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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Tori Amos - Under The Pink (1994) [Non-Remastered]

    Posted By: Designol
    Tori Amos - Under The Pink (1994) [Non-Remastered]

    Tori Amos - Under The Pink (1994) [Non-Remastered]
    EAC | FLAC | Image (Cue&Log) ~ 298 Mb | Mp3 (CBR320) ~ 130 Mb | Scans ~ 107 Mb
    Label: EastWest | # 7567-82567-2 | Time: 00:56:51
    Adult Alternative Pop/Rock, Piano Rock, Singer/Songwriter

    Tori Amos'second full-length solo effort has often been considered a transitional album, a building on the success of Little Earthquakes that enabled her to pursue increasingly more adventurous releases in later years. As such, it has been unfairly neglected when in fact it has as good a claim as any to be one of the strongest, and maybe even the strongest, record she has put out. Able to appeal to a mass audience without being shoehorned into the incipient "adult album alternative" format that sprang to life in the mid-1990s, Amos combines some of her strongest melodies and lyrics with especially haunting and powerful arrangements to create an artistic success that stands on its own two feet. The best-known tracks are the two contemporaneous singles "God," a wicked critique of the deity armed with a stiff, heavy funk-rock arrangement, and "Cornflake Girl," a waltz-paced number with an unnerving whistle and stuttering vocal hook.

    Ralph van Raat - Arvo Part: Piano Music (2011)

    Posted By: Designol
    Ralph van Raat - Arvo Part: Piano Music (2011)

    Ralph van Raat - Arvo Pärt: Piano Music (2011)
    Netherlands Radio Chamber Philharmonic, conducted by JoAnn Falletta

    EAC | FLAC | Image (Cue&Log) ~ 209 Mb | Mp3 (CBR320) ~ 164 Mb | Scans included
    Genre: Classical | Label: Naxos | # 8.572525 | Time: 01:05:50

    Dutch pianist Ralph van Raat's collection of Arvo Pärt's piano music spans nearly 50 years of his career, from student pieces written in 1958 to a work from 2006. This would not be the right album for listeners looking primarily for Pärt's legendary austere simplicity, but it would be ideal for anyone already familiar with the composer looking for exposure to the broad stylistic and expressive range of which he is capable.

    R.E.M. - The Best Of R.E.M. (1991)

    Posted By: Designol
    R.E.M. - The Best Of R.E.M. (1991)

    R.E.M. - The Best Of R.E.M. (1991)
    EAC | FLAC | Tracks (Cue&Log) ~ 417 Mb | Mp3 (CBR320) ~ 175 Mb | Scans included | 00:59:28
    Alternative Pop/Rock, College Rock, Jangle Pop | Label: I.R.S. | # CDP 7131282

    The Best of R.E.M. is a greatest hits album by R.E.M. released in 1991, shortly after the success of the band's seventh studio album, Out of Time, released by Warner Bros. The Best of R.E.M., however, was released by the band's previous record label, I.R.S. Records, and only includes tracks from their first five albums while the group was with that label. As such, it covers their output from 1982 to 1987. The Best of R.E.M. was only issued in the United Kingdom, New Zealand, Australia and Brazil, complete with liner notes from Remarks: The Story of R.E.M. by Tony Fletcher (a domestic American greatest hits album had been released prior with a very similar track list titled Eponymous). It has no alternate mixes (unlike Eponymous); all the songs are the album versions. Three songs were taken from each of the first five studio albums and one song was taken from Chronic Town, the band's first EP, making a total of sixteen songs on the album.

    Marillion - Misplaced Childhood (1985) [Non-Remastered, UK Press]

    Posted By: Designol
    Marillion - Misplaced Childhood (1985) [Non-Remastered, UK Press]

    Marillion - Misplaced Childhood (1985) [Non-Remastered, UK Press]
    EAC | FLAC | Image (Cue&Log) ~ 245 Mb | Mp3 (CBR320) ~ 94 Mb | Scans ~ 45 Mb
    Genre: Prog-Rock, Art Rock | Label: EMI | # CDP 7 46160 2 | Time: 00:41:17

    After the album-tour-album cycle of Script for a Jester's Tear, Fugazi, and the subsequent Euro-only release of Real to Reel, Marillion retreated to Berlin's Hansa Ton Studios with Rolling Stones producer Chris Kimsey to work on their next opus. Armed with a handful of lyrics born out of a self-confessed acid trip, Fish came up with the elaborate concept for 1985's Misplaced Childhood. Touching upon his early childhood experiences and his inability to deal with a slew of bad breakups exacerbated by a never-ending series of rock star-type "indulgences," Misplaced Childhood would prove to be not only the band's most accomplished release to date, but also its most streamlined. Initial record company skepticism over the band's decision to forge ahead with a '70s-style prog rock opus split into two halves (sides one and two) quickly evaporated as Marillion delivered its two most commercial singles ever: "Kayleigh" and "Lavender." With its lush production and punchy mix, the album went on to become the band's greatest commercial triumph, especially in Europe where they would rise from theater attraction to bona fide stadium royalty.

