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    Mungo Jerry - All The Hits Plus More (1990)

    Posted By: popsakov
    Mungo Jerry - All The Hits Plus More (1990)

    Mungo Jerry - All The Hits Plus More (1990)
    EAC Rip | FLAC (Img) + Cue + Log ~ 369 Mb | MP3 CBR320 ~ 141 Mb
    Full Scans ~ 71 Mb | 00:58:31 | RAR 5% Recovery
    Glam Rock, Pop Rock, Folk Rock | Prestige Records #CDPT 002

    Mungo Jerry is one of rock's great one-hit successes. Outside of England, they're known for exactly one song, but that song, "In the Summertime," is a seasonal anthem known by listeners who weren't even born when it was released. Mungo Jerry was a solid blues outfit as well and knew how to get the most out of their jug band sound, which has helped them survive for three decades.

    Sparks - Whomp That Sucker (1981) {1995, 1st Issue On CD}

    Posted By: popsakov
    Sparks - Whomp That Sucker (1981) {1995, 1st Issue On CD}

    Sparks - Whomp That Sucker (1981) {1995, 1st Issue On CD}
    EAC Rip | WavPack (Img) + Cue + Log ~ 280 Mb | MP3 CBR320 ~ 129 Mb
    Full Scans | 00:38:46 | RAR 5% Recovery
    New Wave, Pop Rock, Synth-Pop | Oasis Records / Bud Music / Kiosk #CMP 62006

    Whomp That Sucker is the tenth album by the American rock band Sparks, released in 1981. Sparks had recorded No. 1 In Heaven and Terminal Jive with Giorgio Moroder. Both had been relatively successful, but the brothers had found the electronic equipment they had adopted for their new sound too cumbersome to tour with. Whomp That Sucker was recorded without Giorgio Moroder at Musicland Studios, Munich in association with Giorgio Moroder Enterprises. The next four albums were recorded as part of the same partnership. The album marked Sparks return proper to a rock sound after their previous two disco efforts. To complement the Mael Brothers the backing band Bates Motel was hired. The band consisted of guitarist Bob Haag, bassist Leslie Bohem, and drummer David Kendrick. Together this line-up would record the next four Sparks albums.

    Nikolaus Harnoncourt, Concentus Musicus Wien - Johann Sebastian Bach: Messe in H-moll / Mass in B minor (1986)

    Posted By: ArlegZ
    Nikolaus Harnoncourt, Concentus Musicus Wien - Johann Sebastian Bach: Messe in H-moll / Mass in B minor (1986)

    Nikolaus Harnoncourt, Concentus Musicus Wien - Johann Sebastian Bach: Messe in H-moll / Mass in B minor (1986)
    EAC | FLAC | Image (Cue & Log) ~ 444 Mb | Total time: 55:29+53:33 | Scans included
    Classical | Label: Teldec | # 2292 42676-2 | Recorded: 1986

    Harnoncourt is a strongly individualist conductor, and his individualism is much more strongly pronounced in the 1986 B minor Mass than in the 1968 version. That's why quite a few reviewers prefer the earlier version - finding the later one mannered, even eccentric. I understand their views, though I don't share them.

    Patti Austin - The Real Me (1988) {Japan 1st Press}

    Posted By: popsakov
    Patti Austin - The Real Me (1988) {Japan 1st Press}

    Patti Austin - The Real Me (1988) {Japan 1st Press}
    EAC Rip | FLAC (Img) + Cue + Log ~ 341 Mb | MP3 CBR320 ~ 159 Mb
    Full Scans | 00:53:25 | RAR 5% Recovery
    Vocal Jazz, R&B, Soul | Qwest Records / Warner-Pioneer Corporation #25P2-2128

    And how! Austin tackles standards such as "Smoke Gets in Your Eyes" and "They Can't Take That Away from Me," and succeeds brilliantly. Her version of Comden, Green, and Bernstein's "I Can Cook, Too" is enough by itself to make this a pick.

