Jean-Michel Jarre has announced the release of ‘, the definitive audio-visual record of his historic open-air concert-event ‘Bridge From The Future’, performed on May 12, 2024 in Slovakia. The release lands worldwide on September 5, 2025 and is available to pre-order now, including a limited Ultimate Collector’s Box Set.

Faithless are back with a new album. It is their first studio album since 2020's All Blessed.

Great artists take the pulse of their times and Walter Trout holds a mirror up to society's anger and angst on Sign Of The Times, which will be released on 5 September via Provogue.

They made precious little impact at the time, but Brighton based quartet the Mike Stuart Span have been lauded by collectors for at least a couple of decades now as one of the finest British psychedelic bands of the era. Licensing restrictions ensured that a definitive, all-encompassing Mike Stuart Span compilation remained an impossible dream.Until now, that is, because Children Of Tomorrow represents the Mike Stuart Span motherlode. Featuring every MSS studio recording known to have survived, it includes their brace of mod-soul singles for EMI and their notorious but little-heard stab at pop stardom with Fontana together with that superlative psych-pop 45 on Jewel and a host of demos in a similar vein. As a considerable bonus, also feature a clutch of previously-unissued treasures: the only recording made by pre-MSS outfit the Mighty Atoms…

This is a wonderful, warm-hearted, and effortlessly virtuosic live recording by one of the finest living exponents of pre-bop small-ensemble jazz. With pianist Ray Kennedy and bassist Martin Pizzarelli (and on two songs joined by vocalist Grover Kemble), singer and guitarist John Pizzarelli runs through a generally lightweight but thoroughly charming set of standards, homages, funny stories, and the occasional original tune; the fast tunes are light and frothy, the ballads smooth and gentle, and even the moments that are less than utterly inspired work together with the album's highlights to create a very satisfying whole.

David Byrne releases Who Is the Sky?, his first new album since 2018’s acclaimed and award-winning American Utopia, via Matador Records. The album was produced by the Grammy-winning Kid Harpoon (Harry Styles, Miley Cyrus), while its 12 songs were arranged by the members of New York-based chamber ensemble Ghost Train Orchestra.

Lurrie Bell returns with this CD he’s telling people is his best. It showcases all the passion, depth, rawness, and uniqueness that keeps Lurrie at the top of many Real Deal Chicago Blues lists. His ace working band and frequent collaborator Matthew Skoller (on harp) provide the drive and the safety net while Lurrie walks the tightrope vocally and instrumentally. Motivated by his 2013 Blues Music Award for “Song Of The Year” for the title track from Blues In My Soul, Lurrie had a hand in writing five of the thirteen tracks. “Driftin'”, “One Eyed Woman”, “Hold Me Tight”, “Sinner’s Prayer”, “Do You Hear”, “Born With The Blues”, “Hidden Charms” and more.

Maybe it's just the times but Toby Keith has had drinking on his mind, calling his 2011 album Clancy's Tavern, which rode up the charts on the back of the boozy hit "Red Solo Cup" and now, for its sequel, Keith serves up Hope on the Rocks, an album where he finds his way to "Cold Beer Country" and complains that he hasn't had a drink all day. He also admits that "I Like Girls Who Drink Beer," the confession coming as no great surprise and, truth be told, there are no great surprises throughout Hope on the Rocks.

Equinox continues the scrumptiously winning sound that Sergio Mendes cooked up in the mid-'60s, this time a bit more fleshed out with John Pisano's guitar, a slightly thicker texture, and even an imitation sitar (this was, after all, 1967). Again, the mix of American pop tunes old and new and Brazilian standards and sleepers is impeccable (although it didn't yield any substantial hits), and the treatments are smooth, swinging, and very much to the point. While Mendes reaps a predictable harvest from Antonio Carlos Jobim - he was one of the first to discover and record "Triste" and "Wave" - he also likes to explore the work of other outstanding Brazilian writers like Jorge Ben, Joao Gilberto, and especially Edu Lobo (whose "For Me," with its bright flashes of combo organ, is one of the album's highlights)…

Lively, ambitious, almost entirely successful debut album, made up of keyboard-dominated instrumentals ("The Barbarian," "Three Fates") and romantic ballads ("Lucky Man") showcasing all three members' very daunting talents. This album, which reached the Top 20 in America and got to number four in England, showcased the group at its least pretentious and most musicianly – with the exception of a few moments on "Three Fates" and perhaps "Take a Pebble," there isn't much excess, and there is a lot of impressive musicianship here.