'Maybe I'm Dreaming' is the latest collection selected by Mikey Young and Keith Abrahamsson (founder and head of A&R at Anthology Recordings), the mangled minds behind the beloved 'Follow the Sun', 'Sad About the Times', and .'Still Sad' compilations. The twenty tracks of Dreaming make a conscious, and unconscious, detour from its predecessors, sourced entirely from private press releases, spanning new decades and production modes within homespun folk, soft rock, and otherwise '70s and '80s FM radio adjacent music. The magic of Dreaming is the untold story of the artists behind these songs; those who missed the big time, but whose song craft and unrequited care hit the right notes, both high and low.

Grace Jones Grace Jones was one of the more unforgettable artists to emerge from New York City's hedonistic Studio 54 disco scene of the late '70s. Born in Spanish Town, Jamaica, Jones was raised in a strict and devoutly Pentecostal household by her parents, who eventually moved to the U.S. and left Jones and her siblings in the care of their grandmother and an abusive step-grandfather. At the age of 13, the Jones children joined their parents in the States. Jones studied theater at Syracuse University before launching a career as a model, notably evident on the 1973 Philadelphia International reissue of Billy Paul's second album.

JOVA! LIVE! LOVE! is the perfect album for anyone who wants to relive the emotions felt during Jovanotti’s legendary shows! Recorded during the PalaJova2025 tour dates, “JOVA! LIVE! LOVE!” is a Best Of album composed of 27 iconic tracks from Jovanotti’s career. Inside are all the historic hits, including ”Il più grande spettacolo dopo il Big Bang”, ”Ragazza Magica” and ”L’ombelico del mondo”, but also more recent tracks such as ”I love you baby” and ”Un mondo a parte”. The album is available in two unmissable formats: Triple LP and Double CD.

This 3CD release with original artists and recordings is one of the Disky label's best-selling box sets. 54 Great tracks. Fleetwood Mac, Argent, Deep Purple, Ike & Tina Turner, The Bee Gees, The Beach Boys, Edgar Winter, Donovan, Cher, The Band, The Animals, Isaac Hayes, Jimi Hendrix, Curtis Mayfield, Black Sabbath, Albert King, The Searchers and more, and more…

This star-studded musical tribute to Jimi Hendrix is highlighted by contributions by artists from rock, R&B, blues and funk. Each of these artists bears witness to Hendrix’s imprint on their own music. From the contemporary R&B stylings of Musiq to the deep country blues of John Lee Hooker, Jimi’s creative spirit-the pure inventive freedom he drew upon to originate these signature songs-stands undiminished. This special project features new interpretations of Hendrix’s classics from a host a music’s biggest stars including Lenny Kravitz, Sting, Prince, Santana, Eric Clapton, John Lee Hooker, Stevie Ray Vaughan, George Clinton, Bootsy Collins, Earth Wind & Fire, and numerous others.

Verve Records celebrated the 50th anniversary of Norman Granz's first Jazz at the Philharmonic concert with an all-star get-together at Carnegie Hall. Different groups of top players from Verve's legacy (both past and present) had opportunities to perform, and this CD has many of the highlights. Pianist Peter Delano plays "Tangerine" with a trio; Dee Dee Bridgewater sings "Shiny Stockings" with the Carnegie Hall Jazz Band; Hank Jones pays tribute to Art Tatum; Abbey Lincoln sings "I Must Have That Man"; Joe Henderson meets up with Antonio Carlos Jobim (who made his final concert appearance) on "Desafinado"; "Manteca" features trumpeter Roy Hargrove and trombonist Steve Turre; pianist Yosuke Yamashita pays tribute to Bud Powell; Betty Carter scats on "How High the Moon"; Herbie Hancock and John McLaughlin play a restrained acoustic version of Bill Evans' "Turn out the Stars"; Hargrove teams up with altoist Jackie McLean and guitarist Pat Metheny for "The Eternal Triangle"; organist Jimmy Smith revisits Oliver Nelson's arrangement of "Down by the Riverside"; Art Porter and Jeff Lorber play some crossover, and J.J. Johnson contributes a few trombone solos.

Maggie Bell was lead singer of the Scottish rock band Stone the Crows, who broke up after their guitarist was fatally electrocuted onstage. Managed by Peter Grant (Led Zeppelin) and produced by Jerry Wexler (Aretha Franklin), Bell made a staggeringly good solo debut that seemed to position her as the heir to Janis Joplin (even covering "A Woman Left Lonely"). But she never broke through commercially, not even when Jimmy Page played guitar on her followup album — the only way she surpassed Joplin was by staying alive.

Angela Hewitt has earned a richly deserved reputation for her interpretations of Bach and the Baroque, and something of that characteristic clarity illuminates her Schumann performances. Her first disc of this repertoire was praised for its ‘seemingly effortless but always adventurous interpretations … her poise and amplitude lending it an unearthly beauty’ and this second volume, containing some of the composer’s most bewitchingly beautiful music, should be no less lauded.

