Celebrating the 20th anniversary of her breakthrough debut Eye to the Telescope, KT Tunstall returns with The Stargazer EP — a shimmering collection of previously unreleased and reimagined songs that complete the circle of her earliest creative era.

DANSE MACABRE: DE LUXE CD: Includes 3 new bonus tracks - the instrumental "MASQUE OF THE PINK DEATH," a cover of Electric Light Orchestra's "EVIL WOMAN," and "NEW MOON (DARK PHASE)," featuring Andy Taylor which is a reimagined cover of Duran Duran's classic song "New Moon On Monday" from their album Seven and The Ragged Tiger. The original record includes 3 new songs; haunting covers of songs by Billie Eilish, Talking Heads, The Rolling Stones and The Specials; new versions of Duran Duran classics, plus the rare B-side and fan favorite, "SECRET OKTOBER 31ST." Guest artists include producer/musician Nile Rodgers, Victoria De Angelis of M?neskin and former band members Andy Taylor and Warren Cuccurullo. Exquisitely packaged, the record features images adapted from a collection of authentic vintage seance photos that band member Nick Rhodes sourced at auction.

Lily Allen Sets Return With New Album, ‘West End Girl’ The record is scheduled to arrive on Oct. 24 as the follow-up to 2018’s No Shame. Lily Allen has announced her first album in seven years: West End Girl is out this Friday, October 24, via BMG. Its 14 songs were mostly written by Allen and her musical director, Blue May, and the pair executive-produced the LP alongside Seb Chew and Kito. Below, check out Spanish artist Nieves González’s cover art. In a press release, Allen said, “I’m nervous. The record is vulnerable in a way that my music perhaps hasn’t been before—certainly not over the course of a whole album. I’ve tried to document my life in a new city and the events that led me to where I am in my life now. At the same time, I’ve used shared experiences as the basis for songs which try to delve into why we humans behave as we do, so the record is a mixture of fact and fiction which I hope serves as a reminder of how stoic yet also how frail we humans can be. In that respect I think it’s very much an album about the complexities of relationships and how we all navigate them. It’s a story…” Since her last album, 2018’s No Shame, Allen has appeared in various West End London theater productions and co-founded the podcast Miss Me.

Brandi Carlile is back with her 8th studio album and first solo project in four years. After pouring herself into collaborations with musical icons and legends, the multi-GRAMMY Award-winning songwriter is looking inward, reflecting backward, and ultimately, returning home on her brand-new album, Returning To Myself. The ten-song collection is produced by Carlile, Andrew Watt, Aaron Dessner, and Justin Vernon.

So named because this consists of Skynyrd's earliest recordings and was released after the tragic plane crash, thereby seeming to close the door on the band's career, Skynyrd's First and… Last is more than a simple historic curiosity, but not too much more. This music is more notable for being interesting - in how it's possible to hear Ronnie VanZant coming into his own as a writer, or hearing future Blackfoot leader Ricky Medlocke's early songs - than it is for being good, which it certainly is. Taken on its own, separated from the rest of the group's catalog, this would likely be seen as a great forgotten hard rock album from an obscure Southern outfit, but since Skynyrd went on to greater things, this winds up as a footnote - enjoyable, yes, but not quite necessary.

Formed from the ashes of bands Moonhead and Lucas Tyson, the group's high standard of musicianship was well known in their native north-east where they attracted much attention and had a devoted following. It was felt that the quintet could achieve success on a national scale, provided management handled matters properly and they got the right breaks. In 1973 they recorded their debut album "Cirkus One" at Sound Associates/Emison & Air Studios and just 1000 copies were pressed up. It is widely regarded by many collectors today as the most musically accomplished private pressing of its kind to emerge out of the UK's then burgeoning progressive music scene, influenced by King Crimson and Yes.
"Page 12 On The Right" (2021) is their 6th studio album.

'The rehearsals for La Vie parisienne are almost driving me insane', wrote librettist Ludovic Halevy a few days before the work's first performance. The artists of the Palais-Royal company were struggling with some of the musical numbers Offenbach had written for them. Under pressure, composer and librettists had to simplify, cut, rewrite and sometimes even abandon some of their most successful inspirations. The international success of the final score soon ensured the hundreds of pages reluctantly deleted by Offenbach were well and truly forgotten.

