Eve is the fourth studio album by progressive rock band The Alan Parsons Project. It was released in 1979. Eve's focus is on the strengths and characteristics of women, and the problems they face in the world of men. The album had originally been intended to focus on "great women in history", but evolved into a wider concept. Eve is The Alan Parsons Project's first album with singer Chris Rainbow. The album's opening instrumental "Lucifer" was a major hit in Europe, and "Damned If I Do" reached the US Top 30. "Lucifer" also is used as title track for the German political TV show Monitor.

"Four!!!"; "This Is Hampton Hawes: The Trio Vol. 2"; "For Real!" plus eight tracks from "Everybody Loves Hampton Hawes-The Trio Vol.3" (minus 2 x tracks due to timing constraints).

A classic example of the whole not matching the component parts, Tramp featured several high-profile veterans of the British blues boom including Mick Fleetwood (drums), Bob Brunning (bass), Danny Kirwan (guitar), Dave Kelly (vocals), Jo Ann Kelly (vocals) and Bob Hall (keyboards). Hall, like Brunning, had earlier been co-leader of the Brunning-Hall Sunflower Blues Band. Tramp made their debut for Music Man Records in 1969 with a self-titled collection which lacked direction or convincing songwriting.

The breadth of clarinetist Sabine Meyer's repertoire is matched by her dedication to collaborations with other, equally skilled musicians. She has performed as a soloist and chamber musician throughout the world, earned critical acclaim for her recording catalog, and is a noted educator.Meyer was born on March 30, 1959 in Crailsheim, Germany. She received her first music lessons from her father, clarinetist Karl Meyer, and then went on to study with Otto Hermann in Stuttgart and Hans Deinzer in Hannover. Sabine was 16 when she made her professional debut. She joined Munich's Bavarian Radio Symphony Orchestra for a time, then, in 1982, Herbert von Karajan created something of an international stir by appointing her as solo clarinetist for the Berlin Philharmonic, going against the orchestra's tradition of not admitting female musicians. However, she only remained with the orchestra for a year, as the demand grew for her to perform as a soloist with other orchestras and chamber ensembles.

NOW That's What I Call the 70's is designed and signed as a reference on your choice of several exchangers file. Release date: 30 May, 2025 It’s time to celebrate an incredible decade in pop music – and with so many huge hits to choose from we had to make this a 100 track selection across 5 CDs – including more than 40 #1 singles… immerse yourself in rock, glam, disco, punk, new wave, soul, easy listening and pure pop gold … ‘NOW That’s What I Call The 70s’! Celebrate the diversity and creativity of an amazing time in pop music with 100 fabulous tracks from this incredible decade!

Paul Neubauer American violist Paul Neubauer has pursued an active career as an orchestral musician, concerto soloist, educator, and music editor. He studied with Paul Doktor, Alan de Veritch, and William Primrose, and earned his Bachelor's and Master's degrees in music at the Juilliard School. Following graduation, Neubauer became the youngest principal violist of the New York Philharmonic at the age of 21, and held the position for six years. He has performed in concert with major orchestras around the world, and given premieres of viola concertos by Joan Tower, Krzystof Penderecki, and Tobias Picker, as well as the revised version of Béla Bartók's Viola Concerto. Neubauer received an Avery Fisher Career Grant in 1989, and became a member of the Chamber Music Society of Lincoln Center. He has also served as artistic director of the Mostly Music series and as music director of the OK Mozart Festival. As a viola teacher, Neubauer has been a faculty member of the Juilliard School and Mannes College, and The New School of Music, and his students have included Richard O’Neill, Scott Lee, Gilad Karni, and Che-Yen Chen. Neubauer has edited publications for Boosey & Hawkes, International Music Company, and Universal Edition.

With Where We Are, Chad Lawson draws inspiration from the conversations and shared vulnerabilities of countless individuals who have found solace in his music and podcast during their most challenging times. The album represents a journey from solitude to solidarity—from individual experiences to shared realities. These songs form a musical sanctuary, crafted to meet you wherever you are in life and offer a gentle reprieve. Where We Are is more than an album; it's a call to unite, heal, and inspire a sense of community through music.

Dietrich Fischer-Dieskau During a career that spanned nearly five decades, Dietrich Fischer-Dieskau established himself as one of the most accomplished performing artists of the twentieth century. He is widely considered to have been the finest modern interpreter of German lieder, and his extensive operatic career was noted for fine musicianship and powerful characterization. He has also made important contributions as an author, conductor, and teacher.Born in Berlin on May 28, 1925, Fischer-Dieskau began his vocal studies at the age of 16, only shortly before being drafted into the Nazi Wehrmacht. After two years as a prisoner of war, the young baritone returned to Germany and soon made his oratorio debut in Brahms' Ein deutsches Requiem, and his stage debut in Verdi's Don Carlos (Posa).

A Gramophone editor's Choice, this double album brings together the third volume of Concerti per archi (strings) and the complete Concerti for viola d'amore by the Venetian genius. The Accademia Bizantina and its iconic chief Ottavio Dantone bring to this release a talent so great it is matched only by their dedication. The Vivaldi Edition is an ambitious project begun at the beginning of the century to record some 450 works by Vivaldi, many of them unknown, found in the National University Library of Turin. With the collaboration of today’s leading interpreters of Baroque music we are making available to the public hundreds of works, many in the composer’s own hand and covering every musical genre.

The organ works of Gottlieb Muffat (1690-1770), imperial court and chamber organist in Vienna since 1717, are based on the classical genres, which Muffat, however, knows how to skilfully combine with the musical language of his time. His most important organ works remained unprinted during his lifetime and have only survived in copies, thanks in part to the Viennese Minorite Father Alexander Giessel. Only in recent years has his collection been made accessible in a modern edition, which Jörg-Andreas Bötticher has recorded here for the first time. The three organs of the monastery church of Muri in the canton of Aargau, which are among the best preserved baroque organs in Switzerland, were at his disposal.

Graham Johnson’s latest Lieder project for Hyperion reaches its fourth volume. Brahms is of course a giant of the Romantic era but his songs and vocal works are rather less well known than much of his other music. There is so much to discover and enjoy in the beautiful, often elegiac melodies and characteristic piano writing.