Drums Between the Bells is a collaboration by producer Brian Eno and poet Rick Holland. It was recorded just after Eno finished work on 2010's Small Craft on a Milk Sea, his debut for Warp, and it followed on the release schedule less than a year later. In that sense, the timing was good for such a risky project. Music and poetry are often difficult companions, and combining them is best left to experts; fortunately, Eno is just such an expert. Although Holland is an obscure poet, he first came to Eno’s notice back in the late ‘90s (through a university project), and his poetry is very good. Although his words and thoughts are impressionistic, his themes are easier to peg: urban living, science, and the intersection of philosophy and biology. The music is almost entirely Eno’s own, with only a few tracks featuring guest credits – much less so than his previous album. While scattered moments here prove that percussion is still not his strong suit, the production is inviting, innovative, and a larger contributor to the general excellence of the record than the poetry.

Before and After Science is the fifth studio album by British musician Brian Eno. Unlike Eno's previous albums which were written and recorded quickly, the album took over two years to complete. Several guest musicians from the United Kingdom and Germany helped with the album, including members of Roxy Music, Free, Fairport Convention, Can and Cluster. Over one-hundred tracks were written with only ten making the album's final cut. The musical styles of the album range from energetic and jagged to the later tracks which are more languid and pastoral.

Ever the iconoclast, if there is one thing that Brian Eno has done with any degree of consistency throughout his varied career, it is presenting his art in an array of perpetually "out of the box" forums. All that changed – in a manner of speaking – with the release of two companion multi-disc compilations. Eno Box I: Instrumentals (1994) condenses his wordless creations, while Eno Box II: Vocals (1993) does the same for the rest of his major works on a similarly sized volume. Interestingly – and in his typically contrary fashion – this initial installment was actually issued last. Each of Eno Box I: Instrumentals' three CDs respectively concentrates on a specific facet of the artist's copious back catalog.

Ambient pioneer, glam rocker, hit producer, multimedia artist, technological innovator, worldbeat proponent, and self-described non-musician – over the course of his long, prolific, and immensely influential career, Brian Eno has been all of these things and much, much more.

The audio companion to David Toop's excellent book advances the case he made, that Les Baxter, Aphex Twin, The Beach Boys, Herbie Hancock, King Tubby and My Bloody Valentine are all related by their effect on sound pioneering. A double-disc set, Ocean of Sound impresses not only with its incredible diversity of musical styles, but with how easily these artists work next to each other. The second disc includes consecutive contributions by Paul Schütze, the Velvet Undergound, Holger Czukay of Can, The Beach Boys, African Headcharge and Sun Ra. Besides illustrating Toop's point beautifully, the album is an excellent addition to the collection of any wide-ranging ambient fan.

Newly remastered by Miles Showell at Abbey Road. Celebrating Eno’s first-ever solo tour, ‘Ships across Europe’, joined by Baltic Sea Philharmonic conducted by Kristjan Järvi in October 2023.