Vox Humana is the second solo album by Geoffrey Downes, the former member of The Buggles, Asia & Yes. Many of the songs on this fine album were later reworked by Asia on their Archiva albums.

Solo album of instrumental covers by the former member of The Buggles, Asia & Yes. Geoffrey "Geoff" Downes is an English rock songwriter, record producer, keyboardist, icon. Downes created The Buggles with Trevor Horn in 1977. After three years of songwriting and recording process, their first album, The Age of Plastic, was released in 1980. Now recognized as a highly influent album and a landmark of the electropop era, it also spawned the single "Video Killed the Radio Star", that was No. 1 on the singles charts of sixteen countries. The same year, both Horn and Downes joined Yes and recorded the album Drama as a part of the band. The following year however, Yes disbanded.

John Wetton's early-2003 album Rock of Faith appeared after a two-year string of concert releases. It was written at a crossroads in the singer/bassist's life, in the wake of his 50th birthday – it was also occasioned by his extended visit to Vienna, which stimulated him artistically, and recorded in the wake of the dire world events of 2001 halfway around the globe. The ex-Family/King Crimson/Asia member rises to the occasion here, with an album evocative of his progressive rock past, yet slightly leaner and more focused than most of those efforts ever were, and supported by Geoffrey Downes (keyboards), Clive Nolan (keyboards), John Mitchell (electric guitars), and Steve Christey (drums).

Chronicle, Vol. 1 contains every one of Creedence Clearwater Revival's original 19 hit singles – including "Proud Mary," "Bad Moon Rising," "Green River," "Down on the Corner," "Travelin' Band," "Up Around the Band," and "Have You Ever Seen the Rain" – plus "I Heard It Through the Grapevine," which became a hit at the same time this double-record compilation was released. It's a lean, concise collection that tells you everything you need to know about Creedence. Several of the band's individual albums are essential, but Chronicle is not only an excellent introduction to the group, it offers definitive proof that the group was one of the definitive singles' bands of the late '60s. Rarely has a greatest- hits collection been so well-assembled.

A fine collection including many tracks from Slade's hitmaking heyday, Feel the Noize: Slade Greatest Hits stretches from the group's hit singles of the early '70s beginning with 1971's "Get Down and Get with It" all the way to 1991's "Radio Wall of Sound." In between those two songs is a selection of the group's big, dumb, irresistible, and misspelled hits – "Coz I Luv You," "Take Me Bak 'Ome," "Mama Weer All Crazee Now," "Gudbuy T'Jane," "Cum on Feel the Noize," "Skweeze Me, Pleeze Me." It also features latter-day hits like "My Oh My," but Slade never got better than they did at their stomping glitter-rock peak, and Feel the Noize captures the essence of that era.

Perhaps it’s all down to Stevie Nicks being at peace with her legacy, perhaps she was coaxed back toward the ‘70s by producer David A. Stewart, perhaps it’s the presence of Lindsey Buckingham on “Soldier’s Angel,” or perhaps it’s the fact that she excavated a 1976 song called “Secret Love” for this album, but In Your Dreams is Stevie’s first solo album to embrace the sound of Fleetwood Mac at their prime. Nicks never exactly ran away from the Mac, but her ‘80s solo hits were tempered by a steely demeanor and her subsequent solo albums strove too hard to recapture the magic that In Your Dreams conjures so easily.

The second album by Manfred Mann's Earth Band to be released in 1972, Glorified Magnified is as solid a heavy rock album as you're likely to find from that era, and it still holds up three decades later, mostly because these guys are smarter than the music they're playing and don't mind indulging their taste as well as their dexterity. They can romp and stomp through "Meat" or "I'm Gonna Have You All," complete with a slashing guitar solo by Mick Rogers on the latter, or throw in a synthesizer interlude by Mann on "One Way Glass" that's so quietly and carefully executed as to be worthy of a classical piece – and not skip a beat doing it.

Alexander Melnikov returns to Rachmaninoff with an exploration of the poetic world of the Variations on a Theme by Chopin. He travelled to Lake Lucerne to record this album on the master’s own piano at Villa Senar, Rachmaninoff’s last summer home. To accompany this eminently lyrical music, he joins forces with the luminous soprano of Julia Lezhneva and invites us to discover some of the Russian composer’s most beautiful songs from this period of intense creative ferment.

Following his exploration of Spain with the music of Federico Moreno Torroba (BIS2725), Franz Halász now takes us to Brazil with the complete works for solo guitar by Heitor Villa-Lobos.

Andris Nelsons and the Boston Symphony Orchestra announce their upcoming album with star pianist Yuja Wang performing Shostakovich’s two piano concertos. The recordings are part of Nelsons' and the BSO’s award-winning decade-long Shostakovich project to mark the 50th anniversary of the composer’s death.

Over the years, Robin Trower has garnered a select group of fans and aficionados for what can be described as his own unique guitar soundscape. Armed with a Fender Stratocaster and crafting his own style, which has earned him comparisons to Hendrix, he has been astounding audiences for over 50 years. This live performance from the Seattle West Studios on August 13th, 1973, broadcast on KOL-FM radio, features tracks from the two Robin Trower Band debut albums, Twice Removed from Yesterday and Bridge of Sighs. Discover for yourself the roots of his post-Procul Harum signature sound and enjoy this remastered radio broadcast.

Oscar Peterson defined the modern mainstream jazz piano style, with albums such as Night Train and We Get Requests providing a template for all other jazz piano trios to follow.

Mississippi John Hurt's mid-'60s performances were usually distinctive and sometimes staggering. His guitar work was crisp, attractive and frequently brilliant, although his vocals were the real hook. Hurt's narratives, storytelling ability and general communicative powers were at their peak on this two-CD set, which has languished in a vault for nearly 30 years. Hurt covers such traditional numbers as "C.C. Rider" and "Staggerlee" with vigor, plays several originals, sometimes shifts to gospel, and does everything in an unassuming way that nevertheless grabs your attention. The set's treasure is a 31-minute interview with Pete Seeger in which Hurt lays bare his life, times and personality, doing so in the same steady, casual, gripping fashion that underscored his singing and playing.

Hailed as one of the most important musicians in America in the 20th-Century, legendary conductor Leonard Bernstein conducts the momentous collection of Beethoven’s nine symphonies in this impressive 6 CD boxset for Sony Classics. Recorded whilst Bernstein was at the peak of his musical capabilities during his famous spell as director of Music at the New York Philharmonic Orchestra, the Beethoven symphonies provide the listener with an array of emotions, from the serious nature of the Fifth Symphony to the Third ‘Eroica’ Symphony, to the Fourth Symphony ‘Pastorale’ and to the passionate ninth, the ‘Chorale’. This collection of works by the most well-known classical music composer of the most famous and important works in classical music makes this boxset a ‘must-have’ for the classical music lover.

The second album of this Danish group has very similar sound textures as found from their first album. They are emphasizing acoustic, carefully constructed harmonies, analogue organs and beautiful singing melodies for painting lush feelings to being paired with upright rock'n'roll passages. In addition of the more delicate and dynamic parts, there are also some quite straightforward and more unimaginative moments here, like the track "Classified Adds" - A symptom of filler-track syndrome, which was diagnosed already on their first album. The beginning of the fourth tune "Late Night Woman Blues" returns back to more ethereal feelings, morphing as a traditional blues number with acoustic slide guitars and amplified rhythm guitars…