Promotion for the first two iterations of the Bad Boys movie series, 1995’s Bad Boys and 2003’s Bad Boys II, were were bolstered in each instance by an era-defining jam. For Bad Boys, it was the crossover dancehall hit “Shy Guy” by Diana King. Bad Boys II had Diddy, Nelly, and Murphy Lee’s beach-party-ready rap anthem “Shake Ya Tailfeather.” If the initial marketing efforts for Bad Boys for Life were slow to pair the film with any one song, it might be because the breadth of genres across the soundtrack lends itself to the sounds of Miami, the franchise’s location playing nearly as big a role as Will Smith and Martin Lawrence.

Little Women explores the lives of the March sisters in 1860s New England, in the aftermath of the American Civil War. The prolific composer Alexandre Desplat, who has an incredible number of high-profile projects under his belt, composed the music for the movie. Overall, Desplat currently has 10 Oscar nominations in his career, with two wins ('The Shape of Water' and 'The Grand Budapest Hotel'). As some has stated his musical score is undoubtedly one of the best compositions of the year. According to one of it's producers, the new adaptation of Little Women focuses more on the sisters' young adult lives, particularly after Meg, Jo and Amy leave their family home. The film jumps back and forth in time and focuses more on themes rather than narrative. Little Women stars Timothée Chalamet, Saoirse Ronan, Emma Watson, Meryl Streep and many more.

Daniel Robert Elfman (born May 29, 1953) is an American composer, singer, songwriter, record producer, actor, and voice actor. He first became well known as the singer-songwriter for the new wave band Oingo Boingo in the early 1980s, and has since garnered international recognition for writing over 100 feature film scores, as well as compositions for television, stage productions and the concert hall.

Canadian composer Christophe Beck started piano lessons at five, and by eleven he was learning Bee Gees songs by ear and performing with his first-ever band, the unfortunately-named Chris and The Cupcakes. During high school he studied piano, saxophone, and drums, and wrote many tender 80’s love ballads.While studying music at Yale, Beck wrote two musicals with his brother Jason (a.k.a. Gonzales, the Paris-based pianist-producer-TV Host-prankster), as well as an opera based on “The Tell-Tale Heart” by Edgar Allen Poe.

Camille 2000 is the 1969 soundtrack album by Piero Piccioni. Directed by Radkey Metzger, the music is a splendid mixture of jazz and easy listening pleasures. This is from the 1998 compact disc released by Italian label Easy Tempo. If you wish to see the film that this supports, you may go here.

This short but delectably sweet release is for most intents and purposes the soundtrack to the Frank Zappa concert film of the same name. Both were captured on location at New York City's Palladium (formerly the Academy of Music) in 1977, during the artist's brief yearly residency in the Big Apple in and around Halloween…

Wild Karnataka is a 2019 Indian ultra-HD natural history documentary on the Indian state of Karnataka's rich biodiversity, most of which is still unknown to the general public. The film was produced by award-winning film-makers Amoghavarsha J S and Kalyan Varma in collaboration with Icon Films and Mudskipper. The film was narrated by Sir David Attenborough with theme music composed by Grammy-winning composer and music-producer, Ricky Kej.The film trailer released on 18 February and the movie premiered on 3 March 2019 to an audience of 3000 at an open-air theatre at Palace Grounds in Bangalore, India.

Joe is the 1970 soundtrack to the film by director John G. Avildsen. It features the title track by Jerry Butler plus songs by Bobby Scott, Dean Michaels, and Exuma. a nice diverse seleection of music that represents the era of cinematic history. Also historic: Mercury Records.

GAS-S-S-S is the 1970 soundtrack album. The film was also known as Gas! or It Became Necessary to Destroy the World in Order to Save It, produced and directed by Roger Corman. A few of the artists on the soundtrack and in the film were incognito: The Gourmet's Delight are actually The Joy Of Cooking while Johnny & The Tornados were The Fish (of Country Joe & The Fish fame) but without Country Joe McDonald. American International Films released this on their own label.

Jed Kurzel is an award-winning composer and musician. His feature film debut for the critically-acclaimed Australian movie SNOWTOWN was named Feature Film Score of the Year at Australia’s 2011 Screen Music Awards and he has since gone on to score feature films including: THE BABADOOK (Dir: Jennifer Kent), which William Friedkin, director of THE EXORCIST, described as the most “terrifying film” he had ever seen; SLOW WEST (Dir: John Maclean), which won Jed his second Screen Music Award for Feature Film Score of the Year; and MACBETH (Dir: Justin Kurzel), starring Michael Fassbender and Marion Cotillard, which premiered in competition at the 2015 Cannes Film Festival.

Flush with popular successes that spanned film (the Oscar nominated score for Cool Hand Luke Bullitt ) and TV (the Grammy-winning Mission: Impossible, Mannix) Argentine-born composer Lalo Schifrin infused director Don Siegel's original, epochal Dirty Harry with one of the 70's most riveting, consistently original jazz-fusion scores. It was also one that, until now, was only available in mono-mixed snippets on obscure compilations; this release marks the full-score's first, three-decade-overdue release (remixed in stereo for the first time and including alternate takes).

Pour son premier film, Vincent Delerm prolonge son travail ultrasensible sur l’intime, la mémoire et le rapport aux autres. Qu’est-ce qui nous construit ? Que ressentent les gens autour de nous ? Nos émotions et sensations n’appartiennent-elles qu’à nous ? Chaque personnage, célèbre ou anonyme, livre à Vincent Delerm quelque chose de lui, définissant sa sensibilité et sa manière de voir l’existence.Témoignages qui font sourire parfois, serrent le coeur souvent, conjuguent l’intime et l’universel. En filigrane, les propres émotions de l’auteur se dessinent le long d’un film musical, photographique, dont la narration est comme un fil invisible.

Long before it became de rigeur to release multiple soundtracks for a single film, Columbia allowed Blue Note to release The Other Side of Round Midnight under Gordon's name. The additional album offers more music from the film, including Gordon's sole performance on soprano sax, "Tivoli" - incidentally the only track in the score not played by the same musicians seen in the film - and further outtakes that breathe the same heady atmosphere.

A composer and multi-instrumentalist known for his film scores, Pablo Pico has crossed the paths of French pianist Alexandre Tharaud, Bolivian singer Luzmila Carpio or French hip-hop artist Oxmo Puccino.The delicacy of his compositions integrates a wide range of influences, from classical to world music and has been rewarded in many international film festivals.In 2015, he scored the animation Cesar-nominated film ADAMA. He comes back to animation in 2020 with MARONA’S FANTASTIC TALE by Anca Damian.

This is the original soundtrack for the movie Blow-Up. In late 1966, Herbie Hancock, Freddie Hubbard, Joe Henderson, Ron Carter and Jack DeJohnette entered a New York studio to capture the vibe of 'swinging London' in a jazz mode - with grooves that create effective bluesy moods on the slow pieces and funky ones on the up-tempo tracks. Meanwhile in London, the Yardbirds (with Jeff Beck and Jimmy Page) were recording additional material for use in the Blow-Up movie soundtrack.