    Teddy Swims - I've Tried Everything But Therapy (Complete Edition) (2025)

    Posted By: Fizzpop
    Teddy Swims - I've Tried Everything But Therapy (Complete Edition) (2025)

    Teddy Swims - I've Tried Everything But Therapy (Complete Edition) (2025)
    WEB FLAC (Tracks) 636 MB | Cover | 01:38:20 | MP3 CBR 320 kbps | 240 MB
    Pop, Soul, Singer-Songwriter | Label: Warner Records

    Teddy Swims caps off a breakout era with I’ve Tried Everything But Therapy (Complete Edition), out June 27, 2025. The final chapter of his debut album follows the massive success of Parts 1 and 2, which included global hits like “Lose Control,” “The Door,” and “Bad Dreams.” In the past year alone, the Atlanta-born powerhouse earned a GRAMMY nomination, broke records on the Billboard Hot 100, sold out a world tour, and collaborated with artists like GIVĒON, Muni Long, Coco Jones, GloRilla, and Thomas Rhett. With a voice that fuses soul, pop, R&B, and country — and performances on stages from The Grammys to The BRITs — Swims has become one of music’s most compelling new stars.

    Chris Rea - 4 Studio Albums (1985-1991) [Reissue 2019]

    Posted By: gribovar
    Chris Rea - 4 Studio Albums (1985-1991) [Reissue 2019]

    Chris Rea - 4 Studio Albums (1985-1991) [Reissue 2019]
    EAC Rip | FLAC (image+.cue+log) - 3,16 GB | MP3 CBR 320 kbps (LAME 3.93) - 1,12 GB | Covers - 320 MB
    Genre: Blues Rock, Pop Rock | RAR 3% Rec. | Label: Magnet Records

    With a career spanning over 40 years and over 30 million album sales, Chris Rea’s distinctive husky-gravel vocal and incredible body of work has seen him become one of the most loved solo artists the UK have ever produced. Each set of reissues comes with the original album fully remastered alongside a second disc of live performances, b-sides and previously unreleased versions of tracks from the accompanying album.

    V.A. - Sharp Shades & Finger Snaps [Recorded 1959-1967] (2006)

    Posted By: gribovar
    V.A. - Sharp Shades & Finger Snaps [Recorded 1959-1967] (2006)

    V.A. - Sharp Shades & Finger Snaps [Recorded 1959-1967] (2006)
    EAC Rip | FLAC (image+.cue+log) - 919 MB | MP3 CBR 320 kbps (LAME 3.93) - 330 MB | Covers - 31 MB
    Genre: Jazz, Hard Bop, Soul Jazz, Cool Jazz | RAR 3% Rec. | Label: EMI/Blue Note (00946-355221-2-9)

    2006 two CD compilation series from the team that brought you the Blue Series, the biggest selling Jazz series ever. These compilations will all cover distinct historical and stylistic phases of the label's history, gathering together tracks that are rarely anthologized alongside some of the more well known cuts. Each one will then be housed in a distinctive sleeve that looks like a Blue Note compilation that was done at the specific period covered by the release. Sharp Shades & Finger Snaps features 19 tracks including cuts from Art Blakey & The Jazz Messengers, Hank Mobley, McCoy Tyner, Grant Green, Lee Morgan and others.

    Beaux Arts Trio - Rachmaninoff: The «Elegiac» Piano Trios (1987)

    Posted By: tirexiss
    Beaux Arts Trio - Rachmaninoff: The «Elegiac» Piano Trios (1987)

    Beaux Arts Trio - Rachmaninoff: The «Elegiac» Piano Trios (1987)
    EAC | FLAC (image+.cue, log) | Covers Included | 01:01:17 | 272 MB
    Genre: Classical | Label: Philips | Catalog: 420 175-2

    No matter what your opinion of the composer, these Piano Trios represent two of the most ravishing inspired chamber works ever written. There are moments reminiscent of the panache of Chausson, the melancholy of Schubert, the playfulness of Saint-Saens, and the pathos of Shostakovich yet the trios ultimately maintain an identity uniquely their own. Recorded in 1986, the Beaux Arts Trio (in arguably their most esteemed line-up of Menahem Pressler, Isidore Cohen, and Bernard Greenhouse) as well were in top form and deliver performances that can hardly be bettered. An absolute must for all chamber music fans.

