If Wishbone Ash can be considered a group who dabbled in the main strains of early-'70s British rock without ever settling on one (were they a prog rock outfit like Yes, a space rock unit like Pink Floyd, a heavy metal ensemble like Led Zeppelin, or just a boogie band like Ten Years After?), the confusion compounded by their relative facelessness and the generic nature of their compositions, Argus, their third album, was the one on which they looked like they finally were going to forge their own unique amalgamation of all those styles into a sound of their own.

This is a mightily expanded reissue of the 1969 album Alun Ashworth-Jones, containing everything from that rare LP, in addition to two 1969 songs that showed up on the 49 Greek Street compilation; nine live solo acoustic tracks from 1969 that were planned as part of a second LP that was not released at the time; and five studio solo acoustic tracks from 1971, again planned for a second LP, again shelved until the release of this CD. The chief attraction of the disc is the Alun Ashworth-Jones LP itself, which is beguiling, melodic, mild period British folk-rock. While it doesn't stick in the memory as much as what Donovan, Roy Harper, Al Stewart, John Renbourn, Bert Jansch, or Nick Drake recorded during the same era, it's a fair bet that fans of those acts will enjoy it. It has a similar mix of minstrelsy folk, a hint of blues, and imaginatively varied, understated backing from violin, flute, and some rock instruments…

Jeremy Pelt is two years away from his 50th birthday, and released his first album as leader (Profile) in 2002. In that time, he has created a prodigious body of work. This album marks his 25th album as leader, and he has been sideman to many artists including, Wayne Shorter, Cedar Walton, Al Foster and Mingus Big Band. Stylistically, his playing is a mix of Clifford Brown, Freddie Hubbard and electric-era Miles Davis.
And like Miles, Pelt does not believe in simply going over the same old musical ground. ‘To me, my music is a living, breathing organism that is meant to grow,’ he states boldly in the album’s short liner note, ‘I’m not interested in “new” for the sake of “newness.” Rather, I’m infatuated with disparate perspectives which continue the story.’ Having said that, Pelt is not averse to reworking old tunes, and on this album there are four of them…