A new, larger version of Camel debuted on Nude, a concept album about a Japanese soldier stranded on a deserted island during World War II and staying there, oblivious to the outside world, for 29 years. More ambitious than the preceding I Can See Your House from Here, Nude is in many ways just as impressive. Although it's a less accessible effort, it has a number of quite intriguing passages, particularly since it boasts heavier improvisation, orchestration, and even some worldbeat influences. It's not as spacy as Camel's earlier progressive rock records, yet it is quite atmospheric, creating its own entrancing world.

Free as a Bird is the ninth studio album by the British rock band Supertramp, released in October 1987, and their last album of new music for A&M Records. The album was a turn of direction of sorts, with most of the songs stepping back from their progressive rock sound, employing synthesised dance beats and rhythms. Chief songwriter Rick Davies later recalled, "Free as a Bird was an experiment to try and be modern and build it up with computers and drum machines and have people come in one by one, which makes you lose the band spirit a little bit." In the liner notes to the 2005 compilation Retrospectacle, Davies said, "Each time we went in, we would try to give it something a bit different. Free as a Bird was a lot more machine-based than anything we'd done before. That was good and bad, but it had some interesting songs on it."

You Are What You Is was another of Frank Zappa's periodic post-Over-Nite Sensation efforts that concentrated on tight songwriting supported by satirical lyrics. Originally a two-record set featuring 20 songs, You Are What You Is skewered a variety of targets, from teenagers, punk rock, disco, and country music to the media, yuppies, the beauty-and-fitness industry, upper-class vice, religious hypocrisy, suicide, and the military draft – all the trappings of Reagan-era America. Occasionally, Zappa's satirical points seem ill-thought-out, if not unnecessarily malicious; "Jumbo Go Away" is perhaps the most offensive song in Zappa's huge canon of potentially offensive songs, a tale of a whining, VD-riddled groupie who is portrayed as deserving the punch in the face she gets from an irritated musician.

Astra is the third studio album by British rock band Asia, released in late 1985. It was the final studio album to feature original member John Wetton until 2008's reunion album Phoenix. The recording of the album took place at several studios in London during 1984-85. It reached #67 in the US on the Billboard 200 chart and #68 in the UK Albums Chart. Strangely, although Astra itself didn't make the top 50, two songs charted well on the US Hot Mainstream Rock Tracks chart, receiving radio airplay in various markets: "Go" (#7) and "Too Late" (#30), and the video of "Go" (based on the futuristic heroine on the album cover) received airplay on MTV. Allmusic critic Matt Collar gave Astra a three-star rating in a review full of praise. He called the album "a solid prog rock outing", "a truly underrated '80s rock album and a must-hear for fans".

Cycles is the tenth studio album by American rock band The Doobie Brothers. The album was released on May 17, 1989, by Capitol Records. It marked the band's reunion after breaking up in 1982. Instead of the later configurations with Michael McDonald at the helm, the band reverted to their 1972-4 lineup although Bobby LaKind who had played percussion with later configurations also rejoined. Tom Johnston, John Hartman and Michael Hossack returned to the lineup for the first time since 1977, 1979 and 1974 respectively. The album was largely co-written with producers and sidesmen.

Astra is the third studio album by British rock band Asia, released in late 1985. It was the final studio album to feature original member John Wetton until 2008's reunion album Phoenix. The recording of the album took place at several studios in London during 1984-85. It reached #67 in the US on the Billboard 200 chart and #68 in the UK Albums Chart. Strangely, although Astra itself didn't make the top 50, two songs charted well on the US Hot Mainstream Rock Tracks chart, receiving radio airplay in various markets: "Go" (#7) and "Too Late" (#30), and the video of "Go" (based on the futuristic heroine on the album cover) received airplay on MTV. Allmusic critic Matt Collar gave Astra a three-star rating in a review full of praise. He called the album "a solid prog rock outing", "a truly underrated '80s rock album and a must-hear for fans".

The vocal sextet's debut release was critically acclaimed, capturing Grammy Awards in both the jazz and gospel categories. In a diverse selection of songs, Take 6 merges an a cappella sound with gospel and big-band jazz arrangements. Of the ten songs recorded, six are from the public domain, two are group collaborations, and the remaining two are from outside sources. Their harmonies and melodies are consistent throughout this outstanding collection of songs. In addition to being the lead vocalists on most of the tracks, Claude McKnight and Mark Kibble also produced the album, along with tenor Mervyn Warren. Moreover, the other three members also exert their vocal versatility by singing lead on at least one selection each.

