Andrew Manze's interpretations of Vaughan Williams's Symphonies have met with acclaim from audiences and critics alike. This second volume in his complete symphony cycle with the Royal Liverpool Philharmonic Orchestra features Symphonies Nos.3 and 4. These two works were heavily influenced by the Great War and its aftermath. Full of repressed rage and sorrow at the futility of the war, Symphony No.3 is often seen as a war requiem. Symphony No.4 is a violent and turbulent work, reflecting the post Great War world and the political turmoil of the 1930s. Both works are illuminated by Manze's distinguished leadership.

“One of the great interpreters of J. S. Bach,” was the New York Times’ description of the German organist and harpsichordist Helmut Walcha (1907-1991). His “intuitive grasp of the composer’s mind and intentions” was noted by The Guardian, while Gramophone judged that “his coherence and inner logic as a Bach interpreter remain unsurpassed.” Walcha’s recordings of Bach’s major solo keyboard works, performed on the harpsichord, are gathered together in this superb 13-CD collection.

What is so good about Sir Roger's performances are that they are alive, vibrant, full of colour, devoid of clichés, utterly musical, coherent and convincing. Like Thomson he has a reliable ear for balance and texture and an instinctive ability to gauge the correct and most effective tempi.

Bobby Sherman never got much critical respect during the prime years of his career. Oh, he sold tons of records, to be sure, but the virtues of those recordings were eclipsed by his good looks and the publicity successes of his management, which got him on the cover of every teen magazine in the country, seemingly for four years running. Listening to this collection, it dawns on one just how much respect he did deserve as a singer (and reportedly still does, based on what people say of his 21st century shows). This is bubblegum rock, to be sure, but it's all amazingly "unsticky" for bubblegum rock, and Sherman's delivery on the 18 songs here is solid and effective, and holds up across 40 years. When he delivers the key lines from "Seattle" (the theme song from his series Here Come the Brides), he makes you feel that he feels the "hopes and fears" referred to, and the loneliness behind "time to leave your home and your loved ones" – and then he turns around and melds into the jauntiness of "Easy Come, Easy Go" just as easily. Sherman then switches gears into the Day-Glo-toned "Hey, Mister Sun," and makes you feel the boundless, easygoing joy around those lyrics. The fact is, Sherman was not only a superb singer but also a better actor than he ever got credit for being, an attribute that he throws into his records and which, coupled with first-rate pop production, makes them work brilliantly, even four decades on.

…To Be Loved: The Best of Papa Roach is the first compilation album by American rock band Papa Roach. It was released on June 29, 2010. It was the band's final album with Geffen Records, after the band left for Eleven Seven Music. The album omits one of the band's biggest singles, "Between Angels and Insects", which was a top 20 hit in the UK. The band members themselves asked their fans not to buy this CD (as well as expressed their resentment towards Geffen/Interscope) because they do not endorse this release, nor would they receive royalties for its sales.

Record Store Day 2020. Classic performance from Alice Cooper recorded live from The Apollo theatre Glasgow, Scotland, Feb 19, 1982 on his "Special Forces Tour". This recording is largely unreleased with only three tracks - "Who Do You Think We Are", "Under My Wheels" and "Model Citizen" - being previously released as 12" B-sides in 1982, and have not been available since. Strictly limited to 7000 copies.

Made in Japan.Track 13 "Sign Of The Times" is a bonus track.

Two CD collection containing both of his cult classic electronic albums 'Emotional Disguise' (1982) and 'Correspondence' (1983). Plus all the spin-off singles and remixes from his time at Polydor, between 1981 and 1983, when he was one of the stylish lynchpins of the burgeoning New Wave / New Romantic scene! Mostly produced by Georg Kajanus from the bands Sailor and DATA, Peter's repertoire is synth- pop opulence, grandiose in scale and intent. Swoon in the melodic vastness, the majestic sweeps of lush, layered analogue synths. It is unmistakably ear-worm electronic pop, but with cinematic intimations of gloriously exotic other worlds. It presents, at times, as if an electronic travelogue of emotion fronted by the rich baritone of a suave matinée idol troubadour whose influences were unashamedly Moroder, Bowie and Ferry. It is arguably his highly sought after sensuous debut single, the Midge Ure produced 'Torch Songs For The Heroine', which has endured; the hidden gem of the 'Ballad Version' of which bristles with a redolence of Ultravox's 'Vienna' and it's landmark atmospheric, filmic, synth-pop sparseness. The release comes with a 28-page booklet containing both an introduction and comprehensive track-by-track listening notes written by Peter Godwin along with full lyrics and evocative period photographs.

Six CD set. Five albums from the early days of Magnum - four studio recordings and the live 'Marauder' album. Covering releases from 1978-1983 plundering their archives with plenty of rarities and B-sides, demos and live tracks. Magnum originally formed in Birmingham in 1972 around guitarist and songwriter Tony Clarkin and singer Bob Catley.

Originators of the "Hoboken Scene" The Lost Live Album from 1985 is released for the first time. Available only on CD, it captures their sound that took them everywhere from "Drums Along The Hudson" to "Beat Hotel."

Bruce and the E Street Band perform a 30-song set on the second night in Liverpool. In the encore, Sir Paul McCartney joins for two songs: a debut performance of The Beatles’ “Can’t Buy Me Love” (written by Lennon–McCartney), and “Kansas City” (last performed in 2012; written by Leiber and Stoller, popularized by Little Richard, The Beatles, and James Brown).

All six albums Joan Baez recorded for A&M during the '70s with non-LP singles-a long-overdue look at a key phase in her career! This box has every note from this fertile period, including the albums Come from the Shadows, Gracias La Vida (Here's to Life), Diamonds and Rust , the live album From Every Stage and the never-before-on-CD Where Are You Now My Son? and Gulf Winds releases.

Helena Juntunen is currently one of Finland s most dazzling young sopranos to have established an international career. Her responsive soprano voice enraptures audiences with its freshness, and her phrasing is praised for its expressive and natural quality. Helena s career in Finland was established through winning many competitions, one of the most important of which was the ladies section of the Lappeenranta Singing Competition in 2002, and in October 2006 she was awarded the Karita Mattila prize.

After more than a decade of music-making, the trio have blossomed as a unit and are basking in their successes. On their aptly titled new album, Flowers, The Indications unfurl their true colors — embracing all their roots and influences, maturation and confidence, and share them with the world. "We spent the last 10 years building this house and now we’re living in it,” says Blake Rhein.

Gustavo Dudamel and the LA Philharmonic accent the colours, rhythms, and passion of music by leading composers from Argentina in this invigorating evening at the Hollywood Bowl. Master of the Tango Nuevo, Astor Piazzolla’s four tangos feature on stage the dance company Tango Buenos Aires, known worldwide as the most authentic and uncompromising representative of the tango. Alberto Ginastera, one of the most important twentieth century classical composers of the Americas and Piazzolla´s first teacher, is also represented on this brand new release from C Major Entertainment, along with Lalo Schifrin, whom, beside his concert music, is the composer of the famous scores of Mission Impossible and Dirty Harry. His Concerto for Guitar and Orchestra, a world-premiere recording, is composed for Ángel Romero, an iconic master of the classical guitar.