Time, Love & Tenderness is the seventh studio album by American recording artist Michael Bolton. The album was released on April 23, 1991 by Columbia Records; it was produced by Walter Afanasieff and Michael Bolton. The album topped the Billboard 200 chart and produced four Top 40 singles: a cover of Percy Sledge's "When a Man Loves a Woman" reached No. 1 on the Billboard Hot 100 chart, "Love Is a Wonderful Thing" reached No. 4, "Time, Love and Tenderness" reached No. 7, and "Missing You Now" reached No. 12. All four singles reached the Top 40 in the UK as well, as did a fifth single released only in the UK, "Steel Bars". This is the only album from Bolton's "hit period" that is out of print, due to legal issues surrounding the song "Love Is a Wonderful Thing." The album has since been released on iTunes and other digital music services, with "Love Is a Wonderful Thing" available as an "album-only" download. After reaching the top spot, the album enjoyed a steady stay on the charts, eventually selling over 8 million copies in the US. Worldwide, the album has sold approximately 16 million copies and is his best-selling album to date.

Collection includes: Im Nin'alu (Played In Full Mix) (1987) Maxi-Single 1988; Shaday (1988); 5 Tracks (1989) Japan Only EP; Desert Wind (1989); Kirya (1992); Ofra Haza (1997); Forever Ofra Haza: Her Greatest Songs Remixed (2008).

Chorus sine nomine, founded in 1991 by Johannes Hiemetsberger, is one of the most distinguished and innovative concert choirs in Austria. On this CD, the choir presents motets by Anton Bruckner. Bruckner simply called them sacred choruses, as the reason for their composition can usually be traced back to a liturgical occasion. The six works on the CD correspond to such liturgical interludes: Graduale (Christus factus est, Locus iste, Os justi, Virga Jesse), Offertorium (Ave Maria) and a hymn for the Good Friday liturgy (Vexilla regis). As an organist, Bruckner was admired above all for his improvisations. He was particularly admired for his high contrapuntal skills, in which he demonstrated his craftsmanship in fugue and imitation. The style of the fugal parts of his improvisations was based on Baroque patterns (such as Handel), while in other, more imaginative parts the tonal language of his organ playing became increasingly typical of Bruckner. Martin Haselböck establishes this connection to Bruckner with his organ improvisations.

Avid Jazz presents three classic Duke Jordan albums plus including original LP liner notes on a finely re-mastered double CD. “Trio & Quintet”; Flight To Jordan” and “Les Liaisons Dangereuses” plus 4 tracks from “Do ItYourself Jazz: Volume 1”.
Our featured man Duke Jordan is featured on the first four tracks from our first selection from the Jazz Laboratory Series “Do It Yourself Jazz: Volume 1” playing alongside Gigi Gryce on alto sax, Oscar Pettiford on bass and Kenny Clarke on drums. For “Trio & Quintet” Duke is joined for the Trio by Percy Heath on bass and Art Blakey on drums. For the Quintet recordings he is again joined by Heath and Blakey but with the addition of Cecil Payne on baritone sax and Eddie Bery on trombone…

Seasick Steve releases his new album Can U Cook? via BMG Rights Management. The album has Steve mixing up all of his much-loved ingredients to deliver a fresh new record that’s full of sunshine, as well as being a good ol' Seasick mix of boogie, blues, rock, americana and folk-music.

Lost in Love is the fifth studio album by Australian soft rock band Air Supply, released in March 1980. Their previous four albums never received much attention outside Australia, but Lost in Love was a massive success on international charts. It peaked at #22 in the US with three Top 5 singles. It sold over 3 million copies, reaching multi-platinum status.

Four-time Grammy® winners turn their attention to a very unique take on Holiday Favorites. Big Band Jazz, with some very special guests, will make your Holidays especially Merry! Carol of the Bells (feat. Eric Marienthal, soprano sax) Do You Hear What I Hear? (feat. Take 6) Let It Snow, Let It Snow, Let it Snow (feat. Jeff Driskill, tenor sax) Hark The Herald Angels Sing (feat. Trey Henry, bass, Gordon Goodwin, piano, Andy Martin, trombone) The Little Drummer Boy (feat. Jay Mason, baritone sax, Andrew Synoweic, guitar) A Christmas arol (feat. Wayne Bergeron, trumpet, Francisco Torres, trombone) I Heard the Bells On Christmas Day (feat. Dan Fornero, trumpet, Gordon Goodwin, tenor sax) Somewhere in my Memory (feat. Gordon Goodwin, soprano sax) Santa Baby (feat. Brian Scanlon, tenor sax, Willie Murillo, trumpet) Have Yourself a Merry Little Christmas.

