Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio.

Tom Jones is one of the most popular vocalists to emerge from the British Invasion. From the mid-'60s on, Jones has sung nearly every form of popular music – from pop, rock, show tunes, and country to dance, techno, and more – while his vocal style, a full-throated, robust baritone with little regard for nuance or subtlety, remained a swaggering constant. Mid-'60s songs like "It's Not Unusual" and "What's New Pussycat" registered on the charts, as did inimitable readings of country classics such as "Green, Green Grass of Home" later in the decade. As his career rolled along, Jones became a favorite in Las Vegas, had a hit with an Art of Noise-produced cover of Prince's "Kiss" in 1988, and released albums that ranged from the slick dance-pop of 1994's The Lead and How to Swing It to 2010's Praise & Blame, a collection of covers that paved the way for a string of releases that found Jones digging into the modern American Songbook. His taste for exploration led him to cover songs by relatively obscure artists like Billy Joe Shaver and the Milk Carton Kids, while 2021's Surrounded by Time showed the influence of Radiohead. No matter the style or song, Jones' powerful, one-of-a-kind voice is instantly recognizable and his passion for performing has never dimmed.

Unreleased album recorded between November 1974 and November 1976

Above the album worked the 'The Best 80s Album In The World…Ever! ', and his release took place on 2022. The album has got songs with a total duration of more than an hour. A compilation is a compilation of original music.

« Le Rock’n’roll est la plus brutale, la plus hideuse, la plus prostrée, la plus vicieuse des formes d’expressions qu’il m’ait malheureusement été donné d’écouter. » Frank SINATRA Une culture 100% adolescente est née dans l’après-guerre. Portée par le rock, un vecteur de libération sexuelle et raciale qui a fait scandale dès 1956, la nouvelle génération a produit un son et une attitude qui ont ébranlé le monde. Ce dictionnaire chronologique (notices par ordre alphabétique) réunit 98 artistes en 98 chefs-d’oeuvre et perles méconnues. Il permet de comprendre les fondamentaux de cette musique. Musicien, journaliste et historien du rock, Bruno Blum commente et présente la naissance, l’évolution, les différents styles du rock, et ses meilleurs représentants durant l’âge d’or du rock n’roll.

The ultimate rock & roll session man, Leon Russell's long and storied career included collaborations with a virtual who's who of music icons spanning from Jerry Lee Lewis to Phil Spector to the Rolling Stones. A similar eclecticism and scope also surfaced in his solo work, which couched his charmingly gravelly voice in a rustic yet rich swamp pop fusion of country, blues, and gospel. Born Claude Russell Bridges on April 2, 1942, in Lawton, Oklahoma, he began studying classical piano at age three, a decade later adopting the trumpet and forming his first band.

The concert recorded at the "Pop Session '77" festival in Sopot on July 26, 1977 is a real treat! After all, SBB is a trio (although in history, of course, the line-up has been expanded to include additional musicians, for example Sławek Piwowar), but SBB in… duo is not only a phenomenon, but an amazing challenge. This tape was found almost miraculously (hence, perhaps in the fragments of the recordings, the quality is slightly worse, but it is the only surviving recording of SBB as a duo).

Issued in a thick glossy paper sleeve with an OBI-strip, a numbered flyer, three postcards and one A4 paper detailing track information.

Originally streamed on December 5, 2020, the show became one of the most memorable performances of the lockdown era. Liam followed the precedent set by the Sex Pistols and The Clash, and decided to hit the River Thames, armed with a boatload of attitude, a phenomenal live band (including Bonehead) and an arsenal of classic songs. Acclaim included a four-star review from i, who declared the show to be, “A reminder of why the younger Gallagher is now the fans’ favourite.”

Elevating, uplifting and beautifully arranged. Jasmine Myra's sophomore album Rising builds on the success of her breakthrough album Horizons to deliver a major statement from one of UK Jazz's rising stars. Produced by Matthew Halsall and mixed by Greg Freeman (Hania Rani, Matthew Halsall, Portico Quartet), Rising delivers a confident and vibrant follow up that joins the musical dots between Myra’s influences Kenny Wheeler, Bonobo and Shabaka Hutchings while delivering something unique, beautiful and profound.

Soviet Grail presents an extended and official self-titled vinyl and CD reissue of a Turkmen jazz-rock and folk-rock ensemble Firyuza led by Dmitry Sablin.

Now in its 14th year, the unique and constantly evolving Fire! Orchestra is back with their most ambitious work so far as well as their largest line-up, counting a mostly Scandinavian cast of no less than 43 members. While the popular and widely praised Arrival is a highlight in both our and the band´s catalogue, this monumental triple album ups the ante.

Taken from recently discovered sources in The David Bowie Archive®, I’M ONLY DANCING (THE SOUL TOUR 74) was recorded mostly during David’s performance at the Michigan Palace, Detroit on 20th October, 1974, with the encores taken from the Municipal Auditorium, Nashville on 30th November, 1974. The only song missing from the full set on the 20th October performance is ‘Diamond Dogs’ which was unfortunately only recorded in part. To make up for that it was decided to include the encores from the 30th November performance which featured ‘Diamond Dogs’ but also enables a fuller representation of the set from The Soul Tour including such numbers as ‘Knock On Wood’ and the ‘Foot Stomping / I Wish I Could Shimmy Like My Sister Kate’ medley.

In the decades since its original release, more than one writer has declared Fairport Convention's Liege & Lief the definitive British folk-rock album, a distinction it holds at least in part because it grants equal importance to all three parts of that formula. While Fairport had begun dipping their toes into British traditional folk with their stellar version of "A Sailor's Life" on Unhalfbricking, Liege & Lief found them diving head first into the possibilities of England's musical past, with Ashley Hutchings digging through the archives at the Cecil Sharp House in search of musical treasure, and the musicians (in particular vocalist Sandy Denny) eagerly embracing the dark mysteries of this music. (Only two of the album's eight songs were group originals, though "Crazy Man Michael" and "Come All Ye" hardly stand out from their antique counterparts)…

After a rather lukewarm outing on his own label in 2011 Cadillac Jack , Mighty Mo Rodgers is back in great form on this new Dixie Frog release. The theme, like the majority - if not all- of his CDs is about racial injustice in the US, which Mr. Rodgers is able to present in a form that maintains his topical and relevant message without alienating the listener -a very unique talent. Mr Rodgers is one of a kind with his Blue Thumb CD Blues Is My Wailin Wall an essential part of any blues collection.