Recorded between the band’s numerous live dates, Islands continues King Crimson’s penchant for mixing contrasting styles and dynamics; from the gothic melodrama of The Letters, the warm laid-back musings of Formentera Lady, the stately chamber orchestra setting of Song Of The Gulls, through to the raucously skewed blues of Ladies Of The Road and the yearning, poignant title track. The stand-out however, is Sailor’s Tale which breaks with the symphonic and jazz-inspired leanings of their previous albums. Propelled by Ian Wallace’s insistent cymbal and Mel Collins’ acerbic sax break, it also introduces a spikier, fractious metal-edged guitar sound that ultimately points the way towards Larks’ Tongues In Aspic. Originally released at the end of 1971, Islands also marks the end of lyricist Peter Sinfield’s tenure in the group…

Note: Two-CD set of the complete and unedited concert from the 2007 Warm Up Tour.Double live album packaged in 4-colour printed cardboard folders with full track-listing.The show was fully mixed from the soundboard recordings.

The Mississippi Delta has some of the most fertile soil in the world and became one of the richest cotton growing areas in the world which, before the American Civil War, was worked exclusively by black slaves brought over from Africa. The blues was forged on the anvil of poverty and hardship the black sharecroppers and tenant farmers had to endure. Born of the harsh, brutal conditions of life in the South, and full of pain, frustration and anger, the passionate, soulful sounds of the Delta revolutionised the sound of 20th-century music. This compilation celebrates some of its greatest exponents.

The group soon landed a deal with Columbia Records, which enlisted producer David Rubinson to capture the band playing the Fillmore West in December; these tapes were shelved until Columbia/Legacy issued them in 1997 as Live at the Fillmore 1968. Prior to recording their first album in early 1969, Santana swapped Livingston and Malone for Michael Shrieve and Mike Carabello, adding percussionist José Chepitó Areas as well. This incarnation recorded the group's eponymous debut, then set out on tour, where they had a career-making appearance at the Woodstock festival in August 1969. That was the same month Santana appeared in the record stores, and it was a swift success, climbing its way to number four on Billboard's album charts during the course of its two-year run on the charts.

The global phenomenon of Secret Garden has been so far reaching that it's hard to believe the duo of Norwegian keyboardist/composer Rolf Lovland and Irish violinist Fionnuala Sherry have only recorded three previous studio albums in addition to their 2001 compilation, Dreamcatcher. Once in a Red Moon continues Secret Garden's tradition of organic storytelling melodies and straight-from-the-heart performances with a wink back to the innocence and raw simplicity of their debut. Lovland and Sherry felt that their second and third recordings, White Stones (1997) and Dawn of a New Century (1999), were conceived as larger-scale projects which would help build the scope of their live performance presentation…

Once a towering inspirational figure in the musical life of Berlin, later a crucial influence on musicians as diverse as Sibelius, Varèse, Schoenberg and Weill, Ferruccio Busoni is now being rediscovered by a new generation of performers and listeners.

Alessandro Scarlatti composed many oratorios to celebrate special events. Colpa, Pentimento e Grazia, subtitled Oratorio per la Passione (Oratorio for the Passion) and created for Easter 1708, evokes the Passion of Christ through a text written by a great roman patron of the time, Cardinal Ottoboni. This is the first recording of the Baroque Orchestra of Seville, conducted by Eduardo López Banzo.

The first disc on the renewed Hungaroton label is the return of the five times “Disc of the Year” award winner ensemble Capella Savaria. The ensemble play period instruments to perform The Four Seasons, one of the most popular pieces of not only Vivaldi but of the Classical genre. It is a master piece, rich and multi-layered and offers something new regardless of how many times one has listened to the work. A stand alone, closed cycle, complimented on this disc by two of Vivaldi’s remarkable violin concertos.

