Spirit: Stallion of the Cimarron is a soundtrack album and the ninth studio album by Bryan Adams and Hans Zimmer to the animated feature of the same name. The album was released on May 14, 2002 and includes the European hit, "Here I Am". Both the English and French versions of the album have Bryan Adams as the singer.

On British Blues Explosion Live, Joe Bonamassa pays homage to legendary British guitarists Eric Clapton, Jeff Beck and Jimmy Page with his stunning performance of their blues-rock classics. Recorded at Greenwich Music Time at The Old Royal Naval College in London in July, 2016. The 5 piece band included Michael Rhodes (bass), Reese Wynans (keyboards), Anton Fig (drums) and Russ Irwin (rhythm guitar/backing vocals). PBS Pledge campaign running early March. Bonus features include; 2 extra tracks, fan footage and photos.

As one of the most recorded keyboardists of all time, with over 300 albums featuring his unmistakable sound, Don Airey’s skills have been valued by nearly every rock ’n’ roll superstar. The list includes legendary artists and bands such as Ozzy Osbourne, Rainbow, Whitesnake, Judas Priest, Gary Moore, Brian May, Jethro Tull, Black Sabbath, and, of course, Deep Purple, the band Don Airey has been a full-time member of for over twenty years. After last year’s success, when Deep Purple secured their fourth consecutive number-one album with ‘=1’ and a subsequent global tour, Don Airey kicks off 2025 with the same energy in his solo work.

Reuniting with all their original members plus original producer Stephen Street just over a decade after their swan song Wake Up and Smell the Coffee, the Cranberries recapture the sound of their earliest records on 2012's Roses. Nearly 20 years have passed since their breakthrough Everybody Else Is Doing It So Why Can't We?, so it shouldn't come as a surprise that there are some signs of age on Roses, notably in an increased sense of professionalism in the band's craft and also in a slight stripping of the ethereal echo that gave their debut an appealing floating quality. Without this dreaminess, the Cranberries are merely pretty, but unlike the turgidly ambitious Bury the Hatchet and Wake Up and Smell the Coffee – or on Dolores O'Riordan's pair of perfectly fine solo albums – Roses has definition and momentum, momentum that doesn't derive from artificially enhanced electric guitars, either.