Amore is the eleventh studio album by Italian tenor Andrea Bocelli, released on 31 January 2006, for the Valentine's Day season. This album features a remake of Elvis Presley's "Can't Help Falling in Love"; "Because We Believe", the closing song of the 2006 Winter Olympics in Turin, Italy, which Bocelli wrote and performed; "Somos Novios (It's Impossible), a duet with American pop singer Christina Aguilera; and his first recording of Bésame Mucho, which eventually became one of his signature songs. Amore debuted at No. 3 on the Billboard 200 chart, which at the time was Bocelli's highest chart position in America yet. It went on to sell 1.66 million copies in the United States and was certified Platinum. Bocelli was the seventh best-selling artist of 2006, in the United States, and was also certified Gold and Platinum in several other counties.

The Cure’s new album, Songs of a Lost World, is set for a live release called Songs of a Live World Troxy London MMXXIV.

The art of choral composition had become an estab-lished tradition in Switzerland by the 19th Century at the latest. It is no wonder, therefore, that the genre accompanied Frank Martin throughout his creative life, from the motetPourquoi voient-ils le jour?written in 1909 when he was just 19 years old, until his final cantata,Et la vie l'emporta, composed in 1974, a few months before his death. It inspired some of his most notable masterpieces (the Mass for Double Choir,Le vin herbe,In Terra Pax,Golgotha, among others), but he also produced a wealth of exquisite small-scale choral works.

With 25 years of reign and seven acclaimed albums under their belt, Grammy-nominated metalcore pioneers As I Lay Dying are back with an unmissable new album that will define their legacy for years to come. Poised to be one of the most highly-anticipated metal comebacks in years, the band’s eighth full-length studio album, Through Storms Ahead, will drop on November 15, 2024 via Napalm Records. Following their 2019 album, Shaped By Fire, which Loudwire named one of the best albums of that year, the new album is an evolution of newly explored elements that further bolster the proven line-up of vocalist Tim Lambesis and guitarist Phil Sgrosso alongside recent newcomers Ryan Neff (bass, clean vocals), Nick Pierce (drums) and Ken Susi (guitar).

In A Brother Abroad, Martin Bussey's rich compositional voice vividly brings to life the fascinating figure of Peter of Bologna, a fourteenth-century Franciscan bishop. This compelling new recording showcases baritone Marcus Farnsworth, soprano Alison Rose, and an ensemble led by pianist Libby Burgess, alongside Emma Halnan (flute), George Strivens (french horn), and Stephen Burke (percussion). The text, written by Anthony Pinching, draws on historical sources, and Bussey's music deftly balances moments of spirituality, political intrigue, and celebration. This album also features songs cycles A Chainless Soul and Children of Adam with texts by Emily Bronte and Walt Whitman respectively, and highlights Bussey's flair for dramatic storytelling and his deep connection to English song, cementing his reputation as a distinctive contemporary voice.

Prague Radio Symphony Orchestra Despite many name changes, the Czech (or Prague) Radio Symphony Orchestra is one of the country's most significant cultural institutions.

The Ultimate Collection spans the group's career in two discs, including the hits, B-sides, and key album tracks.
Although generally not as highly regarded by the critics as the Beatles, the Rolling Stones, or the Who, the Kinks may well have influenced far more musicians. The three-chord sledgehammer proto-metal burst of teenage lust called "You Really Got Me," the Kinks' third single and first hit, touched off a garage band explosion, which in turn influenced the rise of punk a decade later. Blessed with an astute songwriter in Ray Davies, the Kinks followed the template of "You Really Got Me" for a couple years, racking up hits with "All Day and All of the Night," "Tired of Waiting for You," and "Till the End of the Day." But Davies had more than one card in his pocket, and he blossomed into a sharp social satirist ("Dedicated Follower of Fashion")…

Missionary is the upcoming twentieth studio album by American rapper Snoop Dogg. It is set to be released on December 13, 2024, by Death Row Records, Aftermath Entertainment and Interscope Records.[1] Production will be handled by Dr. Dre and Snoop himself.[2] It will feature Eminem, Dr. Dre, 50 Cent, Sting, Method Man, Jelly Roll, Tom Petty, BJ the Chicago Kid, Jhené Aiko, Alus, K.A.A.N., Smitty, Dem Jointz, Cocoa Sarai, Stalone, and Fat Money. It will follow both of his albums that were released in 2022; his nineteenth studio album, BODR and Snoop Cube 40 $hort, which he was a member of the West Coast hip supergroup, Mount Westmore.

