Genesis proved that they could rock on Foxtrot but on its follow-up Selling England by the Pound they didn't follow this route, they returned to the English eccentricity of their first records, which wasn't so much a retreat as a consolidation of powers. For even if this eight-track album has no one song that hits as hard as "Watcher of the Skies," Genesis hasn't sacrificed the newfound immediacy of Foxtrot: they've married it to their eccentricity, finding ways to infuse it into the delicate whimsy that's been their calling card since the beginning. This, combined with many overt literary allusions – the Tolkeinisms of the title of "The Battle of Epping Forest" only being the most apparent – gives this album a storybook quality.

In their latest album "Forever Now," Gösta Berlings Saga shows that they know very well how to preserve their essence without falling into repetition by composing a record that delivers an engaging blend of analog synthesizers, well- crafted guitar lines, pulsating drums, and echoes of space rock and post-rock, all wrapped in dense atmospheres. The notes seem carefully chosen to stir emotions, awaken images, and create entire stories in our imagination. "Forever Now" is not just a new chapter in the group's discography but a powerful statement that the band remains in full creative form.

Fifty years after their early beginnings and after so many important individual experiences, those 18-year-olds are still together today: to play their "old stuff" again, but also to interpret and produce their "new stuff." The group then reconstituted itself with the addition of two great musicians of the caliber of Claudio Cesar Corvini and Roberto Rocchetti to record these new unreleased songs in the 50th year since their debut; thus was born this new album…SPIRALE 50th!

Bassist and composer Antoine Fafard's Quadra Spherium (2025) offers a boundary-pushing instrumental Jazz Fusion experience. Featuring Antoine alongside legendary drummer Gary Husband and masterful tenor saxophonist Jean-Pierre Zanella, the album combines intricate rhythms, rich harmonies and fearless improvisation.

From Mozart to Tchaikovsky, this collection is a compendium of Itzhak Perlman’s chamber music artistry. Here he is accompanied by great musicians such as Vladimir Ashkenazy, Ray Still and Pinchas Zukerman.

Total of 109 tracks, approximately 6 hours and 45 minutes of recording time. Chopin: Prelude No. 3 in G major (Lugansky, piano), Grieg: Lyrical Pieces, Book 1, Op. 12-1, Arietta (Pludermacher, piano), Satie: Gymnopédie No. 1 (Chamayu, piano), Bach: French Suite No. 6 - Courante (Say, piano), Fauré: Eight Pieces, Op. 84-5, Impromptu (Pludermacher), and more.

The Symphony in D minor is the best-known orchestral work and the only mature symphony written by the 19th-century composer César Franck. It employs a cyclic form, with important themes recurring in all three movements.

Antonio Vivaldi was a great violinist, as was his father, Giovanni Battista Vivaldi. It is no coincidence that Antonio Vivaldi’s first publication op. 1 in 1705 was a collection of sonatas for two violins and basso continuo. He dedicated most of his instrumental output to the violin, writing sonatas for one or two violins and concerti for up to four solo violins further writing compositions where the violin appears as a second main character alongside other instruments or voice.

Star-violinist Christian Tetzlaff, the BBC Philharmonic Orchestra and conductor John Storgårds present Elgar's passionate violin concerto, completed in 1910. This huge and highly emotional work was in the wake of modernism neglected for several decades before entering into standard concerto repertoire. Here Christian Tetzlaff follows the model of the early recordings of Elgar’s concerto with substantially quicker tempos compared to most modern recordings, and having a great influence on the impact of the piece.

This is the excellent, 2025, fifth release by this long running (founded in 1999) Chilean avant-progressive leaning band who are best known for their one release on the AltrOck label. This one sort of straddles the boundary between avant-progressive sounds that they are mostly known for and a more ‘fusion/symphonic’ approach, in line with Happy The Man or French TV 15.