Crime of the Century is the third studio album by the British rock band Supertramp, released in October 1974 on A&M Records. Crime of the Century was Supertramp's commercial breakthrough in many countries, most notably in the UK, Canada and Germany where it peaked in the Top 5 while also making the Top 20 in Australia and France. It was the band's first album to chart in the United States, reaching No. 38 on the Billboard 200. The single "Dreamer" reached No. 13 on the UK singles chart, but listeners in the United States preferred its B-side, "Bloody Well Right", which peaked at No. 35 on the Billboard Hot 100. "School" was another popular track, particularly on album rock-oriented radio stations. The album was eventually certified Gold in the US in 1977 after the release of Even in the Quietest Moments…. In Canada, it was eventually certified Diamond (sales of one million copies). The album was Supertramp's first to feature drummer Bob Siebenberg (at the time credited as Bob C. Benberg), saxophone and clarinet player and vocalist John Helliwell, bassist Dougie Thomson, and co-producer Ken Scott. The album has received critical acclaim, including its inclusion in Rolling Stone's "50 Greatest Prog Rock Albums of All Time".

Alpha is the second studio album by British rock band Asia, released in 1983. It was certified platinum in the United States, eventually selling close to two million copies. Released one year before the departure of guitarist Steve Howe, Alpha was the last album with the band's original line-up until 2008's Phoenix, after the original members reunited in 2006, and the last album with Howe until Aqua in 1992. Alpha was written by the songwriting tandem of John Wetton and Geoff Downes, with the exception of "The Smile Has Left Your Eyes", which was written by Wetton alone. Alpha was recorded during the spring of 1983 at Le Studio in Morin Heights, Quebec and Manta Sound in Toronto.

…Famous Last Words… was the last album that Roger Hodgson made with Supertramp before seeking a solo career, and he made sure that radio would take kindly to his last hurrah with the band. Sporting an airy and overly bright pop sheen, …Famous Last Words… put two singles on the charts, with the poignant "My Kind of Lady" peaking at number 31 and the effervescent smile of "It's Raining Again" going to number 11. The album itself went Top Ten both in the U.S. and in the U.K., eventually going gold in America.

Although it's only a teaser for a forthcoming ten-CD set, the three-CD Solo box is a pretty comprehensive look at Freddie Mercury's less rock-oriented solo career. Mercury's two albums from the '80s, 1985's Mr. Bad Guy and 1988's Barcelona, are repackaged in their entirety as separate discs; there's also a third disc of rarities, including Mercury's pre-Queen solo single "I Can Hear Music" (recorded as Larry Lurex), his movie soundtrack contribution "Love Kills," and his non-LP U.K. hit cover of "The Great Pretender." In addition, the set has been remastered and comes with a 28-page booklet.

Permanent Vacation is the ninth studio album by American rock band Aerosmith, released in August 1987 by Geffen Records. The album marks a turning point in the band's career. It is their first album to employ professional songwriters, instead of featuring material solely composed by members of the band. This came as a suggestion of executive John Kalodner, who also pushed the band to work with producer Bruce Fairbairn, who remained with them for another two albums. It was also the first Aerosmith album to be promoted by heavy music video airplay on MTV. Though Done with Mirrors was intended to mark Aerosmith's comeback, Permanent Vacation is often considered their true comeback album, as it was the band's first truly popular album since their reunion.

1985 Japanese CD release on the Teichiku Records label. One of the earliest releases of the Beatles on CD, this album features tracks from the Beatles failed audition for Decca records on January 1, 1962. The drummer on these tracks is Pete Best (not Ringo Starr).

38 Special is a prime example of an AOR band with deep roots in Southern rock. The band hails from Florida, and vocalist Donnie Van Zant is the brother of none other than Lynyrd Skynyrd's Ronnie and Johnny Van Zant. The group's 1982 album, Special Forces, included the flawless Top Ten rocker "Caught Up in You," which injected the mainstream with a shot of much-needed grit. That album's follow-up, 1983's Tour De Force, upped the ante, showing the band's skills at their peak. Propelled by the effortless blend of melody and power stirred up by Van Zant, vocalist/guitarist Don Barnes, guitarist Jeff Carlisi, bassist Larry Junstrom, and drummers Steve Brookins and Jack Grondin, Tour De Force is loaded with irresistible hooks.

The Stones forsook psychedelic experimentation to return to their blues roots on this celebrated album, which was immediately acclaimed as one of their landmark achievements. A strong acoustic Delta blues flavor colors much of the material, particularly "Salt of the Earth" and "No Expectations," which features some beautiful slide guitar work. Basic rock & roll was not forgotten, however: "Street Fighting Man," a reflection of the political turbulence of 1968, was one of their most innovative singles, and "Sympathy for the Devil," with its fire-dancing guitar licks, leering Jagger vocals, African rhythms, and explicitly satanic lyrics, was an image-defining epic. On "Stray Cat Blues," Jagger and crew began to explore the kind of decadent sexual sleaze that they would take to the point of self-parody by the mid-'70s. At the time, though, the approach was still fresh, and the lyrical bite of most of the material ensured Beggars Banquet's place as one of the top blues-based rock records of all time.