    Viktoria Mullova - Tchaikovsky, Sibelius: Violin Concertos (1986)

    Posted By: tirexiss
    Viktoria Mullova - Tchaikovsky, Sibelius: Violin Concertos (1986)

    Viktoria Mullova - Tchaikovsky & Sibelius: Violin Concertos (1986)
    EAC | FLAC (tracks+.cue, log) | Covers Included | 66:34 | 304 MB
    Genre: Classical | Label: Philips | Catalog: 416821

    This well recorded disc from 1985 delivers impressive readings of both of these works. Mullova takes a very individual view of these concertos and has the technical assurance to communicate her view with compelling certainty.
    The Tchaikovsky concerto is played in the full uncut version that was written by the composer. This is now becoming more common but in 1985 was still unusual enough to warrant comment. By playing the notes as Tchaikovsky had intended Mullova signals a very serious intent which she carries out throughout these two concertos.

    Isabelle Faust - J.S. Bach: Reconstructed Violin Concertos (2000)

    Posted By: tirexiss
    Isabelle Faust - J.S. Bach: Reconstructed Violin Concertos (2000)

    Isabelle Faust - J.S. Bach: Reconstructed Violin Concertos (2000)
    WEB | FLAC (tracks) - 307 MB | Covers + Digital Booklet | 51:38
    Genre: Classical | Label: Haenssler | Catalog: 92138

    None of these reconstructions are included in Teldec’s Bach 2000, although the better-known ‘originals’ obviously are. The real newcomer is the Sinfonia, BWV1045 (5'34'') ‘to an unknown cantata’ which – as befits a BWV number that immediately precedes the First Brandenburg Concerto – is rumbustious, festive and thematically likeable. Time and again I could sense allusions to other Bach instrumental pieces, though the soloist’s ceaseless arpeggiating is sometimes a distraction. We’re told it’s authentic (the manuscript source suggests a violin concerto in the making) but something about its harmonic language doesn’t quite ring true, though that reaction might well be due to lack of familiarity.

    Richard Kapp, Mela Tenenbaum - J.S. Bach: Sonatas for Violin and Piano (1999)

    Posted By: tirexiss
    Richard Kapp, Mela Tenenbaum - J.S. Bach: Sonatas for Violin and Piano (1999)

    Richard Kapp, Mela Tenenbaum - J.S. Bach: Sonatas for Violin and Piano (1999)
    EAC | FLAC (tracks+.cue, log) | Covers Included | 01:25:34 | 450 MB
    Genre: Classical | Label: ESS.A.Y. | Catalog: 1066

    This two-CD set is actually part of an ambitious undertaking: ESS.A.Y Recordings recorded these sonatas in two different versions, this one featuring Ms. Tenenbaum on a modern violin and accompanied by a modern piano played by Richard Kapp; the other recording (reviewed below) features Ms. Tenenbaum playing an older violin and accompanied by a harpsichord played by Gerald Ranck.

    Spectrum - Part One (1971) [Reissue 2007]

    Posted By: gribovar
    Spectrum - Part One (1971) [Reissue 2007]

    Spectrum - Part One (1971) [Reissue 2007]
    EAC Rip | WavPack (image+.cue+log) - 359 MB | MP3 CBR 320 kbps (LAME 3.93) - 143 MB | Covers - 160 MB
    Genre: Progressive Rock | RAR 3% Rec. | Label: Aztec Music (AVSCD026)

    The Melbourne-based Spectrum was a highly regarded Australian progressive psych rock band that came together in 1969 around its central figure, expatriate New Zealand guitarist/singer/songwriter, Mike Rudd. In its formative year Spectrum played covers of work by its contemporaries, such established psychedelic / progressive artists like Pink Floyd, Soft Machine and Traffic before developing a style of its own.
    Many fans will tell you that Spectrum music is some of the greatest progressive psych rock recorded in the day, and nominate the band as purveyors of a uniquely Australian sound and identity. Spectrum's debut, Part One was originally released on EMI's progressive label Harvest and is rightfully regarded as not only a landmark progressive rock release, but the beginnings of one of Australia 's more remarkable bands. Aztec Music's deluxe reissue of Part One has 7 bonus tracks…