In its 1990's heyday the new-school ambient label Fax Records attracted some of the most gifted electronic musicians in the world. The Iranian-born, German-based DJ and composer Dr. Atmo (real name Amir Abadi) was one of Fax's brightest talents. As a DJ he was one of the artists who hung out at Frankfurt's legendary XS Club, a Sunday chillout event where many young e-musicians connected with the dance music scene performed and got to know each other. Atmo was a prolific composer during these years, though he much preferred collaborations to solo work. His collaborartions included some the era's most outstanding chillout albums with names like Oliver Lieb, Pete Namlook and Deep Space Network.

Verve Remixed Holiday returns this season with a fresh spin on timeless cheer. Inspired by the beloved 2008 release, this vibrant reimagining of classic holiday tracks from Verve Records’ legendary catalog features five brand new remixes from a cutting-edge lineup of DJs and producers: Ginton, Bolden., Tourist, Two Another, and DARGZ. Their genre-blurring interpretations bring new life to beloved recordings, fusing modern electronic textures and grooves with jazz, soul, and holiday nostalgia.

Mabern Plays Coltrane is a vibrant live recording of the late, great Harold Mabern performing the music of John Coltrane featuring an all-star sextet with Eric Alexander, Vincent Herring, Steve Davis, John Webber, and Joe Farnsworth.
Harold held a special reverence for John Coltrane. "He was very influential in my life and my playing, too," he once said. "After being around him and seeing what a great human being he was - man, I wish the whole world could have known John Coltrane."
Mabern Plays Coltrane is culled from the final three-nights of a three-week residency at Smoke’s annual year ending John Coltrane Festival that started in 2017 ended with these performances that Mabern and the band played in January 2018…

The Játékok are an autobiographical journey, a laboratory of miniatures that György Kurtág (1926*) composed throughout his career of more than 50 years. Brigitte Poulin has carefully chosen a route which, animated by nostalgia and in dialogue with the past, “plays” with tradition. There we find tributes to different masters and friends of the past, folklore, Gregorian chant, declamation, and improvised gestures

Following the release of his most successful album to date, 2013's The North Borders, as well as an even more triumphant world tour, British producer Bonobo (Simon Green) returned in 2017 with his sixth proper studio full-length, Migration. The album was partially inspired by his touring experiences, but also by the death of a relative. Green's family is spread out across the world, and they all reconvened in Brighton, England for the funeral. These types of experiences cause Green to question what identity means, and where a person is from if he or she is constantly moving. As with all Bonobo recordings, Green absorbs a multitude of cultural influences here, from the underground club sounds of London to American folk songs…

LET THE MERMAIDS FLIRT WITH ME: A TRIBUTE TO MISSISSIPPI JOHN HURT is award-winning singer/ guitarist Erin Harpe’s latest album, honoring one of her greatest influences, Mississippi John Hurt. Hailed by Living Blues Magazine as “one of the finest fingerpicking acoustic blues singers in the land” and as embodying “today’s country blues at its very best”, the rising star’s dynamic approach to finger style Piedmont blues has captivated audiences worldwide. Coming out on her own Erin Harpe Music label through the VizzTone Label Group (her 5th VizzTone release!), Following up her highly successful self-produced acoustic album “Meet Me In The Middle” (which won the prestigious Album of the Year title from the New England Music Awards), Erin once again shows off her growing prowess as arranger and producer with this intimate album, filled with imaginative authentic versions of Mississippi John Hurt classics.

This re-release of Sunshine Superman might well be titled "The Ultimate Experience," or "The Total Immersion Version" - expanded to 67 minutes, it contains a new 24-bit remastering of the U.S. version of the album (the U.K. version, though it contained Donovan's preferred cover art, was compromised in its content by its extended delay in release, into the following year, owing to legal wrangling of the artist's management and recording contracts in the U.K.), plus seven chronologically related bonus tracks, "Breezes of Patchulie," "Museum" (in an early, lighter-textured version than its officially released recording from the next album), "Superlungs" (in the first of three distinctly different renditions); the longer stereo mix of "Sunshine Superman," and four never-before-heard tracks - "The Land of Doesn't Have to Be" and demo versions of "Good Trip" and "House of Jansch"…

Donald Johnson Ellis, born July 25, 1934, was an American jazz trumpeter, drummer, composer, and bandleader. He is best known for his extensive musical experimentation, particularly in the area of time signatures. Later in his life he worked as a film composer, contributing a score to 1971's The French Connection and 1973's The Seven-Ups. Born in Los Angeles, his father was a Methodist minister and his mother a church organist. He attended West High School in Minneapolis, MN. After attending a Tommy Dorsey Big Band concert, he first became interested in jazz. Other early inspirations were Louis Armstrong and Dizzy Gillespie. He graduated from Boston University in 1956 with a music composition degree.