White Lies approached their seventh album, Night Light, with a fresh method: mastering the songs live before recording them. Inspired by the 1970s live-performance TV show The Midnight Special, the trio decided to rehearse and refine the tracks together in a room before entering the studio – a reversal of the process of finding the true spirit of songs only after touring them.

Most of you probably already know that Freedom was formed with two former Procol Harum members, guitarist Ray Royer and drummer Bobby Harrison.
Freedom were a legendary British psychedelic hard-rock band. This is their fourth album, originally released for the collectable Vertigo label in 1971. Powerful hard-rock / bluesy sound with loud wah /distorted guitars, long tracks, wasted vocal. Recommended to fans of Clear Blue Sky, Budgie, Jodo.
Although the roots of "Through The Years" are in hard rock, it has many blues influences in most of the songs (especially at guitar solos). Furthermore, folk and pop music in not strange to Freedom, since apart from acoustic guitars, they use very "catchy" vocal harmonies in their songs…

A very humble beginning for this excellent progressive band. Only a couple years removed from high school, they were strictly a metal band at this point, and "Damnation" is the only song that has remained in their catalog from this session. Early recordings such as this one are the reason their name conjures up the image of a metal band. This re-release contains a 1984 demo version of "Last Call," a live rendition of "Kiss of Death," and rehearsal recordings of "The Calling" and Iron Maiden's "Flight of Icarus."

Hoodoo Man Blues is one of the truly classic blues albums of the 1960s, and one of the first to fully document, in the superior acoustics of a recording studio, the smoky ambience of a night at a West Side nightspot. Junior Wells just set up with his usual cohorts – guitarist Buddy Guy, bassist Jack Myers, and drummer Billy Warren – and proceeded to blow up a storm, bringing an immediacy to "Snatch It Back and Hold It," "You Don't Love Me, Baby," "Chitlins con Carne," and the rest of the tracks that is absolutely mesmerizing. Widely regarded as one of Wells' finest achievements, it also became Delmark's best-selling release of all time.

Zee Zee present her latest album - featuring two works of Franz Liszt: Piano Concerto No.1 and Rhapsody Espagnole. The dazzling combination of Zee Zee together with Philharmonia Orchestra & Paavo Järvi brings this powerful music to life.

A collection of previously unreleased materials by the Kenny Drew Trio, originally recorded for Japanese labels Baystate and Alpha beween 1978 and 1992, now released to commemmorate the 20th anniversary of his passing. A rich trove of superb piano trio performances!
American pianist Kenny Drew (1928-1993) moved to Copenhagen, Denmark, in 1964. Although he may have somewhat faded from the radar of American jazz fans, he had a fantastic career in Denmark and was beloved by European and Japanese jazz fans. In the late 1970s and 1980s, Drew's popularity in Japan grew to incredible heights when he began recording for Japanese labels such as Baystate and Alpha under a partnership with Japanese producer Makoto Kimata.
To commemmorate the 20th anniversary of Drew's passing, a very special series was launched in Japan in 2013…

This trio led by French cellist Vincent Courtois with its unusual instrumentation of cello, clarinet and tenor saxophone, has in its DNA all the elements of what touches us in West Coast Jazz. Chamber jazz where classical instruments such as the clarinet and the cello have a privileged place, which is not so common, but akin to Chico Hamilton's 1956 quintet with Fred Katz on cello and Buddy Colette on clarinet.

This new album from pianist Peter Jablonski and the Polish National Radio Symphony Orchestra under Lukasz Borowicz, includes the world premiere recording of pianist-composer Andre Tchaikowsky's (1935-1982) 1st Piano Concerto and the first studio recording of the composer's 2nd Piano Concerto together with the Piano Sonata.

The new album by bossa nova legend and harmonica master Mauricio Einhorn - produced by Jacques Muyal. With the Idriss Boudrioua Orechestra arranged by Rafael Rocha and with guest artists Paquito D´Rivera and Lula Galvão. In jazz, we all know the harmonica master, Mr. "Baron" Toots Thielemans, but we are equaly fortunate to have our "Prince", Mauricio Einhorn. His early contributions in the 1950s to the birth of the Samba Jazz movement in Brazil played a pivotal role in the creation of Bossa Nova, a genre that quickly became an integral part of the jazz world. The influence of jazz on Brazilian music - exemplified by the great Carlos Lyra in "Influencia Do Jazz" - was so profound that local musicians embraced it to forge a new musical identity. Many of Einhorn´s compositions have become timeless standards performed worldwide since the early 1950s and ´60s.

Marcy Rosen and Diane Walsh present fresh readings of three masterpieces from the cello repertoire. Ms. Rosen studied Barber's cello sonata with Orlando Cole, who worked closely with Barber on the editing of the composition, later premiering the work with Barber at the piano at New York City's Town Hall in 1933.