Originally released in October 1989, the classic Erasure album Wild! is the band’s fourth album and their 2nd UK number one. Featuring the four hit singles 'Drama!', 'You Surround Me', 'Blue Savannah' and 'Star' the album is re-mastered and re-issued as a deluxe 2CD version in a hard back media book format with rare images, original photography by Pierre et Gilles and brand new sleeve notes. An exclusive bonus disc features five unreleased tracks including a brand new remix by Richard Norris (The Grid / Beyond The Wizard's Sleeve), a recently discovered unreleased mix of 'How Many Times?', rare 12" remixes by Mark Saunders, Gareth Jones and Mute supremo Daniel Miller (with Phil Legg), cover versions (including the fan favourite 'Supernature') and exclusive live tracks recorded at London Arena, Docklands in December 1989.

Olivia Newton-John issued her first Greatest Hits collection in 1977. This newly remastered Deluxe Edition features Olivia's biggest international hits from her 1971 debut through her 1976 album, Come on Over. It contains all of her Top 40 hits from that era including the #1 singles, "I Honestly Love You," and "Have You Ever Been Mellow?" The album was certified double platinum in the U.S., platinum in both the U.K. and Canada, and has sold over 5 million copies worldwide.

A group whose distinctly ethereal and gossamer sound virtually defined the enigmatic image of the record label 4AD, Cocteau Twins were founded in Grangemouth, Scotland, in 1979. Taking their name from an obscure song from fellow Scots Simple Minds, the Cocteaus were originally formed by guitarist Robin Guthrie and bassist Will Heggie and later rounded out by Guthrie's girlfriend Elizabeth Fraser, an utterly unique performer whose swooping, operatic vocals relied less on any recognizable language than on the subjective sounds and textures of verbalized emotions.

Recorded in 1993, Stone of Sisyphus didn't appear as scheduled in 1994 due to Chicago's record label, Warner, believing the album to be too uncommercial. As it often happens with unreleased records by major acts, a legend built up around the scrapped record, at least among devoted Chicago fans, the kind who would appreciate the musical stretching found on Stone of Sisyphus. Frankly, they may be the only group to appreciate the departures on Stone of Sisyphus, as it's a curious creature - a splashy, expensive mainstream album that's restless yet not quite experimental but entirely devoid of pop songs. If this had been the Chicago of the early '70s, who specialized in ten-minute jazz-rock songs on their series of double albums, perhaps it would have been easier for the label to accept the variety of sounds here, but this was a Chicago coming out of five years of big placid adult contemporary hits…

Produced by Duke Robillard and utilizing his band as the backing unit, Cool Blues Walk is tightly focused from note one, making a marvelous framework for "The Chief" to do exactly what he does best. With the exception of the covers "Sen-Say-Shun," "Stranded," and "I Just Want to Make Love to You," Eddy Clearwater wrote every tune aboard in his usual wide range of styles from the rocking "Very Good Condition" to the country-ish "Nashville Road" to the shuffling "Boppin' at the Top of the Rock." Clearwater continues to surprise with a rare appearance playing piano and singing the decidedly non-blues-like ballad "I Love You" which also features Marilyn Mair and Mark Davis adding mandocello and mandola to this distinctive tune…

Thirteen years into their tenure, the Dave Brubeck Quartet was still able to mine the creative vein for new means of expression. Despite the hits and popularity on college campuses, or perhaps because of it, Brubeck, Paul Desmond, Eugene Wright, and Joe Morello composed a restless band with a distinctive sound. These eight tracks, all based on a tour of Japan the year before, were, in a sense, Brubeck fulfilling a dictum from his teacher, the French composer Darius Milhaud, who exhorted him to "travel the world and keep your ears open." The sketches Brubeck and Desmond created all invoke the East, particularly the folk melodies of Japan directly, while still managing to use the Debussian impressionistic approach to jazz that kept them riding the charts and creating a body of music that, while playing into the exotica craze of the moment, was still jazz composed and played with integrity…

Julian Jay Savarin was born on the exotic island of Dominica, being of British origin, and moved to London in 1962. There he found the appropriate enviroment to reveal his talents as an organist and composer.He was in love with sci-fi stories and wrote some sort of a Rock Opera, based on an Atlantis-like lost civilization. He formed his personal band Julian's Treatment in 1970.
"A Time Before This" is a charming British Prog/Psychedelic Rock gem, where Savarin's mood for cosmic, jamming and atmospheric music eventually surfaces via the emerging progressive scenery, as the album is dominated by his work on Hammond organ and his tendency towards sinister Marsupilami-like psych manifests and The Nice-inspired semi-Classical piano and organ smashing…

'Speak Now (Taylor's Version)' is the third re-recorded album by American singer-songwriter Taylor Swift, released on July 7th 2023. It is a re-recording of Swift's third studio album, 'Speak Now' (2010), and follows her 2021 re-recorded albums, 'Fearless (Taylor's Version)' and 'Red (Taylor's Version)'. The re-recording is a part of Swift's counteraction to her 2019 masters dispute. It features collaborations with American rock acts Fall Out Boy and Hayley Williams. The CD includes 22 songs, including 6 previously unreleased songs from the vault.

Electronic music pioneer Klaus Schulze has released Silhouettes, his first album of new music in 5 years. “In the wake of your 70th birthday, you naturally find yourself looking back at the past,” notes Schulze. “So the result is a reorientation, a renewed awareness of what is really important.” With this album, Schulze says that he has tried to reduce his music to its essential elements. “No great distractions, nothing to force your attention in a certain direction, no major effects or gimmicks, no frills or dominant rhythms,” he explains. “ It was important to me to paint the pictures in the depth of the space, the sonic fields of tension and atmosphere.”