Bleu noir is the eighth studio album by French Star singer Mylène Farmer, released 6 December 2010. Farmer's label set up a web site to promote the album on 3 November 2010. For some of her fans this album is a return to her roots. It has drawn favorable comparisons to Innamoramento and also the albums prior to Anamorphosée. This album seems to depict the artist as a woman at her prime, confident in her achievements and able to express herself without sacrificing her integrity. Farmer has written the lyrics and Moby, Archive and RedOne have composed the music for the album. Bleu noir is Farmer's first studio album since 1991's L' Autre to outperform its predecessor in terms of national sales.

Rita Lee - Discografia [21CDs Box Set] (2015)
MP3 320 Kbps | Run Time: 13:39:29 | 4.30 Gb | Booklet 34.18 Mb
Genre: Psychedelic Rock, Prog Rock, Hard Rock, MPB, Funk | Label: Universal Music

For the first time in her career, the biggest female rockstar in Brazil of all time has all of her works reunited on a deluxe box set. All of her 20 albums were digitaly remastered with all the graphic material redone on its details, turning into an unique project that took a year to be made.
Along with the hard deluxe box, a bonus CD with the most diverse pearls of the artists, which didn't make out any album of her career, like "Sassaricando", from a soup opera theme, "Felicidade", from a TV commercial and "Dias Melhores Virгo", from a homonym movie.

Rita Lee - Discografia [21CDs Box Set] (2015)
EAC Rip | FLAC (tracks+.cue, log) | Run Time: 13:39:29 | 8.01 Gb | Scans 40.8 Mb
Genre: Psychedelic Rock, Prog Rock, Hard Rock, MPB, Funk | Label: Universal Music

For the first time in her career, the biggest female rockstar in Brazil of all time has all of her works reunited on a deluxe box set. All of her 20 albums were digitaly remastered with all the graphic material redone on its details, turning into an unique project that took a year to be made.
Along with the hard deluxe box, a bonus CD with the most diverse pearls of the artists, which didn't make out any album of her career, like "Sassaricando", from a soup opera theme, "Felicidade", from a TV commercial and "Dias Melhores Virгo", from a homonym movie.

Five years after their acclaimed “Did Swans ever see God?”, Submarine Silence, the romantic symphonic side project founded in the late 90s by Cristiano Roversi and David Cremoni of Moongarden, is now back with their fifth work called “Atonement Of A Former Sailor Turned Painter”, a concept album where the most classic sounds of the 1970s merges in a perfect balance with those of the new and best symphonic progressive rock of these last decades. As a further highlight in the turning point which “Atonement Of A Former Sailor Turned Painter” represents, the presence of Roine Stolt (The Flower Kings) in the opening track “Majestic Whales” for the first time on an Italian progressive rock album.

The Youngbloods' second long-player built on the strength of their self-titled debut by once again creating a blend of captivating songwriting with an infectiously fun delivery. Although the album failed to produce a definitive single – as "Get Together" had done on their previous effort – there are a handful of equally definitive sides scattered throughout Earth Music (1967). Featuring Jesse Colin Young (guitar/bass/vocals), Jerry Corbitt (lead guitar), Joe Bauer (drums), and Lowell "Banana" Levinger III (piano/guitar), the Youngbloods recall the uptempo good-time sound of their East Coast contemporaries, the Lovin' Spoonful, on the opening cover of the Holy Modal Rounders' "Euphoria."

London Early Opera perform a unique programme of Handel’s Italian-inspired works, devised by conductor Bridget Cunningham and featuring a unique family collaboration from from world-renowned soprano sisters Sophie Bevan and Mary Bevan alongside their uncle, bass Benjamin Bevan.

It would be hard to find a more pleasing version of The Four Seasons than this one, done in period style with a superb blend of the instruments, making the music spring to life without any striving after effects. Any number of passages illustrate this, but the first movement of Summer with its repeated notes on the solo violin rising through different chords shows the beauty of this unvarnished approach. At a steady tempo, the sheer beauty of the writing emerges, utterly suited to the violin, whose sounds are a source of endless fascination.