Arriving in 1967, Greatest Hits does an excellent job of summarizing Dylan's best-known songs from his first seven albums. At just ten songs, it's a little brief, and the song selection may be a little predictable, but that's actually not a bad thing, since this provides a nice sampler for the curious and casual listener, as it boasts standards from "Blowin' in the Wind" to "Like a Rolling Stone." And, for collectors, the brilliant non-LP single "Positively Fourth Street" was added, which provided reason enough for anybody that already owned the original records to pick this up. This has since been supplanted by more exhaustive collections, but as a sampler of Dylan at his absolute peak, this is first-rate.

Hilary Hahn and Natalie Zhu prove they are an excellent duo team in their first recording together, featuring four of Mozart's sonatas for violin and piano. All dating from 1778 and later, Mozart treats the two instruments more equitably in these sonatas than in his earlier ones. Hahn and Zhu are technically flawless together. They match each other as closely as two different instruments can to achieve a true duet sound. Just as Hahn "digs" into her strings for extra friction in the opening of the Sonata in E minor, K. 304, Zhu aims for the same tone quality with her touch. The two use longer note values, enhanced by vibrato and pedal, to give the music a pretty sound. It's probably more than a Classical era purist would like, but this is by no means a Romantic interpretation. Their slow movements, particularly those of K. 376 and K. 526, have beautifully rounded, cantabile phrases. The Allegro con spirito of K. 301 has bright accents and intense diminuendos and crescendos, demonstrating that this music isn't all elegance and delicacy.