Anna Pasetti - Liszt: Historical Transcriptions for Harp (2025)
FLAC (tracks), Lossless | 1:12:18 | 226 Mb
Genre: Classical
FLAC (tracks), Lossless | 1:12:18 | 226 Mb
Genre: Classical
Franz Liszt (1811-1886), though primarily known for his groundbreaking work as a pianist and composer, had an indirect but meaningful relationship with the harp. While he did not compose extensively for the instrument, he recognized its expressive capabilities and occasionally incorporated it into his orchestral and vocal works. His appreciation for the harp’s unique timbre is especially evident in pieces like the Dante Symphony and Les Préludes, where the harp adds a celestial or ethereal texture that complements his dramatic musical narratives.
Liszt’s circle of influence also brought him into contact with harpists of his time, and he occasionally arranged pieces that could be adapted for the harp. His transcription of Schubert's Ave Maria, for instance, has become a popular work among harpists. Though he never wrote solo harp compositions, the lyrical and arpeggiated nature of his piano writing shares similarities with harp technique, suggesting an understanding of the instrument’s expressive qualities.
Track List:
01. Serenade (Transcribed by Elias Parish Alvars)
02. Ave Maria (Transcribed by Peter Dubez): I. Ave Maria D'arcadelt, S.183/2
03. Ave Maria (Transcribed by Peter Dubez): II. Ave Maria
04. Consolations, S.172 (Transcribed by Edmund Schüecker): I. Andante Con Moto
05. Consolations, S.172 (Transcribed by Edmund Schüecker): II. Un Poco Più Mosso
06. Consolations, S.172 (Transcribed by Edmund Schüecker): III. Lento Placido
07. Consolations, S.172 (Transcribed by Edmund Schüecker): IV. Quasi Adagio
08. Consolations, S.172 (Transcribed by Edmund Schüecker): V. Andantino
09. Consolations, S.172 (Transcribed by Edmund Schüecker): Vi. Allegretto Sempre Cantabile
10. Ave Maria (Die Glocken Von Rom), S.182 [Ttranscribed by E. Schüecker]
11. Angelus! Prière Aux Anges Gardiens, S.163/1 (Transcribed by Wilhelm Posse)
12. Liebesträume, S.541 (Transcribed by W. Posse): I. Andantino Espressivo Assai
13. Liebesträume, S.541 (Transcribed by W. Posse): II. Quasi Lento, Abbandonandosi
14. Liebesträume, S.541 (Transcribed by W. Posse): III. Poco Allegro, Con Affetto
foobar2000 1.6.10 / Dynamic Range Meter 1.1.1
log date: 2025-10-28 14:51:36
––––––––––––––––––––––––––––––––––––––––
Analyzed: Anna Pasetti / Liszt: Historical Transcriptions for Harp
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DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -5.84 dB -26.21 dB 6:26 01-Serenade (Transcribed by Elias Parish Alvars)
DR15 -5.31 dB -26.58 dB 6:29 02-Ave Maria (Transcribed by Peter Dubez): I. Ave Maria D'arcadelt, S.183/2
DR13 -6.07 dB -24.74 dB 5:45 03-Ave Maria (Transcribed by Peter Dubez): II. Ave Maria
DR12 -13.15 dB -31.23 dB 1:43 04-Consolations, S.172 (Transcribed by Edmund Schüecker): I. Andante Con Moto
DR13 -7.98 dB -25.30 dB 4:42 05-Consolations, S.172 (Transcribed by Edmund Schüecker): II. Un Poco Più Mosso
DR13 -9.64 dB -27.50 dB 4:28 06-Consolations, S.172 (Transcribed by Edmund Schüecker): III. Lento Placido
DR13 -7.49 dB -25.25 dB 2:40 07-Consolations, S.172 (Transcribed by Edmund Schüecker): IV. Quasi Adagio
DR12 -8.20 dB -25.27 dB 3:11 08-Consolations, S.172 (Transcribed by Edmund Schüecker): V. Andantino
DR12 -7.90 dB -23.75 dB 4:43 09-Consolations, S.172 (Transcribed by Edmund Schüecker): Vi. Allegretto Sempre Cantabile
DR13 -4.79 dB -24.15 dB 6:07 10-Ave Maria (Die Glocken Von Rom), S.182 [Ttranscribed by E. Schüecker]
DR14 -4.00 dB -25.69 dB 8:17 11-Angelus! Prière Aux Anges Gardiens, S.163/1 (Transcribed by Wilhelm Posse)
DR15 -5.18 dB -25.25 dB 7:07 12-Liebesträume, S.541 (Transcribed by W. Posse): I. Andantino Espressivo Assai
DR15 -1.29 dB -22.62 dB 4:24 13-Liebesträume, S.541 (Transcribed by W. Posse): II. Quasi Lento, Abbandonandosi
DR13 -4.00 dB -22.24 dB 6:16 14-Liebesträume, S.541 (Transcribed by W. Posse): III. Poco Allegro, Con Affetto
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 14
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 479 kbps
Codec: FLAC
================================================================================
log date: 2025-10-28 14:51:36
––––––––––––––––––––––––––––––––––––––––
Analyzed: Anna Pasetti / Liszt: Historical Transcriptions for Harp
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -5.84 dB -26.21 dB 6:26 01-Serenade (Transcribed by Elias Parish Alvars)
DR15 -5.31 dB -26.58 dB 6:29 02-Ave Maria (Transcribed by Peter Dubez): I. Ave Maria D'arcadelt, S.183/2
DR13 -6.07 dB -24.74 dB 5:45 03-Ave Maria (Transcribed by Peter Dubez): II. Ave Maria
DR12 -13.15 dB -31.23 dB 1:43 04-Consolations, S.172 (Transcribed by Edmund Schüecker): I. Andante Con Moto
DR13 -7.98 dB -25.30 dB 4:42 05-Consolations, S.172 (Transcribed by Edmund Schüecker): II. Un Poco Più Mosso
DR13 -9.64 dB -27.50 dB 4:28 06-Consolations, S.172 (Transcribed by Edmund Schüecker): III. Lento Placido
DR13 -7.49 dB -25.25 dB 2:40 07-Consolations, S.172 (Transcribed by Edmund Schüecker): IV. Quasi Adagio
DR12 -8.20 dB -25.27 dB 3:11 08-Consolations, S.172 (Transcribed by Edmund Schüecker): V. Andantino
DR12 -7.90 dB -23.75 dB 4:43 09-Consolations, S.172 (Transcribed by Edmund Schüecker): Vi. Allegretto Sempre Cantabile
DR13 -4.79 dB -24.15 dB 6:07 10-Ave Maria (Die Glocken Von Rom), S.182 [Ttranscribed by E. Schüecker]
DR14 -4.00 dB -25.69 dB 8:17 11-Angelus! Prière Aux Anges Gardiens, S.163/1 (Transcribed by Wilhelm Posse)
DR15 -5.18 dB -25.25 dB 7:07 12-Liebesträume, S.541 (Transcribed by W. Posse): I. Andantino Espressivo Assai
DR15 -1.29 dB -22.62 dB 4:24 13-Liebesträume, S.541 (Transcribed by W. Posse): II. Quasi Lento, Abbandonandosi
DR13 -4.00 dB -22.24 dB 6:16 14-Liebesträume, S.541 (Transcribed by W. Posse): III. Poco Allegro, Con Affetto
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 14
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 479 kbps
Codec: FLAC
================================================================================

