This was a beautiful bossa nova record of Astrud Gilberto's vocal stylings… All the material here, with the exception of "Learn to Live Alone" and "Pretty Place," which were arranged by Al Cohn, were arranged by Gil Evans. With the exception of a Johnny Coles trumpet solo, the personnel was uncredited on this 1966 recording. Discographies have credited Bob Brookmeyer (valve trombone), Kenny Burrell (guitar), and Grady Tate (drums), but except for a few bars of sax, there was no solo indivdualism in this large Creed Taylor-produced orchestra.

Remixed and remastered classic Ayreon album, originally released in 2004, with bonus tracks from the Ayreon archives. The Human Equation was the sixth album from the progressive rock project Ayreon by Dutch musician Arjen Lucassen. As with other Ayreon albums, it features guest appearances from several musicians previously unrelated to the project, including James LaBrie of Dream Theater, Mikael Åkerfeldt of Opeth, Eric Clayton of Saviour Machine, and Devin Townsend, performing music arranged and written by Lucassen.
The album explores the idea of psychological rebirth, and follows the story of a man who, after falling into a coma following a car crash, is confronted with his past, his emotions, and his current situation as he lays trapped inside his own mind…

Compiled with the full involvement of Roland and Curt, ‘The Hurting - 30th Anniversary Edition’ brings together the original album remastered at Abbey Road studios, plus all of the relevant B-sides, edits and remixes from the period, many of them available for the first time and a third CD of previously unreleased live sessions. Each of the four discs will be packaged in individual gatefold wallets and the box will also contain a replica of the Tears For Fears’ 1983 tour programme and a 34-page hardback book detailing the making of the album with rare and previously unseen photos.
The Hurting would have been a daring debut for a pop-oriented band in any era, but it was an unexpected success in England in 1983, mostly by virtue of its makers' ability to package an unpleasant subject - the psychologically wretched family histories of Roland Orzabal and Curt Smith - in an attractive and sellable musical format…

Long awaited album from the master of cubist fusion on which Holdsworth plays synthaxe as well as guitar. 8 tracks produced by Holdsworth, includes special guests Walt Fowler & Chad Wackerman. The Sixteen Men of Tain is the tenth studio album by guitarist Allan Holdsworth, released in March 2000 through Gnarly Geezer Records (United States), Polydor Records (Japan) and JMS–Cream Records (Europe); a remastered edition was reissued in 2003 through Globe Music Media Arts. The album's title is a reference to the Glenmorangie distillery in Scotland. This was the last recording to be made at Holdsworth's personal recording studio The Brewery.

John Coltrane's watershed 1960 release featuring the iconic title track and "Naima". One of the most influential jazz albums of all time! Hybrid Stereo SACD. Mastered direct to DSD from the original master tape by Ryan K. Smith at Sterling Sound.

With J Jazz volume 4, the BBE J Jazz Bullet Train continues its journey traversing the expansive landscape of modern Japanese jazz. Volume 4 is the latest in the universally praised compilation series exploring the best, rarest and most innovative jazz to emerge from the Far East. Please take your seats for a first-class ticket to J Jazz central.

Guthrie Govan, Bryan Beller and Marco Minnemann will release their new album this summer - the follow-up to 2015's Tres Caballeros.

Grammy-nominated blues, soul and Americana singer is beloved and honored worldwide for her joyful, defiant music and thrillingly soulful performances. Blame It On Eve is another exhilarating Shemekia Copeland showcase, as her rousing vocals bring the heat to an infectious array of muscular rockers, stomping blues, swampy soul, and heartbreaking ballads. Intense, topical new originals make up most of the tracks and soul-soaked versions of songs by Stevie Wonder and her father, Johnny Copeland, fit right into the mix.

Omega's thirteenth studio album Babylon!, is getting a two-disc, picture book edition. The legendary rock band Omega's 13th studio album, Babylon, originally released in 1987, has been reissued with remastered sound and bonus track, rekindling the excitement among longtime fans and introducing this classic to a new generation. The reissued verson offes superior sound quality that honors, the band's legacy and includes previously unavailable bonus track.

Eric Gales is a blues firebrand. Over 30 years and 18 albums, his passion for the music and his boundless desire to keep it vital has never waned, even when his own light dimmed due to his substance struggles. Five years sober, creatively rejuvenated, and sagely insightful, Eric is ready for the fight of his career. Aptly, he calls his masterful new album, out January 2022 on Provogue/Mascot Label Group, Crown. The songs are delivered with clarity and feature Eric's personal experiences and hope for positive change. In addition, the 16-track collection boasts his finest singing, songwriting, and his signature guitar playing that burns throughout. Produced by Joe Bonamassa and Josh Smith, this is Eric at his most boldly vulnerable, uncompromisingly political, and unflinchingly confident.

Given the sheer number of Who compilations over the years - including The Who Hits 50!, a career-capping retrospective that appeared just three years prior to this 2017 box - it may be easy to cast a cynical eye upon Maximum A's & B's, which it doesn't deserve. For one, there hasn't been a large-scale Who box set since 1994's Thirty Years of Maximum R&B - most of the comps have been simple hits collections - and, secondly, the Who benefit from having attention being drawn to their singles. At the dawn of their career, the Who mastered 7" blasts of pop art and even when Pete Townshend toiled over rock operas, he couldn't resist the pull of a 45, releasing non-LP singles as late as 1972 and hiding excellent songs on B-sides along the way. The Who continued to release singles over three-plus decades, using them as calling cards for reunions or samplers of latter-day live albums, and Maximum A's & B's collects them all…