Hutchings, Ezra Collective, Nubya Garcia, Mr Jukes, Steam Down, Skinny Pelembe, Emma-Jean Thackray, Poppy Ajudha, Jordan Rakei, Fieh, Ishmael Ensemble, Blue Lab Beats, Melt Yourself Down, Yazmin Lacey, Alfa Mist, and Brit Award-winning Jorja Smith.

The 14-song set features the world-renowned singer-songwriter’s new performances of many of his best-loved hits, accompanied by the London Symphony Orchestra.

In July 1973, Blue Note Records headed to Montreux, Switzerland to showcase several of the label’s stars at the Montreux Jazz Festival. Produced by Blue Note President George Butler, live albums all titled Live: Cookin’ with Blue Note at Montreux followed from vibraphonist Bobby Hutcherson, organist Ronnie Foster, flutist Bobbi Humphrey, and vocalist Marlena Shaw, but one of the performances by trumpeter Donald Byrd remained unreleased in the Blue Note vaults, until now.

Vikings Invasion from the German-speaking part of Switzerland played quite a rough type of blues-rock with progressive touch. Charles Sterchi on guitar and vocals, Eric Eberhard on bass, and Gerhard Burri on drums had played together in this simplest possible configuration already since 1970 and originally called themselves after a character by Brecht. In 1975, their only LP was released exclusively in England where they lived and had concerts for some time; it carried the optimistic title "Vol. 1".

While he's best known as a composer of music for films and television (the original Mission: Impossible series), Lalo Schifrin is also a jazz pianist, once in the employ of iconic trumpeter Dizzy Gillespie in the late-1950s and early-'60s. Released in 1962, Bossa Nova finds the Argentina-born Schifrin paying tribute to the Brazilian style with lush, elegant strings and his lyrical piano. There are bossa nova standards, three originals, and some songs by American composers given the romantic bossa treatment.

Blank & Jones released the 11th volume in their popular so80s (so eighties) series which offers rare and forgotten 12" extended versions from the 1980s. The 22-track set includes artists like ABC, Yello, The Beloved,Tina Turner, Bryan Ferry or Company B and includes a 36-page booklet which features notes about the selections (in English and German) as well as full page cover images for each of the singles included.