Formed in the wake of the punk explosion in England, Joy Division became the first band in the post-punk movement by later emphasizing not anger and energy but mood and expression, pointing ahead to the rise of melancholy alternative music in the '80s. Though the group's raw initial sides fit the bill for any punk band, Joy Division later incorporated synthesizers (taboo in the low-tech world of '70s punk) and more haunting melodies, emphasized by the isolated, tortured lyrics of its lead vocalist, Ian Curtis. While the British punk movement shocked the world during the late '70s, Joy Division's quiet storm of musical restraint and emotive power proved to be just as important to independent music in the 1980s.

Stunning limited edition box set by this great Swiss neo prog band. Box set includes all 4 studio CD's that are remastered with bonus tracks, booklet with biography and photos as well as an autographed certificate of authenticity. Hand-numbered edition of 1,000.
Many aspects feature in their beautiful music, mainly the outstanding voice of Aluisio Magini, which fits perfectly on top of a well structured instrumentation. Although this band continues the path signed by IQ or Pendragon, they do it in a more bombastic and powerful way, keeping the sense of melody and beauty at the same time. Listener won't find tons of originality, but this album guarantees an excellent hour, specially to neo-prog fans.

The iconic Pixies forged an influential path for alt-rock during their first era, while their post 2004 reunion has seen them alchemize more sophisticated dark arts - a return which has them add another three UK Top 10 albums to the three they achieved on their first run. Now as fired up as ever before, Pixies release their eighth studio album Doggerel via BMG, including lead single ‘There’s a Moon On’. Doggerel is a mature yet visceral record of gruesome folk, ballroom pop and brutal rock, haunted by the ghosts of affairs and indulgences, driven wild by cosmic forces and envisioning digital afterlives where no God has provided one. And all the while, right there on the news, another distant storm approaches.

This new album will please old fans and gain new as it has something for everyone. Both transcendent and surprising, As The Love Continues shows that Mogwai are still offering solace from the mundane, supplying the soundtrack to whatever movie you are making in your head.

Manchester Orchestra’s sixth album The Million Masks of God via Loma Vista Recordings—showcases the strength and boundary-pushing invention of Manchester Orchestra’s consistently impressive catalog. The album is a testament to the kinship of the band’s songwriting duo, Andy Hull and Robert McDowell; a bond that enabled them to take a deeply personal experience and turn it into limitless, compassionate, communal, revelatory art. “There’s a decision we’re faced with when experiencing loss and the inevitable grief that follows. Do we let it sink us? Try to ignore it and pretend it’s not there? Or do we search and dig until we find signs of beauty in life and all of its experiences? In a way, the grief will always define you, but being together and creating something meaningful from all of the hardships has been the most helpful tool I’ve found,” says Hull.

Greg Gonzalez often thinks in cinematic terms. “It should have a rougher feel, like a documentary would,” the Cigarettes After Sex frontman tells Apple Music of the recording process for Cry, his ambient pop outfit’s sophomore LP. “In film, it's like, 'Do you shoot on location or do you shoot on set?' We weren't in some office recording studio where there were standards of how you do things and gear set up. Our overall philosophy is to avoid studios. We should just record where it feels nice.” For Cry, that meant returning to a cathedral they’d once played in Germany and setting up in the courtyard of a Mallorcan villa. “It definitely made everyone play in a very relaxed way, which was exactly what I was looking for,” Gonzalez says. “In the end, I liked the energy in the gentle landscape of Mallorca, the wind in the trees under the stars. And that's how the feeling of the record was, too.” Here are the stories behind every song on the album.

Algiers returns with Shook, their first new music since 2020’s There Is No Year. Shook features contributions from Rage Against The Machine’s Zack De La Rocha, Boy Harsher’s Jae Matthews, Big Rube, billy woods, Backxwash, and many more.

Klaus Schulze is a founding member of Tangerine Dream and Ash Ra Tempel, two seminal bands in the evolution of synthesizer-based electronic music. In 1989, Klaus Schulze accepted an invitation to perform at an outdoor concert in the then East German city of Dresden. This double-CD package contains two long compositions that were captured live, plus studio versions of material which Schulze had prepared for the concert.