Oscillating between Lisbon and Maputo, Maria João's new album presents an original musical vision, at the centre of which is her unique and passionate voice, which once again proves to be an incomparable expression of deep emotion. Together with João Farinha and André Nascimento, she has created an album that combines original lyrics with floating, evocative electronic textures. ‘Abundância’ invites you to travel between Portugal and Mozambique, building musical bridges between past and future, jazz and world music, rhythm and melody.

10 CD box set featuring thirteen original albums, plus an incredible 101 bonus tracks by the legendary "Father of Swing", Glenn Miller. These historic recordings contain many stars from the big-band era and present a wonderful opportunity to hear worldwide hits, such as "American Patrol", "In the Mood", "Perfida", "St. Louis Blues" and "Stardust".

Introducing a captivating new album that showcases original tunes from the legendary Beatles, masterfully arranged for solo piano by the talented Mark Rasmussen. This exquisite release features 10 timeless classics from the Beatles, each performed in Mr. Rasmussen's signature style—characterized by a romantic and delicate touch that brings out the emotional depth of every piece. Immerse yourself in the enchanting melodies as they take on a fresh, evocative life through the artistry of piano interpretation.

Ritchie Blackmore's Rainbow is the first studio album by British rock band Rainbow, released in 1975. During studio sessions in Tampa Bay, Florida on 12 December 1974, Blackmore originally planned to record the solo single "Black Sheep of the Family"- a cover of a track by the band Quatermass from 1970 - and the newly composed "Sixteenth Century Greensleeves", which was to be the B-side. Other musicians involved included singer/lyricist Ronnie James Dio and drummer Gary Driscoll of blues rock band Elf, and cellist Hugh McDowell of ELO. Satisfied with the two tracks, Blackmore decided to extend the sessions to a full album.

Fresh Cream represents so many different firsts, it's difficult to keep count. Cream, of course, was the first supergroup, but their first album not only gave birth to the power trio, it also was instrumental in the birth of heavy metal and the birth of jam rock. That's a lot of weight for one record and, like a lot of pioneering records, Fresh Cream doesn't seem quite as mighty as what would come later, both from the group and its acolytes. In retrospect, the moments on the LP that are a bit unformed – in particular, the halting waltz of "Dreaming" never achieves the sweet ethereal atmosphere it aspires to – stand out more than the innovations, which have been so thoroughly assimilated into the vocabulary of rock & roll, but Fresh Cream was a remarkable shift forward in rock upon its 1966 release and it remains quite potent.

Having scored three multi-platinum hits in a row, Billy Joel took a breather, releasing his first live album, Songs in the Attic, as he worked on his ambitious follow-up to Glass Houses. Joel wisely decided to use the live album as an opportunity to draw attention to songs from his first four albums. Apart from "Piano Man," none of those songs had been heard by the large audience he had won with The Stranger. Furthermore, he now had a seasoned backing band that helped give his music a specific identity – in short, it was an opportunity to reclaim these songs, now that he had a signature sound. And Joel didn't botch the opportunity – Songs in the Attic is an excellent album, ranking among his very best work.

Green Day’s seventh studio album American Idiot was released in September 2004 and has since sold over 23 million copies worldwide. The album is a punk rock opera masterpiece that won the Best Rock Album at the 2005 Grammy Awards©. Five hit singles were released from the album: “Boulevard of Broken Dreams”, “Holiday”, “Wake Me Up When September Ends”, “Jesus of Suburbia”, and the title track, “American Idiot”.