Jordi Savall Born on the 1st August 1941 in Igualada (Barcelona province, Spain), Jordi Savall i Bernadet is a cellist, violist, choir director, orchestra leader, and composer. His repertoire spans music dating from the Middle Ages to the Renaissance, and from the Baroque period until the nineteenth century. Savall was married to the Spanish soprano Montserrat Figueras from 1968 until her death in November 2011, and is the father of Arianna and Ferran Savall; both singers and musicians.

Manhattan born pianist Spike Wilner was inspired to play ragtime at a young age after seeing a docudrama on the life of Scott Joplin. This led to a life-long passion for piano playing, ragtime and jazz music in general. Spike made his performance debut at the age of fourteen playing Joplin at the St. Louis Ragtime Festival. Wilner has since performed with and has led many bands in New York City at many famous jazz clubs including The Village Gate, The Angry Squire, Visiones, Augies, The West End Gate and The Village Corner. He also toured with The Artie Shaw Big Band, The Glen Miller Orchestra and Maynard Ferguson. His new SmallsLIVE album shows the depth and keen intellect present in all his performances.

Wah Wah 45s celebrates 25 years as an independent record label with a deep and soulful selection of their most loved, and often perhaps most overlooked releases.From the jazz inflected Scandinavian soul of Sesong and Espen Horne, to all time classic cuts from Allison Crockett, Part-Time Heroes, Stac, Colman Brothers and Dele Sosimi & The Estuary 21; from folky faves from Speeka, Bev Lee Harling and Isaac Birituro & The Rail Abandon to Afro-soul nuggets from Léa Mondo, Afla Sackey & Afrik Bawantu and Eparapo; from canny covers courtesy of Honeyfeet, Henri-Pierre Nöel and the Hackney Colliery Band to electro-soul beauties from Jamie Finlay, Lawne, Hunrosa, Paper Tiger and The Milk, remixed by Scrimshire; from dubbed out reggae moments from Youthsayers, Resonators and Soothsayers remixed by Prince Fatty, to under-the-radar gems from Max Cole, Sam, Scrimshire, TALC, Hardkandy, The Gene Dudley Group, Kutiman and Gideon Conn - Wah Wah 45s is a label that's been committed to unearthing and sharing sonorous sounds and serious song-writing for a quarter of a century, and this is probably their most heart-felt and complete compilation to date.

Art Pepper’s third album on the Contemporary Records label, “Gettin’ Together” was released in 1960. Featuring a selection of both standards and originals the album also includes Conte Candoli (trumpet), Wynton Kelly (piano), Paul Chambers (bass), and Jimmy Cobb (drums). This new edition, released as part of the Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a tip-on jacket.

The second recording and first studio set by the L.A. Four matched together Bud Shank on alto and flute, guitarist Laurindo Almeida, bassist Ray Brown, and drummer Shelly Manne for a diverse yet consistently enjoyable program. The selections range from "Dindi" and "Manteca" to "St. Thomas" and a 13-minute exploration of "Concierto de Aranjuez." As usual, the band mixes together bossa nova and Brazilian jazz, some touches of classical music, and cool-toned bop. Recommended as a strong example of the group's appealing sound.

Dissolution was the follow-up album to 2016's Your Wilderness, and was the band’s second album to feature King Crimson and Porcupine Tree drummer Gavin Harrison, spurring The Pineapple Thief on as leaders of Europe’s experimental rock domain. Their efforts on Your Wilderness produced 4m+ album streams, a #7 in the UK Independent Charts and two extensive headline European tours culminating at London’s Islington Assembly Hall where the concert was recorded for the live release Where We Stood.
The new material established The Pineapple Thief's intent to elevate themselves to new heights, with a desire to develop their songwriting and technical capabilities, and with artwork created by iconic design agency Stylorouge, whose previous work includes Pink Floyd, David Bowie, Blur and British film Trainspotting…

Rome is the definitive live document of The National. Recorded live (without overdubs) on June 3, 2024 at the architecturally stunning venue Parco Della Musica Ennio Morricone, named for the famed Italian film composer, the 21-track LP showcases scintillating versions of beloved songs like "Bloodbuzz Ohio," "Don't Swallow the Cap," "I Need My Girl," "The System Only Dreams in Total Darkness," “England” and "Fake Empire"; plus sharpened readings of recent tracks "Eucalyptus," "New Order T-Shirt," "Tropic Morning News" and the boundary pushing "Smoke Detector." The double album, mixed by longtime collaborator Peter Katis, spans the band’s 20-plus years of songwriting and reveals how each song has taken on a new life in its live performance.