    The Grainger Edition, Volume 7 - Songs for Tenor (1998)

    Posted By: ArlegZ
    The Grainger Edition, Volume 7 - Songs for Tenor (1998)

    The Grainger Edition, Volume 7 - Songs for Tenor (1998)
    EAC | FLAC | Image (Cue & Log) ~ 273 Mb | Total time: 69:12 | Scans included
    Classical | Label: Chandos | # CHAN 9610 | Recorded: 1997

    This disc takes us to the tenor songs sung by Martyn Hill in his best darkly-inflected voice. These include just over half an hour of Kipling songs with an accent adopted reasonably convincingly.

    Felix Rienth, Manuel Vilas - José Marín: Tonos Humanos (2010)

    Posted By: ArlegZ
    Felix Rienth, Manuel Vilas - José Marín: Tonos Humanos (2010)

    Felix Rienth, Manuel Vilas - José Marín: Tonos Humanos (2010)
    EAC | FLAC | Image (Cue & Log) ~ 280 Mb | Total time: 54:50 | Scans included
    Classical | Label: La Ma de Guido | # LMG2101 | Recorded: 2008

    José Marin was one of the most prolific composers of tonos humanos (profane songs in Romance languages) of the Spanish Baroque period. His works were disseminated all over the world and one of his complete manuscripts is called the Fitzwilliam Manuscript and is in Cambridge. The songs were traditionally accompanied by harp or guitar.

    Love/Hate - Blackout In The Red Room (1990) {Japan 1st Press}

    Posted By: popsakov
    Love/Hate - Blackout In The Red Room (1990) {Japan 1st Press}

    Love/Hate - Blackout In The Red Room (1990) {Japan 1st Press}
    EAC Rip | FLAC (Img) + Cue + Log ~ 354 Mb | MP3 CBR320 ~ 141 Mb
    Full Scans | 00:40:47 | RAR 5% Recovery
    Hard Rock, Garage Rock, Punk | CBS / Sony Records #CSCS 5103

    On the surface, the music of Love/Hate's debut may seem no different than most any late-'80s L.A. pop-metal, but the band's performance exudes a fury and belligerence that posers such as Poison or Warrant could never even grasp; actually, they would turn on their heels and run away screaming from it. The band literally "plays on 11," from the very first crunching power chord of the title track to the last cymbal crash of the frenzied "Hell Ca., Pop. 4." In between, they alternate the sheer power of "Rock Queen," "One More Round," and "Straightjacket" with the haunting yet beautiful melodies of "Mary Jane" and "She's an Angel."

    Nik Kershaw - Albums Collection 1984-2006 (6CD)

    Posted By: Designol
    Nik Kershaw - Albums Collection 1984-2006 (6CD)

    Nik Kershaw - Albums Collection 1984-2006 (6CD)
    EAC | FLAC (Cue&Log) ~ 2.07 Gb | Mp3 (CBR320) ~ 787 Mb | Scans included
    New Wave, Synthpop, Pop, Pop Rock | Time: 05:11:21

    During the mid-'80s, Nik Kershaw managed to score a handful of pop hits and, in doing so, establish himself as a profitable commercial songwriter. Kershaw began his musical career by learning to play guitar when he was a teenager. In 1974, he joined his first band, Half Pint Hogg, which played nothing but Deep Purple covers. However, his musical ideas were not limited to heavy metal; after he left school, he joined a jazz-funk band called Fusion. Fusion released one album, 'Til I Hear From You, in the late '70s. Once the group broke up, Kershaw signed to MCA Records with the help of Nine Below Zero's manager, Micky Modern. Kershaw released his first solo single, "I Won't Let the Sun Go Down on Me," in 1983; it peaked at number 47 on the U.K. charts. His next single, "Wouldn't It Be Good," hit number five in the U.K. and charted at number 46 in the U.S. Its success led to stardom in Britain for Kershaw; "I Won't Let the Sun Go Down on Me" was re-released in summer of 1984 and charted at number two, leading to a series of hit singles. Collection includes: Human Racing (1984); The Riddle (1984); 15 Minutes (1999); You've Got To Laugh (2006).

