Bon Jovi's 40th anniversary year ends with an all-time best album of songs selected by Japanese fans. Features the high-fidelity SHM-CD format. The booklet includes never-before-seen photos taken during past performances and promotions in Japan (subject to change). Commentary by Masanori Ito. Includes lyrics and bilingual translation. Japan-only release. This edition comes with a bonus Blu-ray featuring HD music video(s) and other footage (subject to change). Comes with four trading cards randomly selected from 15 kinds.

La compil phare d'NRJ est de retour ! Tous les HITS de l'été 2025 réunis sur 3CDAvec David Guetta, SANTA, Benson Boone, Lénie, GIMS, Linh, Kendji Girac, Charlotte Cardin, Pierre Garnier, Louane…

Celebrating 45 years of soundtracking sunsets in Ibiza, the 45th anniversary compilation brings together a carefully curated selection of chilled-out tracks that reflect the spirit of the original sunset bar. Known for its iconic sunset sessions, Café del Mar Ibiza has become a symbol of the chillout movement and Balearic music.

Every compilation series has an end. After 10 outstanding issues, we are saying goodbye to the Praise Poems series, which is highly appreciated by collectors and music lovers, with this 11th installment. With this final installment, we are deliberately venturing into a genre that we have only included in exceptional cases to date: Power Pop of the late 1970s and early 80s.

Paul McCartney retreated from the spotlight of the Beatles by recording his first solo album at his home studio, performing nearly all of the instruments himself. Appropriately, McCartney has an endearingly ragged, homemade quality that makes even its filler – and there is quite a bit of filler – rather ingratiating. Only a handful of songs rank as full-fledged McCartney classics, but those songs – the light folk-pop of "That Would Be Something," the sweet, gentle "Every Night," the ramshackle Beatles leftover "Teddy Boy," and the staggering "Maybe I'm Amazed" (not coincidentally the only rocker on the album) – are full of all the easy melodic charm that is McCartney's trademark.

Steve Harley's iconic album The Best Years Of Our Lives celebrates its 50th anniversary in 2025 and to mark the event, Chrysalis Records is proud to present an expanded 3-Disc edition featuring a 2025 Stereo Mix by Alan Parsons and a single LP Version. Following the split of the original Cockney Rebel line up, Harley endeavoured to form a new line up while renaming the group as Steve Harley and Cockney Rebel. The result of this newfound group was electric, with the band producing their biggest hit; the number one, million-selling anthem 'Make Me Smile (Come Up And See Me)'. The lead track has gone on to have a life of its own, produced by Alan Parsons, just two years after he engineered Pink Floyd's Dark Side Of The Moon, this album stands tall as an assured collection of top tier prog-glam-pop.

Weather Report's fourth recording finds Wayne Shorter (on soprano and tenor) taking a lesser role as Joe Zawinul begins to really dominate the group's sound. Most selections also include bassist Alphonso Johnson and drummer Ishmael Wilburn although the personnel shifts from track to track. "Nubian Sundance" adds several vocalists while "Blackthorn Rose" is a Shorter-Zawinul duet. Overall the music is pretty stimulating and sometimes adventurous; high-quality fusion from 1974.

As part of a planned year-long celebration of The Beach Boys’ 60th anniversary, Capitol Records/UMG are to release a newly remastered and massively expanded edition of the group’s greatest hits collection Sounds Of Summer: The Very Best of The Beach Boys.This collection was originally issued in 2003 and contained 30 tracks. The reissue updates both the number of songs and the audio quality with an extra 50 songs, giving a total of 80 tracks across three CDs or six vinyl LPs.

This recording would be ideal for one with the intent of studying the scores, as it is a rather exact and unbiased read, quite true to Schubert's intended style. The pharsing, choice of tempi and degree of precision are examplary for a work of the era.

The talented organist and harpsichordist Maud Gratton is an artist constantly seeking perfection. A graduate of the Paris Conservatoire, she trained with such great masters as Pierre Hantaï (harpsichord) and Louis Robilliard (organ), as well as with Olivier Baumont, Blandine Rannou, Kenneth Weiss, Michel Bouvard, Olivier Latry, and Olivier Trachier.