    Bill Laswell Sacred System - Book of Exit: Dub Chamber 4 (2002)

    Posted By: gribovar
    Bill Laswell Sacred System - Book of Exit: Dub Chamber 4 (2002)

    Bill Laswell Sacred System - Book of Exit: Dub Chamber 4 (2002)
    EAC Rip | FLAC (tracks+.cue+log) - 232 MB | MP3 CBR 320 kbps (LAME 3.93) - 114 MB | Covers - 8 MB
    Genre: Dub Ambient, Downtempo | RAR 3% Rec. | Label: ROIR (RUSCD8280)

    One of the most prolific men in music, Bill Laswell doesn't release albums under his own name as often as he once did, which makes Book of Exit, the fourth in his "Dub Chamber" series, especially worthy of attention. While the previous "Dub Chamber" releases leaned more toward hard Jamaican-style dub music, with instruments dropping in and out and plenty of reverb and delay, this is altogether a different beat, in large part due to the vocals of Ethiopian singer Gigi. And what Laswell, Gigi, drummer/tabla player Karsh Kale, and percussionist Aiyb Dieng end up with is really ambient dub - something lighter and more flowing because it adapts itself to the vocals. And Gigi is in excellent form, possibly better than on her own debut, whether on "Ethiopia" or the memorable, beautiful "Jerusalem," which mixes a slight R&B inflection with dub for something outstanding, beautiful, and ethereal…

    Barbara McNair - The Ultimate Motown Collection (2003) 2CDs

    Posted By: Designol
    Barbara McNair - The Ultimate Motown Collection (2003) 2CDs

    Barbara McNair - The Ultimate Motown Collection (2003) 2CDs
    EAC | FLAC | Tracks (Cue&Log) ~ 819 Mb | Mp3 (CBR320) ~ 316 Mb | Scans ~ 45 Mb
    Motown, R&B, Soul, Vocal Pop | Label: Universal/Motown | # 017 554-2 | Time: 02:18:20

    Barbara McNair is certainly not the only singer to get lost in the shuffle at Motown at the company's mid-'60s zenith, but her tenure there seemed particularly star-crossed – as this 48-track Ultimate Motown Collection illustrates, much of her finest material was inexplicably withheld from release (in particular the much-bootlegged Northern soul classic "Baby a Go-Go"), while official singles like "My World Is Empty Without You" were issued in the wake of existing hit renditions by other Motown artists. But McNair boasted a genuinely sophisticated, sexy style that was unique in the Motown canon, and her voice – though by no means a powerhouse – is nevertheless stronger and more affecting than Diana Ross, whose hand-me-downs she often received. Compiling her full-lengths Here I Am and The Real Barbara McNair, the unreleased Barbara McNair Sings Smokey, non-LP singles, and rare vault material, this two-disc set finally pays McNair the respect she's always deserved – complete with informative liner notes and excellent sound, it's tough to imagine a better representation of her music.

    Blaze Foley - The Dawg Years 1975-1978 (2010)

    Posted By: Designol
    Blaze Foley - The Dawg Years 1975-1978 (2010)

    Blaze Foley - The Dawg Years 1975-1978 (2010)
    XLD | FLAC | Tracks (Cue&Log) ~ 124 Mb | Mp3 (CBR320) ~ 120 Mb | Scans included
    Label: Fat Possum Records | # FP1223-2 | Time: 00:49:20
    Singer-Songwriter, Country-Folk, Outlaw Country, Americana

    The late singer and songwriter Blaze Foley is almost unheard of outside of the circles of music fans who follow that scene closely. For many Austin musicians, he was a crazy saint, an iconoclast who was banned from virtually every bar in town, but whose songs are deeply admired and whose persona was singular – he didn't give a good god damn what anybody thought of him. He has been immortalized in Lucinda Williams' beautiful "Drunken Angel" and songwriter-guitarist Gurf Morlix, who played with him, lovingly mastered a record they made together in the late '70s which was released in 2006 as Blaze Foley & the Beaver Valley Boys. Willie Nelson, Merle Haggard, Kings of Leon, Lyle Lovett, and John Prine, among others, have recorded his songs. He's been exploited on a few compilations that have come out over the years with awful post-production work that he would never have agreed to. Fat Possum deepens the legend further without soiling the artist in the process. The Dawg Years is a collection of 20 Foley songs, recorded when his moniker was Deputy Dawg.