Although glam had long slipped off the radar by 1981, that year found Suzi Quatro releasing one of her finest albums. With Nicky Chinn and Mike Chapman (the producers behind her biggest hits) at the controls, Quatro and her band craft a series of songs that blend the hard rock power that fueled her glam rock era hits with a new soundscape that tarts up the songs with some ear attracting new wave hooks. The tone is set by the title track, which starts the album with a blast thanks to its effective combination chugging guitar riffs, a stomping beat, and a shout-along chorus that praises the song's tough female heroine. Other hard rocking highlights include "Glad All Over," a cover of the Dave Clark Five classic that uses a backbeat reminiscent of a squad of rolling tanks on its chorus, and "Lipstick," a kiss-off to a cheating lover that pits power chords against bubblegum-styled handclaps to create a beguiling fusion of pop hooks and rock & roll muscle…

Suzi Quatro was hardly the first Tough Girl in rock & roll – there were plenty of precursors, from Wanda Jackson and the Shangri-Las to Grace Slick and Janis Joplin – but Quatro codified a type of rock & roll woman who didn't exist before she took the stage, one who looked as tough as the guys and wasn't merely a singer but also an instrumentalist, the leader of the band who made the noise right along with the rest of the group. With her trademark leather jumpsuit and big bass guitar (which seemed even bigger given her diminutive stature of just five feet), Quatro created a new and potent image for women in rock, one that spoke of both strength and sexiness, and she became a major international star in the '70s, though it would take a while before she was as readily recognized in the United States as in the United Kingdom.

Suzi Quatro's fifth album took its title from one of her earliest U.K. press interviews, a mouth-agape appraisal of the leather-clad vixen whose headline, "If you knew Suzi…like the tattooist knew Suzi," seemed to sum up every ounce of the image that the glam scene's most glamorous newcomer exuded. Five years later, however, the second half of that statement wasn't simply forgotten, it was all but meaningless to the majority of her audience, so thoroughly had she reinvented herself. Gone was the leather, gone were the guts, gone was the violent threat that Quatro once posed to passing manhood, to be replaced – as the album's cover made clear – by a demure, cord-clad lass in a pastel blouse and a look of such winsome vulnerability that, when she sang "Don't Change My Luck," it was enough to break your heart.

Quatro, Scott & Powell (QSP) is a supergroup founded in the very heart of glam rock, bringing together the combined forces of three legends of rock ‘n’ roll with Suzi Quatro on vocals and bass guitar, Andy Scott of The Sweet on vocals and guitar and Don Powell from Slade on drums. "We all have similar backgrounds and come from the same ballpark where we learned our craft on the road. Back then, performing was the only way forward. We have huge respect for one another and approach our musicianship in the same way. We share an era and still continue to work and perform separately in concerts all over the world. After many enjoyable late night discussions, it felt like the right time for us to come together to 'pool' our ideas."

Original Hits: 70s is a decent six-disc set, highlighting 111 pop singles released in that decade. Along with the original versions of radio classics by Al Stewart, Blondie, the Knack, KC & the Sunshine Band, and Dr. Hook, are less-than-obvious inclusions by Peter Tosh, XTC, the Move, and Benny Hill!

It s got to be a very special release that has Suzi Quatro announce proudly: The Devil In Me is the best album in my career to date! After all, the American rock vocalist would hardly utter such superlatives lightly. Suzi s enthusiasm for her latest offering has many reasons, twelve of them to be precise. Because The Devil In Me consists of exactly a dozen songs, each of them from the opening track and title song to the final Motor City Riders a real highlight. The reasons for Suzi s remarkable creative explosion: on the one hand the lockdown, which kept her from her usual touring life in spring 2020, and on the other another collaboration with her son Richard Tuckey, which had already worked out extremely well on her predecessor album No Control. Suzi Quatro knows what she is talking about, after all she s been on stage playing live for more than fifty years.

The Wild One is a compilation album by the rock singer-songwriter and bass guitarist Suzi Quatro. It was originally released in Australia and United Kingdom 8th November 1990 on EMI Records.

As glam rock debut albums go, you'll have to search a long way to find one that outclasses Suzi Quatro's opening shot. Though her fame and, of course, her hit singles-so-far were based around songwriters Nicky Chinn and Mike Chapman's guileless ability to crank out the classics, away from the glare of TV and radio play the pair allowed Quatro and partner Len Tuckey full rein. The result was an album of several very distinct parts, inextricably linked by the sheer power of the Quatro personality. The heart of Suzi Quatro lies in the band's choice of covers. Harking back to Quatro's years in Detroit clubland, there's a Slade-meets-Stonesy grind through "I Wanna Be Your Man," a raucous blast through "All Shook Up," and, restating the song's claim to be the best rock & roller any Briton ever wrote, Johnny Kidd's "Shaking All Over," garageland sexuality oozing out from every pore.

Two generations of rock icons join forces on Face To Face, the exciting creative collaboration between KT Tunstall and Suzi Quatro. An album of original duets written by KT and Suzi, the duo covers themes of love and loss, fear and triumph- all essential to their experiences as groundbreaking women in rock. Tracks like "Shine a Light" and "Truth Is My Weapon" showcase the dynamic flow Suzi and KT created recording together in England.

Suzi Quatro was hardly the first Tough Girl in rock & roll – there were plenty of precursors, from Wanda Jackson and the Shangri-Las to Grace Slick and Janis Joplin – but Quatro codified a type of rock & roll woman who didn't exist before she took the stage, one who looked as tough as the guys and wasn't merely a singer but also an instrumentalist, the leader of the band who made the noise right along with the rest of the group. With her trademark leather jumpsuit and big bass guitar (which seemed even bigger given her diminutive stature of just five feet), Quatro created a new and potent image for women in rock, one that spoke of both strength and sexiness, and she became a major international star in the '70s, though it would take a while before she was as readily recognized in the United States as in the United Kingdom.

Susan Kay Quatro is an American rock singer-songwriter, multi-instrumentalist and actress. She was the first female bass player to become a major rock star, breaking a barrier to women's participation in rock music. In the 1970s, Quatro scored a string of hit singles that found greater success in Europe and Australia than in her homeland. She reached no. 1 in the UK and other European countries and Australia with her singles "Can the Can" (1973) and "Devil Gate Drive" (1974). Following a recurring role as bass player Leather Tuscadero on the popular American sitcom Happy Days, her duet "Stumblin' In" with Smokie's lead singer Chris Norman reached No. 4 in the US.

Your Mamma Won't Like Me is the third studio album by Suzi Quatro. Released in 1975, the album marked a change in the hard rock sound from the singer's previous albums Suzi Quatro and Quatro, instead displaying a more funk oriented rock sound. The title track reached No. 31 on the UK singles chart in February 1975. The album's second single, "I Bit off More Than I Could Chew", also reached the charts, peaking at 54 in the UK charts. "Michael" also had limited promotion, being released as a single in some territories, including Australia where the song reached the top 100.

Oh Suzi Q. is the tenth solo studio album by the rock singer-songwriter and bass guitarist Suzi Quatro. It was originally released in 1990, by the record labels Generation Record, and Bellaphon. The album was her last recording of original material for five years, until she released What Goes Around - Greatest & Latest in 1995. It is also notably the first album not to feature her long-time guitarist and then-husband Len Tuckey, whom she would divorce in 1992.