This boxed set collects all 9 discs in fortepianist Kristian Bezuidenhout universally acclaimed Mozart Keyboard Music cycle. Praised by Gramophone as "interpretations of today" and BBC Music Magazine for bringing "out all the drama and intensity," this survey is now the benchmark standard for these works.

Eleven Classic Studio Albums on Seven CDs! Astonishing Audio Quality. Limited Edition: 5000. Featuring 76 recordings on seven CDs, including 1 previously unissued tune, and 7 previously unissued alternate takes Long-time Mosaic fans will know of the label’s connection, professional and emotionally, to Blue Note Records. Mosaic's very first collection, just over 40 years ago, featured the complete Thelonious Monk Blue Note library, and it would be followed by retrospectives of many other Blue Note artists throughout their history. That time. That sound. Those groundbreaking musicians. None more significant to Mosaic, and to the development of music, than Bobby Hutcherson.

Rare Compilation With The Rare Live Tracks Around The World.

1xLP 180g Black vinyl - limited edition numbered pressings of 3,000. Audiophile / SuperFan Pressings. One-Step vinyl is the ultimate vinyl pressing. Hybrid Theory was recorded in the digital domain, it was then mixed through an analog electronic chain onto tape. Those original master tapes were then carefully transferred to 192/24 wav files that ended up being our audio source for the One-Step pressing. We used Neotech VR900-D2 180g vinyl compound which is the same as what is known as Super Vinyl or Clarity Vinyl – the best in the world. Levi Seitz at Blackbelt Mastering (Metallica, Pearl Jam, Beyonce etc) cut the multiple sets of lacquers required – crucially all from the same lot of lacquers. Being a massive Linkin Park fan himself – Levi already knew every little sound on this iconic album! Dorin Sauerbier at Record Technology, Inc (R.T.I.) has been plating records for decades and is considered the best in the world – he also has done more One-Step processing than anybody. This is a vital step in the process to ultimately delivering the absolute best sounding version of Hybrid Theory ever. Record Technology, Inc did the pressing – using the exact pressing machine used for so many Mobile Fidelity One-Step releases. Our slipcases, “Old Style” tip on original art jackets, and inserts were printed by world renowned Stoughton Printing Company.

Special edition 180-gram vinyl LP with one 45rpm track and one 78rpm track. Etched. Jack White has long congratulated himself for being a musician who blends the lines between the past and the present. "Lazaretto," the follow-up to his gold-certified debut album, "Blunderbuss," does exactly this. There's blues influences here; there's ballads. There's hip-hop rhythms and then there's sprightly melodies. Drama seems to be key in describing this album, and it makes itself known in the fury essential to each track. The 180-gram LP includes two bonus tracks hidden under the center labels. One hidden track plays at 78 RPM, and one plays at 45 RPM, making this a 3-speed record. Side A plays from the outside in. Dual-groove technology: plays an electric or acoustic intro for 'Just One Drink' depending on where the needle is dropped. The grooves meet for the body of the song. Matte finish on Side B, giving the appearance of an un-played 78 RPM record. Dead wax area on Side A contains a hand-etched hologram by Tristan Duke of Infinity Light Science, the first of it's kind on a vinyl record.

An Original Jackets treasury of analogue-era pianism by legendary and lesser-known names from the catalogues of American Decca and Westminster.

One of the first recordings that earned Ivan Moravec acclaim and secured him a position among the finest pianists of the 20th century was the album of the complete Chopin Nocturnes made in 1965 in New York (Steinway) and at Vienna's Konzerthaus (Bösendorfer) for the Connoisseur Society label. Many critics have branded this recording a benchmark and consider it the ultimate account of the Nocturnes; in the words of Henry Fogel (Fanfare): "This is playing that draws the listener deeply into the music-you are not drawn into Moravec's achievement, but Chopin's." Ivan Moravec presents the Nocturnes in an admirable scale of colours and dynamics (down to astonishingly tender, barely touched tones), with the music flowing so naturally that it seems as though there are no bars or individual notes.