Armed with her versatile ensemble from horns to orchestra, Kate Kortum presents a defiant musical statement of female independence.

The album features 4 additional tracks (of which one was recorded live with the Plovdiv Philharmonic Orchestra and the other three without).
Katatonia have achieved legendary status in the realm of Swedish metal, with an evolution not dissimilar to English counterparts Anathema and Paradise Lost. One element that has remained intact throughout their various transformations is their masterful use of atmosphere, even if the compositional component has been largely streamlined by now. "The Fall of Hearts" is thankfully a largely adventurous offering, moreso than anything the band has recorded in many years. This latest by the morose quintet features plenty of surprising songwriting choices, including some of the their most bold musical explorations in quite some time…

By early 1975, the flame was quickly fading out for the Ritchie Blackmore era of Deep Purple. Discontent with the overtly funk-based direction the group had recently embraced on such releases as Burn and Stormbringer, Blackmore's focus had shifted to launching a solo career.

Recording on our partner label CAvi Music, violinist Antje Weithaas and the Camerata Bern announce their upcoming album, on which they perform Dvořák’s Violin Concerto in A Minor and his Serenade for Strings. On the one hand, Dvořák’s violin concerto is a large-scale symphonic tapestry for soloist and orchestra; in contrast, his Serenade has a strong chamber music feel to it. Written in 1875 and premiered in 1876, the Serenade is among Dvořák’s most popular works. On the perhaps less well-known violin concerto from 1879 Antje Weithaas comments: “It’s a gorgeous piece, but difficult to play. Tricky passages await the soloist right at the beginning. No violinist feels at ease when going onstage to play this concerto! But the musical content is magnificent, and we should all do justice to this work by rising to the challenge.”

'Love Is Like' is the highly anticipated eighth studio album from Maroon 5. Featuring the percussive, jazz-chord daydream hit 'Priceless' (feat. LISA), and the sax-laced, slap-bass funk-pop single 'All Night', Maroon 5 has expanded their instantly recognisable sound with a hooky and dynamic sonically ambitious album.

Two of Us is the second studio album by American singer Robert Goulet, released in August 1962 by Columbia Records. It was produced by Jim Foglesong. The album debuted on the Billboard Top LPs chart in the issue dated September 1, 1962, and remained on the chart for 55 weeks, peaking at number 20. It debuted on the Cashbox albums chart in the issue dated August 25, 1962, and remained on the chart for a total of 38 weeks, peaking at number 17.

For over two decades, the Gabriel Alegría Afro-Peruvian Sextet has forged a distinctive path through the world of jazz—fusing the deep-rooted traditions of Afro-Peruvian music with the improvisational language of modern jazz. Now, the Lima/New York based ensemble returns with a landmark album that not only celebrates the group’s 20th anniversary but reaffirms their role as musical storytellers, culture bearers, and fearless innovators.

The Church Studio In Session series is an exclusive and immersive recording and listening experience where guests are provided with individual headphones delivering a personalized mix of vocals and multi-track instrumentation. Acclaimed composer, guitarist, and sonic visionary Chris Combs kicked off this series, bringing together a handpicked ensemble of dynamic players for the session, including Hank Early of Turnpike Troubadours, Dan Oestreicher of Trombone Shorty & Orleans Avenue, along with Tulsa singers/MCs, Tea Rush, and 1st Verse. The sound is urgent and expansive, capturing the raw energy, experimentation, and creative alchemy of live collaboration. The genre-defying journey blends jazz, soul, and ambient textures, while delivering a deep, groove-heavy soundscape for the listener.

The last we heard from Marissa Nadler, she was soaring through The Path of the Clouds and its companion EP, The Wrath of the Clouds. Now, on her tenth official full-length record, New Radiations, she returns with a raw, intimate, and breathtaking collection of eleven otherworldly songs.

Following on from the acclaimed Where is Home and Hymns of Bantu, two genre-defying albums, Four Spirits is also drawn from Abel’s South African roots and seeks to create a communal experience with the audience through cello concerto, percussion, singing & improvisation.

Music for Writers is a wordless collection of pieces meant to accompany thought and inspire another way. It is music made in both stillness and motion, music that listens as much as it speaks. Each track offers a space—open, textured, often slow-moving—where ideas, images, and feelings drift in and out. It's a record I've been thinking about and wanting to make for a long time - my first solo instrumental album.

Celebrating 30 years of their seminal Sophomore album, comes The Cranberries’ “No Need To Argue”, their worldwide multi-platinum beloved masterpiece. This now includes newly mixed Remastered Audio from the original album’s producer Stephen Street, 2 brand new remixes from Chvrches’ Iain Cook, unreleased live music from Woodstock ’94 and the unearthed demo of fan favorite “Zombie”.

Oscar and two-time Grammy-nominated singer-songwriter Stephen Bishop launched his illustrious career with his debut smash album Careless in 1976. Now, he’s closing the chapter on 50 remarkable years in the music industry with his 20th and final album THIMK,out August 15 - a lifetime of stories captured in one unforgettable album. THIMK also features a stunning lineup of Bishop’s closest friends and legendary collaborators, including Art Garfunkel, Jimmy Webb, Graham Nash, Dave Grusin, Michael McDonald, Kenny Loggins, Christopher Cross, David Pack, Gerry Beckley and Dewey Bunnell of America, David Benoit, Marilyn Martin, among many other extraordinary talents.

No Place To Run, the eighth studio album by UFO and the first with Paul Chapman on guitar, following the departure of Michael Schenker. Produced by legendary Beatles producer George Martin, the album was recorded at AIR Studios in Montserrat in the Caribbean, a stark difference from the bands' usual surroundings.No Place To Run has been newly remastered and cut from the original production tapes at AIR Mastering. This set comes with a recording from the band's appearance at the Marquee in Soho, London, a deliberate and huge undersell to generate excitement, filling that small and sweaty room with passion and commitment. At this point UFO were still ahead of it, one of the great British rock bands of the era.

A band from Yorkshire, formed in 1965 under the name The Shots, was also called Chords Five. Since 1967 - The Smoke (which means London in local slang). It's Smoke Time is their only LP from 1967 + singles. The very first forty-five My Friend Jack immortalized The Smoke in the annals of psychedelia - not so much because of its musical merits, but thanks to the line "My friend Jack eats sugar lamps", which caused indignation of the BBC censorship, which banned the song and unwittingly enveloped The Smoke in an atmosphere of heroism. As a result, The Smoke boycotted by radio stations were able to achieve greater popularity on the continent, especially in Germany - where the album It's Smoke Time was released, which has not yet been released in England. The band's subsequent UK releases did not generate the same hype as My Friend Jack. An interesting song is Utterly Simple, written by Dave Mason and featured on the Traffic album "Dear Mr. Fantasy". Although it was never released as a single, it can be heard on various psychedelic compilations. The preserved material paints The Smoke as a musically diverse, rather tough (sometimes garage) band capable of composing a good melody, conveying concert drive to the listener and knowing the measure when using studio effects. After the breakup of the band, none of its members left any noticeable traces in music anymore, with the exception of drummer Jeff Gill, who became the sound engineer of the famous disco band Boney M.