Despite the prominent presence of celebrated blues artist Howlin' Wolf in her family tree, singer Zora Young grew up singing not blues, but gospel. Even when the Mississippi native shook off her roots at the age of seven to relocate with her family to Chicago, she attended the Greater Harvest Baptist Church and continued to sing gospel. It wasn't until later that she switched over to R&B, and evolved into a powerhouse blues vocalist with three decades of experience behind her. She has performed with a long list of artists, including Junior Wells, Jimmy Dawkins, Bobby Rush, Buddy Guy, Professor Eddie Lusk, Albert King, and B.B. King. Her recording credits include collaborations with Willie Dixon, Sunnyland Slim, Mississippi Heat, Paul deLay, and Maurice John Vaughn, among others…

Equinox continues the scrumptiously winning sound that Sergio Mendes cooked up in the mid-'60s, this time a bit more fleshed out with John Pisano's guitar, a slightly thicker texture, and even an imitation sitar (this was, after all, 1967). Again, the mix of American pop tunes old and new and Brazilian standards and sleepers is impeccable (although it didn't yield any substantial hits), and the treatments are smooth, swinging, and very much to the point. While Mendes reaps a predictable harvest from Antonio Carlos Jobim - he was one of the first to discover and record "Triste" and "Wave" - he also likes to explore the work of other outstanding Brazilian writers like Jorge Ben, Joao Gilberto, and especially Edu Lobo (whose "For Me," with its bright flashes of combo organ, is one of the album's highlights)…

This band was from Scotland, their name is derived from a novel by the poet John Gray in 1728. The musicians of Beggars Opera were Martin Griffiths (vocals), Rick Gardiner (guitar and vocals), Alan Park (keyboards), Gordon Sellar (bass, acoustic guitar and vocals), Virginia Scott (Mellotron and vocals) and Raymond Wilson (drums and percussion).
Their debut album "Act One" (1970) contains fluent and tasteful organ driven progrock with powerful "Sixties" sounding guitarwork. The long track "Raymond's Road" is a splendid tribute to the "classics" featuring Mozart's A la Turka, Bach's Toaccata in d-fuga en Grieg's Peer Gynt Suite on the Hammond organ. The second album "Waters of Change" (1971) is build around the dual keyboardplay of Alan Park and newcomer Virginia Scott and the distinctive, a bit cynical vocals of Gardiner…

Heiko Maile and Julian Demarre, both pop musicians and film composers, have been collabo- rating since the mid-90s album classic "Meanwhile" by Camouflage. While Heiko continued pursuing the perfect pop song, they both landed their first feature film score gigs. In recent years while working together on several films, they felt they should create something for themselves - a love letter to 70s and 80s electronic music. With some esoteric 1970s keyboards from Japan designed for the sound of tomorrow they have now recorded an album for all the days after tomorrow. The result is the genre-bending album Neostalgia, a unique blend of various electronic styles and 1970s Krautrock with pieces featuring intros/outros, flutes, flanger guitars and vocoders, and tracks pushing the six-minute mark.

This budget-price compilation disc brings together twenty favourite tracks from The King’s Consort’s acclaimed Handel recordings. There are movements from recent releases such as ‘The trumpet’s loud clangour’ from An Ode for St Cecilia’s Day plus two tracks released for the first time on Hyperion—‘Largo’ from Concerto Grosso Op 3 No 2 and ‘Let the bright seraphim’ from Handel’s much-loved oratorio Samson.

Hyperion is thrilled to welcome 2015 Honens Prize Laureate Luca Buratto to the label, a pianist whose ‘fiery imagination and finesse’ (Musical America) are perfectly suited to the demands of this all-Schumann programme. Despite its unassuming title, the Humoreske is no mere miniature but a full-scale piano cycle, very much on a par with the Davidsbündlertänze.

East is one of the most beloved prog acts from Hungary (if not the most). While the rest of the world was into New Wave, Marillion carried the prog torch for Great Britain and points west. Guitarist János Varga, keyboardist Géza Pálvölgyi, singer Miklós Zareczky, bassist Péter Móczán and percussionist István Király decided to pick up the prog banner for Eastern Europe. In 1981, they released their debut album "Játékok (Games). It was a well-received debut, and is still highly regarded. However, it is the sophomore effort, 1982's "Hüség" (Faith), that seems to capture more hearts. The first two albums were more symphonic inspired, but they felt the need (or perhaps pressure) to pursue a more mainstream approach. This led to replacing lead singer Miklós Zareczky, with József Tisla on "Rések a Falon" (Cracks in the Wall). While the third album is not the darling of prog fans, it was a great commercial success.

Today, Axxis stands as one of the most enduring and influential hard rock bands in Germany. Their sixteenth studio album once again solidifies the band's exceptional status. And with Coming Home, the Axxis circle is closing. The two masterminds, Bernhard WeiSS and Harry Oellers, have led Axxis through highs and lows since the 90s, allowing them to look back on a solid 35 years of band career, especially with their loyal fans. With the release of the new album on July 12, 2024, on their own label, this chapter comes to a close. Axxis will release their final album and embark on a tour in the fall of 2024, including two major anniversary shows - returning home, indeed. On the new album, the band returns to its roots without neglecting the evolution of recent years…