    Rossana Bertini, Anna Simboli, Ensemble "La Signoria" - Francesco Bartolomeo Conti: Cantate con istromenti (2000)

    Posted By: ArlegZ
    Rossana Bertini, Anna Simboli, Ensemble "La Signoria" - Francesco Bartolomeo Conti: Cantate con istromenti (2000)

    Rossana Bertini, Anna Simboli, Ensemble "La Signoria" - Francesco Bartolomeo Conti: Cantate con istromenti (2000)
    EAC | FLAC | Image (Cue & Log) ~ 287 Mb | Total time: 66:02 | Scans included
    Classical | Label: Tactus | # TC 680301 | Recorded: 1999

    Esiste una testimonianza di J.J Quantz che parla dell’abilità di Conti come esecutore riferendosi ad un episodio accaduto a Praga nel 1723, quando l’orchestra di corte di Vienna eseguì l’opera Costanza e Fortezza di J.J. Fux con l’aggiunta di un gruppo di musicisti di Dresda, fra i quali lo stesso Quantz e Silvius Leopold Weiss, altro grande virtuoso di liuto e tiorba. A quest’ultimo fu assegnata una parte di ripieno, mentre il ruolo di solista fu affidato a Conti.

    Lucile Richardot & Philippe Grisvard - Cantate da camera (2023)

    Posted By: ciklon5
    Lucile Richardot & Philippe Grisvard - Cantate da camera (2023)

    Lucile Richardot & Philippe Grisvard - Cantate da camera (2023)
    FLAC (tracks), Lossless +Booklet | 69:42 | 374 Mb
    Genre: Classical / Label: Audax Records

    Nach langer Forschungsarbeit begibt sich Philippe Grisvard zusammen mit Lucile Richardot in die Welt der Kantaten von Alessandro Scarlatti. Dieses Genre war für den aus Sizilien stammenden neapolitanischen Komponisten ein kreatives und experimentelles Betätigungsfeld, das es ihm auf ideale Weise ermöglichte, seine höchst ausgefeilte und ungestüme Kunst nach Herzenslust zu entfalten. Die bis heute kaum bekannten Werke präsentieren die beiden Künstler in diesem virtuosen Programm in der aparten Besetzung für Mezzosopran und Cembalo hier zum ersten Mal.

    Sarah Vaughan And Her Trio - Swingin' Easy (1957) [Reissue 1992]

    Posted By: gribovar
    Sarah Vaughan And Her Trio - Swingin' Easy (1957) [Reissue 1992]

    Sarah Vaughan - Swingin' Easy (1957) [Reissue 1992]
    EAC Rip | FLAC (image+.cue+log) - 195 MB | MP3 CBR 320 kbps (LAME 3.93) - 86 MB | Covers - 6 MB
    Genre: Vocal Jazz | RAR 3% Rec. | Label: EmArcy (514 072-2)

    Swingin' Easy is one of Sarah Vaughan's lesser known albums for Emarcy, combining two separate trio sessions from 1954 and 1957. The earlier date includes pianist John Malachi (who also worked with singers like Dinah Washington, Billy Eckstine, and Al Hibbler, plus bassist Joe Benjamin and drummer Roy Haynes. Vaughan's lush ballad technique is in full force in "Lover Man," "Polka Dots and Moonbeams," and "Body and Soul," while she scats in a midtempo setting of "If I Knew Then (What I Knew Now)" and her own "Shulie a Bop." The second trio include pianist Jimmy Jones, bassist Richard Davis, and Haynes. Aside from a brisk, miniature treatment of "Linger Awhile" and a playful setting of "I Cried for You," the session is highlighted by a breezy "All of Me." Vaughan is in terrific form throughout both dates, with the songs mostly running around the three-minute mark.

