The Greek duo of lyra player Sokratis Sinopoulos and pianist Yann Keerim’s first studio statement is a deep well of inspired musical dialogues that cross the idiomatic space between European folk tradition and chamber-jazz seamlessly. Bartók’s six “Romanian Folk Dances” appear in newly shaped guises throughout the album, with Sokratis’s painterly lyra playing setting a lyrical counterpoint against Yann’s in turns rhythmically propulsive and quietly thoughtful accompaniment. This is the first time the duo is heard distilled from Sokratis’s acclaimed quartet (albums Eight Winds and Metamodal) and their conversations interlock gracefully, always responsive to one another and with a keen sense of space and atmosphere. Their own duo elaborations join the Bartók studies unnoticeably, as everything becomes connected by the pair’s fluid expression. Recorded in Athens, in February 2024, the album was produced by Manfred Eicher.

With Melancholia, Rick Wakeman completes a remarkable trilogy of solo piano works that began with Piano Portraits (2017) and continued with Piano Odyssey (2018) - both landmark albums that found him reaching new heights of popularity and critical esteem as a solo artist. But while those records looked outward, reinterpreting beloved melodies and exploring sweeping themes, Melancholia turns inward, inviting us into the most personal, introspective, and perhaps profound music of Wakeman’s storied career.

Acclaimed saxophonist/composer Jerome Sabbagh reconvenes his longstanding quartet for the first time in more than a decade for the timely "Stand Up!".

Named one of the 100 Greatest Albums of the 1980s by Rolling Stone. Featuring the anthem “I Love L.A.," that helped define his legacy as a voice in American music. This edition will also feature Un Samedi En Décembre, a promotional live album originally released exclusively in France and included with early French copies of the album and the previous unissued demos. With Warner Bros. hitmakers Russ Titelman and Lenny Waronker producing, and star-studded cast of guest vocalists including Paul Simon, Linda Ronstadt, and Bob Seger, the 1983 collection display the craftsmanship that would make the singer-songwriter one of the most sought-after composers for film and TV.

Described by the brothers as “a rock album made without any electric guitars” All Systems Are Lying was built entirely from modular synths, live drums, tape machines and processed vocals. It’s a fractured mirror held up to modern society on the brink — where truth is distorted by filters, algorithms and noise.

The revered debut from the genre-spanning guitarist, singer and songwriter, Terry Callier, has returned to vinyl. Originally recorded in 1964 for Prestige Records, the album features Callier’s version of standards such as “Cotton Eyed Joe” and “900 Miles.” AllMusic calls it Callier’s “most timeless and inviting” release.” Newly remastered from the original tapes and available in hi-res.

Chris Rea has one of the most distinctive voices in rock, and since the release of ‘Driving Home For Christmas’ in 1988, it has become as synonymous with Christmas as holly, mistletoe and turkey!

While playing for Phil Lesh, I became friends with his son, Grahame, and we started booking shows called Dead Blues, a Phil and Friends offshoot that used the traditional blues and folk songs from the Grateful Dead catalog as a vehicle to bring new musicians from the blues and rock scene into Phil’s orbit like the Blind Boys of Alabama, Charlie Musselwhite, G. Love, JD Simo, and many others.

23 live tracks from the acclaimed Luck and Strange Tour. Recorded at selected shows from the tour and blends solo tracks from David’s most recent album, including a stirring rendition of Between Two Points with Romany Gilmour as well as classic Pink Floyd anthems such as Sorrow, High Hopes, Breathe (In The Air), Time, Wish You Were Here, and Comfortably Numb.