Angelo Badalamenti's score for The City of Lost Children (La Cité des Enfants Perdus) finds him utilising his orchestration skills to their full extent. His use of the string section in particular is extremely accomplished, with his lyrical writing helping to emphasise the often-melancholic tone of the film. Highlights of the soundtrack include the song "Who Will Take My Dreams Away?" (written with Marianne Faithful), and Badalamenti's sinister organ grinder music composed for the scenes featuring the trained fleas. Overall a very evocative and moving score, and a must for any serious fan of Badalamenti's film music.

In Genesis’ incredible body of work, ‘The Lamb Lies Down On Broadway’ is a landmark record, and one of the most influential progressive rock albums of all time. Originally released in November 1974, ‘The Lamb’ is celebrating its 50th Anniversary with a 4CD + Blu-ray Super Deluxe Edition. This definitive compendium was created with input from all band members involved in the record and follows the arc of the album's creation and tour, giving fans a deep dive into the music and visual elements.The 4CD + Blu-ray box includes the original album remastered by Miles Showell at Abbey Road from the 1974 analogue tapes; the complete ‘Live From The Shrine Auditorium, Los Angeles, CA’ show from January 1975, including two previously unreleased encore tracks; ‘The Lamb’ Dolby ATMOS mix overseen by Peter Gabriel and Tony Banks at Real World Studios; Download card featuring three never-before-released demos from the Headley Grange Sessions, plus 96kHz/24-bit high resolution audio of the new remasters. The set is complete with a 1975 tour programme reproduction, replica ticket, poster and a 60-page coffee table style book featuring rare images and new liner notes by Alexis Petridis.

There's no overestimating the importance of Screamadelica, the record that brought acid house, techno, and rave culture crashing into the British mainstream – an impact that rivaled that of Nirvana's Nevermind, the other 1991 release that changed rock. Prior to Screamadelica, Primal Scream were Stonesy classic rock revivalists with a penchant for Detroit rock. They retained those fascinations on Screamadelica – one listen to the Jimmy Miller-produced, Stephen Stills-rip "Movin' on Up" proves that – but they burst everything wide open here, turning rock inside out by marrying it to a gleeful rainbow of modern dance textures. This is such a brilliant, gutsy innovative record, so unlike anything the Scream did before, that it's little wonder that there's been much debate behind who is actually responsible for its grooves, especially since Andrew Weatherall is credited with production with eight of the tracks, and it's clearly in line with his work. Even if Primal Scream took credit for Weatherall's endeavors, that doesn't erase the fact that they shepherded this album, providing the ideas and impetus for this dubtastic, elastic, psychedelic exercise in deep house and neo-psychedelic. Like any dance music, this is tied to its era to a certain extent, but it transcends it due to its fierce imagination and how it doubles back on rock history, making the past present and vice versa.

Saxophonist Donny McCaslin, widely acclaimed for his pivotal role on David Bowie’s opus Blackstar, returns with Lullaby for the Lost, a bold new album that leans into a guitar-driven, rock-influenced aesthetic over the course of nine dynamic and emotionally charged compositions. Embracing expanded sonic textures and fearless exploration, McCaslin continues to venture into uncharted musical territory on his 14th release as a leader, available September 26, 2025 via Edition Records.

The tracklist includes the songs from the original CD as well as three bonus tracks from the DVD: “Save Up All Your Tears”, “We All Sleep Alone”, “Different Kind of Love Song”. The concert touches on every level of Cher's phenomenal career: her triumphs in music, TV, theater and movies. Includes hits like “Believe”, “If I Could Turn Back Time”, “The Shoop Shoop Song (It’s in His Kiss”, “All Or Nothing” and more as well as a special tribute to The Sonny and Cher Show.

Supreme is presented in its mono mix for the first time in over 50 years. Faithfully mastered from the original analog tapes by Ryan K. Smith, pressed on 180-gram vinyl at RTI and housed in a tip-on gatefold jacket. Experience the surprising impact of A Love Supreme in mono: immediate, intense, unforgettable. Featuring the Classic Quartet of pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones, A Love Supreme is one of the most honest, musical performances put to tape. Its beauty and appeal are timeless.

Recorded at EMI's Abbey Road Studios in 1967 during the final months of the original group's career, this British Psych-pop masterpiece yielded their last great hit 'Time Of The Season', but was destined for release after the Zombies had first broken up. It is the British pop group's all-time classic 'concept' album.

A new voice in contemporary improvisation emerges with the Trio of Bloom, uniting three visionary artists at the forefront of modern music: Craig Taborn (piano, electronics), Nels Cline (guitar, effects), and Marcus Gilmore (drums, percussion).

After keeping their faithful waiting seven years for new material, Orange County blackened metalcore mob Bleeding Through are back and as confident as they have ever been. Nine albums into their career (see what they did there?), they once again blend hardcore, metal, and gothic strains and in doing so unleash one of the strongest collections in their repertoire.
It works in their favour that they don't just deliver 11 versions of the same song, rather mixing things up. To this end, the likes of Gallows and Emery are ice-cold, yielding no space for human kindness, while Our Brand Is Chaos busts heads, and Dead, But So Alive is equal parts violent and anthemic…

Sun Triptych is the eagerly-awaited second ECM New Series album by British-Bulgarian composer Dobrinka Tabakova. The first, 2014’s String Paths, made an immediate impact, picking up a Grammy Nomination and superlative reviews, The Strad praising its “glowing tonal harmonies and grand, sweeping gestures,” while the Washington Times hailed it as an “exciting, deeply moving, original and triumphant” recording.

Wolfgang Muthspiel and his trio with Scott Colley on bass and Brian Blade on drums (“Together they have something of the empathy of the Bill Evans trio” – Downbeat) goes into its third recording-venture swinging, setting the stage for what may be the group’s most adventurous trio recording with a delicate reading of Keith Jarrett’s “Lisbon Stomp”. Throughout the album however, the Austrian guitarist and his American cohorts turn the spotlight towards Wolfgang’s captivating originals, touching on balladic lyricism (“Pradela”, “Traversia”), subtle folk infusions (“Strumming”, “Flight”), as well as oblique chamber jazz (“Weill You Wait”) and twangy rock and roll (“Roll”).