Eurodance is back! From clubs to radio stations, the Eurodance sound is everywhere, driven by artists like David Guetta, Upsilone, Gabry Ponte, Boris Way, and Ofenbach. Tom mark the occasion, rediscover the greatest Eurodance hits of the 90s & 2000s on a double CD! With: Gala, O-Zone, Cascada, Robert Miles, Dr. Alban, Paradisio, Haddaway, Corona, Daddy DJ, Robin S

Some guest soloists get overshadowed by Oscar Peterson's technical prowess, while others meet him halfway with fireworks of their own; trumpeter Clark Terry lands in the latter camp on this fine 1964 session. With drummer Ed Thigpen and bassist Ray Brown providing solid support, the two soloists come off as intimate friends over the course of the album's ten ballad and blues numbers. And while Peterson shows myriad moods, from Ellington's impressionism on slow cuts like "They Didn't Believe Me" to fleet, single-line madness on his own "Squeaky's Blues," Terry goes in for blues and the blowzy on originals like "Mumbles" and "Incoherent Blues"; the trumpeter even airs out some of his singularly rambling and wonderful scat singing in the process…

Signed to the fontana label when she was just 16, kiki dee's first single, "early night" (Penned by Mitch Murray) was released in May 1963, before cilla Black, sandie Shaw, Lulu or Dusty Springfield (as a solo artist) had released a record. She released a further eleven singles (plus several European versions) and an album on fontana, before being signing to the Motown label, The first British artist to do so. This is the first comprehensive collection of all of kiki's 60s releases, compiled with her involvement. Discs one and two feature all of kiki's singles for the fontana label, including "(you don't know) how glad I am" And her Northern soul classic "on a magic carpet ride", as well as the "I'm kiki Dee" Album (with all twelve tracks in stereo on CD for first time). also included are kiki's ten European fontana singles together on CD for the first time, seven on CD for the first time ever. Kiki manages to sing in Italian, French, German and Spanish! Disc three features her recordings for the Motown label - The original album "great expectations" And nine bonus tracks (two of these appear on CD for the first time, and one mix is previously unreleased). produced by Frank Wilson, kiki covers such classics as "for once in my life", "I second that emotion", "walk on by", "put a little love in your heart", "you're my world" And "you don't have to say you love me".

This album, the group's third, was where they showed just how far their talents extended across the musical landscape, from blues to R&B to classical rock. In contrast to their hastily recorded debut, or its successor, done to stretch their performance and composition range, A Salty Dog was recorded in a reasonable amount of time, giving the band a chance to fully develop their ideas. The title track is one of the finest songs ever to come from Procol Harum and one of the best pieces of progressive rock ever heard, and a very succinct example at that at under five minutes running time - the lyric and the music combine to form a perfect mood piece, and the performance is bold and subtle at once, in the playing and the singing, respectively…

Five CD box set. When Elton John started up his Rocket Records label in 1973, Kiki Dee was his first signing, and he produced the first album Loving And Free, utilizing his own band and a "who's who" of UK session musicians. In 1974, she formed the Kiki Dee Band, and again hit the charts with the single and album "I've Got The Music In Me". In 1975, she recorded an album in LA, Cage The Songbird - for reasons that will be revealed in the extensive annotation in this book set, this album was shelved and did not see a release until 2008. It now takes it's correct place in this collection of Kiki's recordings for the Rocket label. The summer of 1976 saw Kiki occupy the UK # 1 singles spot for six weeks with her old friend Elton, with "Don't Go Breaking My Heart". It was also # 1 in the US, where it sold over a million copies. Further success came with two more albums for Rocket, Kiki Dee (1977) and Stay With Me (1978), featuring the singles "Chicago" and "First Thing In The Morning". Containing all five albums and lavishly illustrated with photos and ephemera from Kiki's own collection, and with annotation by Alan Robinson based on a brand new interview, this media book package also features ten bonus tracks, including "Don't Go Breaking My Heart", and it's B-side "Snow Queen", on CD for the first time outside Australia.

After nearly three decades spent perfecting her multilayered harmony techniques and range of styles as a jingle singer, vocalist for Adiemus and session artist for the likes of George Michael, David Bowie, Tina Turner, and Seal, Miriam Stockley emerges with her debut solo recording, Miriam. An amalgamation of African inspired pop, Celtic folksiness, and classically tinged commercial pop, Miriam is a selection of strongly focused vocals embedded in a tapestry of curiously effective composition. Strings swell and swirl round the singer's potent vocals, reed instruments slice through the smooth flow of keyboards, drums and penny whistle set place and mood. Indicative of what is right with both adult contemporary pop and multiethnic easy listening, Miriam steers clear of easy categorization while remaining familiar enough to be commercially viable.

The name of Sviatoslav Richter (1915-1997) appears at the head of virtually everyone’s shortlist of the world’s great pianists. In the West, the legend began, then gathered force, during the 1950s, when it was rumoured that there was a pianist in Russia who caused even such formidable colleagues as Emil Gilels to exclaim in awe and amazement. Expectations were raised still higher when Julius Katchen and later Lazar Berman claimed that Richter was, quite simply, a nonpareil, a pianist whose titanic powers forbade even whispered comparisons.