This has been around as a bootleg for some time, a great radio broadcast from February 1972 featuring mainly Bonnie with Freebo on bass but also T. J. Tindle on lead guitar and John Davis playing harp on a couple of tracks. The sound quality isn't perfect but it's pretty good and it captures Bonnie doing material from her first two albums as well as some songs that have never been officially released - Steve Winwood's 'Can't Find My Way Home', John Hurt's 'Richland Woman Blues' and her own song 'Blender Blues'. Although Bonnie sounds young (she was only 22) she also sounds very confident and relaxed, her voice is perfectly controlled and her guitar playing is particularly good on blues like Robert Johnson's 'Walking blues' and 'Richland Woman Blues'.

Tailor made for a band like Pearl Jam, MTV s acoustic showcase ran as a regular feature on the channel between 1989 and 1999. In September 1992, Pearl Jam were invited to appear on the show, and provided a quite stunning performance, replete with stripped down versions of their finest numbers to date, alongside a couple of choice covers. Also featuring some fascinating and humorous between song- rapport from main man Eddie, this previously unreleased recording finally makes it to CD, more than 25 years since the original broadcast. Bonus cuts here feature further acoustic recordings, taken from the band s appearance at Neil Young s 1999 Bridge School Benefit Show.

The Complete Lost Lennon Tapes is a 22-CD bootleg box set, released by Walrus Records. The main goal of this set was to condense everything from the existing Lost Lennon Tapes bootleg series, which had only been released on vinyl, onto CDs…

Esoteric Recordings’ REACTIVE label is proud to announce the release of the third volume of an official bootleg series by the legendary TANGERINE DREAM. Formed in Berlin in September 1967 by Edgar Froese, Tangerine Dream are simply one of the most important groups to have emerged on the German music scene of the late 1960s / early 1970s. Always guided by the genius of Edgar Froese, Tangerine Dream developed a sound based on the use of synthesisers and keyboards, first revealed on their marvellous “Alpha Centuari” album in 1971.

Like its predecessor (similarly designed right down to the traffic cone cover, though green instead of red), Kraftwerk 2 has never been properly re-released, giving it the same lost-classic aura as the first album, or at least lost, period. Thankfully, bootleg reissues in 1993 restored it to wider public listening; even more so than Kraftwerk 1, its lack of official reappearance is a mystery, in that the band is clearly well on its way to the later Kraftwerk sound of fame. Stripped down to the Hütter/Schneider duo for this release, and again working with Conrad Plank as coproducer and engineer (this album alone demonstrates his ability to create performances combining technological precision and warmth), Kraftwerk here start exploring the possibilities of keyboards and electronic percussion in detail. Given that the band's drummers were gone, such a shift was already in the wind, but it's the enthusiastic grappling with drum machines and their possibilities that makes Kraftwerk 2 noteworthy.

Tori Amos is an American singer-songwriter and pianist. She is a classically trained musician with a mezzo-soprano vocal range.Having already begun composing instrumental pieces on piano, Amos won a full scholarship to the Peabody Institute at Johns Hopkins University at the age of five, the youngest person ever to have been admitted. She was expelled at the age of 11 for what Rolling Stone described as "musical insubordination". Amos was the lead singer of the short-lived 1980s pop group Y Kant Tori Read before achieving her breakthrough as a solo artist in the early 1990s. Her songs focus on a broad range of topics, including sexuality, feminism, politics and religion.