S'il est un exemple en France d'éditeur indépendant dynamique, c'est bien celui du label lorrain K.617. Depuis le début des années 90, celui-ci, sous la houlette d'Alain Pacquier, explore, défriche des terres musicales jusque-là inconnues de nos contemporains. Il faut dire que le répertoire exhumé est celui d'Amérique latine ; autrement dit, K.617 a fait ici œuvre de pionnier en révélant aux discophiles des merveilles sonores insoupçonnées. Comme en témoignent la réédition de La Purpura de la Rosa et des musiques extraites de la Mission San Francisco Xavier : des pièces issues du riche patrimoine baroque d'Amérique latine, où tout virevolte, où les rythmes s'entrechoquent, où les voix émeuvent par leur prégnance et la richesse de la palette expressive. Des (re)découvertes qui ne peuvent laisser insensible.

A 3 CD set collecting highlights from the band's entire career. Progressive rock's first supergroup, Emerson Lake & Palmer fused together rock and classical music like no-one before. This 3CD set collects highlights from their entire career. ELP were no strangers to extended instrumental suites and longer running times. 'Take A Pebble' from their debut album ran for twelve and a half minutes, whilst the follow-up, 'Tarkus', featured a twenty-minute title track. Piano and keyboard workouts by Keith Emerson, often adapted from the classical realm, dazzle on these longer pieces. Their UK #2 hit single 'Fanfare For The Common Man' was inspired by an Aaron Copland work. Bassist Greg Lake would contribute shorter tracks, often ballads, that would become known via radio play: US hit 'Lucky Man', 'From The Beginning' and a single that is familiar to all, 'I Believe In Father Christmas'.
All are featured on 'Emerson Lake & Palmer - The Ultimate Collection'.

Retaining the buoyant musical feel of Paul Simon, but employing a more produced sound, There Goes Rhymin' Simon found Paul Simon writing and performing with assurance and venturing into soulful and R&B-oriented music. Simon returned to the kind of vocal pyrotechnics heard on the Simon & Garfunkel records by using gospel singers. On "Love Me Like a Rock" and "Tenderness" (which sounded as though it could have been written to Art Garfunkel), the Dixie Hummingbirds sang prominent backup vocals, and on "Take Me to the Mardi Gras," Reverend Claude Jeter contributed a falsetto part that Garfunkel could have handled, though not as warmly.

3CD box set presented with enhanced booklet. Musical visionaries Keith Emerson and Greg Lake planned to re-form ELP in 1984, however drummer Carl Palmer was unavailable. Into the frame stepped the legendary Cozy Powell, best known for his work with Rainbow and Whitesnake. Included is the band's one and only studio release: 'Emerson Lake and Powell' featuring three bonus tracks, their live album 'Live in Concert' and a CD of rehearsals, 'The Sprocket Sessions', only previously released in the 90s as a bootleg. The collection includes sleeve notes by Jerry Ewing, editor of PROG Magazine, who takes a forensic look at the band's short but impactful history. The band's self-titled studio album delivers material familiar in style to ELP with long progressive rock tracks, mellow ballads, and a classical theme ('Mars, the Bringer of War' by Gustav Holst, a piece previously performed by Lake during his tenure in King Crimson). All recordings have been re-mastered by renowned engineer Andy Pearce. This collection has been curated with the blessing of the Emerson, Lake and Powell families. If you are a fan of ELP, you cannot afford to have this part of the Emerson and Lake history missing from your collection.

Here's a treat for your ears: a new mix from our catalogue, but with a twist. Most of the tracks are newly arranged, reheated & respiced! An hour of mostly new music, with a dash of house flavor. An
energetic and playful tour through the world of Caravan Palace, a journey between the past and the present.
If you still have to call it "electro swing", this time it's more "electro" than usual. This is mainly due to the remix work of Shiny Mob (Arnaud's solo project). No big claims - just an hour of our own musical enjoyment. It will make you smile, move your body and maybe discover something you missed (or forgot). This is the third mix like this. But this time it's available on all platforms for everyone to play, anywhere! And… we've actually sneaked in some unreleased tracks. Enjoy!