The recording sessions for the Byrds' fifth album, The Notorious Byrd Brothers, were conducted in the midst of internal turmoil that found them reduced to a duo by the time the record was completed. That wasn't evident from listening to the results, which showed the group continuing to expand the parameters of their eclecticism while retaining their hallmark guitar jangle and harmonies. With assistance from producer Gary Usher, they took more chances in the studio, enhancing the spacy quality of tracks like "Natural Harmony" and Goffin & King's "Wasn't Born to Follow" with electronic phasing. Washes of Moog synthesizer formed the eerie backdrop for "Space Odyssey," and the songs were craftily and unobtrusively linked with segues and fades…

After they went “Inside The Machine”, reaped the “Dead Harvest”, survived the “Garden Of Death”, and got injected with “Needles Of Rust”, This Ending are ready to become “Crowned In Blood”. Three years have passed, since the band released their album “Needles Of Rust” and the world is a different one now. In these days, people might scream even more for a strong dose of (melodic) death metal to channel all the negativity out there. This Ending took their time to write a strong album that combines all strengths of the Swedish five piece that arose from the ashes of A Canorous Quintet in 2006. The title track starts with a somewhat unsettling intro before the guitars take the listener into a thrashy verse that leads into an anthemic chorus…

Dmitry Shostakovich’s Symphonies are arguably the most impressive symphonic cycle of the 20th century – certainly, if you don’t count Gustav Mahler. The depth and variety of these 15 Symphonies, so closely tied to Shostakovich’s personality and the times he lived in, make it particularly rewarding to listen to different interpretations. Dmitrij Kitajenko’s survey, recorded between 2002 and 2004, has found its place among the great cycles, both for its artistic merits and its reference sonics, the wide dynamic range and the impassioned playing of the Gürzenich Orchestra Cologne that the native Leningrad native Dmitrij Kitajenko obtains from his musicians. 2025 marks the 50th anniversary of the composer’s death.

Four decades after its release, this is still the most controversial record in Yes' output. Tales from Topographic Oceans was the place where Yes either fulfilled all of the promise shown on their previous five albums or slid off the rails in a fit of artistic hubris, especially on the part of lead singer Jon Anderson and guitarist Steve Howe, who dominated the composition credits here. Actually, the group probably did a bit of both here across 80 minutes of music on a fully packed double-LP set; the group's musical ambitions were obvious on its face, as it consisted of four long songs (really suites) each taking up a side of an album, and each longer than the previous album's side-long "Close to the Edge."

The Bill Evans Trio's 1973 concert in Tokyo was his first recording for Fantasy and it produced yet another Grammy-nomination for the presentation. With bassist Eddie Gomez and drummer Marty Morell, this LP mixes offbeat songs with overlooked gems, familiar standards, and surprisingly, only one Evans composition, the demanding "T.T.T.T. (Twelve Tone Tune Two)." Bobbie Gentry's "Mornin' Glory" was an unusual choice to open the performance and seems a bit conservative for Evans. The adrenaline picks up considerably with his midtempo waltzing take of Jerome Kern's "Up with the Lark" and a driving "My Romance." Evans also revisits the twisting Scott LaFaro tune "Gloria's Step," which showcases both Gomez and Morell. The closer, "On Green Dolphin Street," is given a slight bossa nova flavor and isn't nearly as aggressive as most of the pianist's live recordings of this popular standard…

The 2005 released "The Inconsolable Secret" wasn't the best, but it was the most ambitious album of the two US-Retroproggers Steve Babb and Fred Schendel. The double CD was a monumental concept album, on which for the first time Fiauch used a real drummer. In the past, the two multi-instrumentalists had "drummed" or programmed corresponding machines themselves. They also put no less than fifteen guest musicians at the service of this epic work, including a four-piece "Girls Choir", a soprano and a tenor as well as various strings. The album was sold out for a long time - and is now coming back on the market in a deluxe edition. But what's special is probably CD 3, which contains "The Morning She Woke" as well as the four longest tracks of the original work in remix versions…