Inner Symphonies is entirely written and performed by Hania and Dobrawa, and recorded in Szczecin’s Philharmonic Hall. ‘It really comes from our two very close but very different worlds,’ explains Hania. ‘Inner means something little, private, intimate, while the symphonic means something huge. It’s a new adventure for us.’

Al Di Meola's "Twentyfour," is a testament to creativity. Conceived during the tumultuous times of the pandemic, what started as a simple acoustic project evolved into something much grander. Al's initial intention to craft a reflective acoustic album on the challenges of the time expanded exponentially as he found himself unable to resist the allure of boundless musical exploration.

The last of Quicksilver's albums before they broke up is a disappointment, and a real poser for all but the most dedicated fans. The songwriting was getting thin by this time, as indicated by the presence of numbers like "Chicken," a traditional piece arranged by Dino Valenti, which is little more than four minutes of wasted time on a 36-minute record. This track, and Valenti's promising but ultimately disappointing "Changes," were a sure sign that the band was delivering an album, but nothing more than that, as a way of fulfilling a contract; it's even hard to visualize the group doing this material on-stage. The presence of trumpets, trombones, and saxes is also a problem, because they make Quicksilver sound more like Blood, Sweat & Tears than themselves, and Valenti wasn't David Clayton-Thomas…

Not since his debut, Entrance, had Edgar Winter appeared in a solo capacity. This time out, he reverts to his heavy jazz and gospel influences to produce an album that merits much more attention than what it ultimately received. Winter is decidedly laid-back on tracks such as "Hello Mellow Feelin'" and "Tell Me in a Whisper," which serve as the finest of the nine tracks here. Winter puts on his party hat once again with the rocking "Out of Control," the final track on a pretty nice little rock & roll document.

Peter Green was discovered by John Mayall and was lead guitarist in the late 60 s Bluesbreakers before leaving to form Peter Green's Fleetwood Mac with Mick Fleetwood and John McVie. After well documented health problems, Green reappeared in the mid 90's, much changed but with his talent and love of the blues still intact, as an integral part of Peter Green Splinter Group.
Originally released in 2001 and only available at concerts or via the band's official website, this was their seventh album. The opening track, "I Believe My Time Ain't Long", is a variation on the Robert Johnson song "Dust My Broom". Green had first recorded the track with Fleetwood Mac in 1967 (variously credited to Elmore James or Jeremy Spencer), and it had been released as the band's first single.

Edge of the Century is the twelfth studio album by Styx, released in 1990. It was the first Styx album featuring A&M solo artist Glen Burtnik, the only album to feature the Dennis DeYoung/James Young/Glen Burtnik/Chuck Panozzo/John Panozzo lineup, and the last album to feature John Panozzo on drums before his death in 1996. The album spawned three singles. "Show Me the Way" was written by DeYoung and peaked at #3 on both the Hot 100 Pop Singles Chart and Adult Contemporary Chart due to the Gulf War Troops adopting the song as an anthem.

The Miró Quartet, celebrating their 30th anniversary this year, presents an album featuring the complete string quartets of Alberto Ginastera, one of the most influential Latin American composers of the 20th century. A master of vivid contrasts and emotional depth, Ginastera infused his music with the spirit of Argentine folk traditions, bold modernist language, and a profound sense of expression. These three quartets span the entirety of his creative development, tracing a fascinating journey across three distinct stylistic periods.