    Opella Musica, Tillmann Steinhöfel & Gregor Meyer - Schein: Israelis Brünnlein (2023)

    Posted By: ciklon5
    Opella Musica, Tillmann Steinhöfel & Gregor Meyer - Schein: Israelis Brünnlein (2023)

    Opella Musica, Tillmann Steinhöfel & Gregor Meyer - Schein: Israelis Brünnlein (2023)
    FLAC (tracks), Lossless +Booklet | 1:41:17 | 493 Mb
    Genre: Classical / Label: CPO

    In the early 17th century, Italy was the wonderland of music, all new ideas and suggestions came from here, and whoever was a composer in the north - thus also in Germany - could not avoid these innovations, for example the 'madrigalian manner'. Johann Hermann Schein, too, enthusiastically embraced the southern stimuli as they reached the ears of German musicians in madrigals and sacred concertos from the beginning of the century, but he was never able to deny his musical upbringing and education rooted in German chapel and cantor tradition. This is especially true of his cycle of 26 sacred madrigals for 5 voices and b.c., the Israels Brünnlein - Fontana d'Israel, published in 1623, when Schein was already Leipzig's Thomaskantor. This cycle is virtually a combination of the German-Dutch motets tradition and the New Italian art of expression. Schein commands the various stylistic phenomena with aplomb, committed only to the affects and the expression. The collection is a step on the way to a more subjective, emotional practice of faith, as it then breaks through in Pietism.

    Gregorian - Masters Of Chant Chapter II (2001) [Japanese Edition]

    Posted By: gribovar
    Gregorian - Masters Of Chant Chapter II (2001) [Japanese Edition]

    Gregorian - Masters Of Chant Chapter II (2001) [Japanese Edition]
    EAC Rip | FLAC (tracks+.cue+log) - 488 MB | MP3 CBR 320 kbps (LAME 3.93) - 170 MB | Covers - 229 MB
    Genre: New Age, Enigmatic, Ambientpop | RAR 3% Rec. | Label: Networks Records (NXCB-00030)

    One of the most successful pop/classical fusion projects, Gregorian mixes well-known pop and rock songs with Gregorian chants. Overseen by producer Frank Peterson, co-founder of Michael Cretu's Enigma outfit, Gregorian's first album, Masters of Chant, released in 1999 (an early 1991 Peterson album released under the name Gregorian isn't counted among the group's official releases, but already employs the same aesthetic), became a smash hit throughout Europe, entering the Top Ten in nine different countries. The following albums continued in the same vein, covering songs by Peter Gabriel, Lenny Kravitz, Coldplay, Björk, Queen, Tears for Fears, and others.

    Turmion Kätilöt - Omen X (2023)

    Posted By: Fizzpop
    Turmion Kätilöt - Omen X (2023)

    Turmion Kätilöt - Omen X (2023)
    WEB FLAC (Tracks) 494 MB | Cover | 39:27 | MP3 CBR 320 kbps | 93 MB
    Rock, Industrial Metal | Label: Nuclear Blast

    After 9 full length studio albums and playing their asses off at over 800 shows, the Finnish disco metal machine TURMION KÄTILÖT is ready for the next level in their world dominance. Their 10th full length studio album “Omen X” will be released in 36 countries on 13th January 2023 via Nuclear Blast. The touring cycle starts in Finland immediately after the release of „Omen X“.

    Pentwater - Pentwater (1977) [Reissue 2003]

    Posted By: gribovar
    Pentwater - Pentwater (1977) [Reissue 2003]

    Pentwater - Pentwater (1977) [Reissue 2003]
    EAC Rip | FLAC (tracks+.cue+log) - 313 MB | MP3 CBR 320 kbps (LAME 3.93) - 118 MB | Covers - 3 MB
    Genre: Progressive Rock | RAR 3% Rec. | Label: Beef Records (Beef #001)

    Pentwater is an interesting Chicago combo whose high-decibel rock effectively utilizes contemporary classical elements. They have found a sound that is extremely complex with layer upon layer of instrumentation supported by a lyrical violin and a bewitching flute and characterised by an abuse on polyphonic vocals and counterpoints. All the members are excellent musicians, which is important as the tunes are often intricate. Combining heavy helpings of Yes, Gentle Giant, Genesis and ELP with some of the weirdness of Frank Zappa.