At its quietest moments, 2007's Memory Almost Full played like a coda to Paul McCartney's illustrious career; he seemed comfortable residing in the final act of his legend, happy to reflect and riff upon his achievements. Such measured meditation is largely absent from 2013's New, the first collection of original material he's released since 2007. New lives up to its title, finding McCartney eager, even anxious, to engage with modern music while simultaneously laying claim to the candied, intricate psychedelia of latter-day Beatles.

Mariah Carey claims Rainbow, her first album since divorcing Tommy Mottola, "chronicles my emotional roller coaster ride of the past year," but less subjective listeners could be forgiven for viewing it as simply another Mariah Carey album. After all, all the elements are in place – the crossover dance hits, the ballads, the cameos, the hip producers, the weird cover choice from the early '80s. But dig a little deeper, and her words ring true. Rainbow is the first Carey album where she's written personal lyrics, and allusions to her separation from Mottola are evident throughout the album, even if it doesn't really amount to the "story" she mentions in the liner notes.

"If the voice don't say it, the guitar will play it," raps Saffron on "Pork-U-Pine," the third track on Jeff Beck's minimally titled Jeff. And he does. Beck teams with producer Andy Wright, the man responsible for his more complete immersion into electronic backdrops on his last outing, You Had It Coming. This time the transition is complete. Beck used electronica first on Who Else!, moved a little more into the fire on You Had It Coming, and here merges his full-on Beck-Ola guitar heaviness with the sounds of contemporary spazz-out big beats and noise. Beck and Wright employ Apollo 440 on "Grease Monkey" and "Hot Rod Honeymoon," and use a number of vocalists, including the wondrously gifted Nancy Sorrell, on a host of tracks, as well as the London Session Orchestra on others (such as "Seasons," where hip-hop, breakbeats, and old-school Tangerine Dream sequencing meet the guitarist's deep blues and funk-drenched guitar stylings)…

New Light Through Old Windows is a compilation album by Chris Rea, released in 1988. The album consists primarily of re-recordings of songs released on earlier Rea albums, as well as two new songs, "Working on It" (which gave him a rare U.S. chart single, peaking at #73 on the Billboard Hot 100, and giving him his only #1 single on the Mainstream Rock Tracks chart) and "Driving Home for Christmas.", also the re-recording of "On the Beach" gave him another rare US hit, it peaked #9 on the US AC chart in 1988 and #12 in the UK chart.

Billy Talent (2003). Billy Talent takes its curious handle from a character name in the 1996 mock rockumentary Hard Core Logo, which traced the continuing adventures of an aging Vancouver punk band. The reference is probably more resonant in the Talent's home base of Toronto; everywhere else, it's a little awkward. Fortunately, the quartet's eponymous Atlantic release struggles mightily to make music matter more than moniker or stylized genre revivalism. Over a muscular, relentless, and viciously catchy 40 minutes, the band checks the wiry, melodic punk of the Buzzcocks while working Fugazi's dueling vocalist dynamic and searingly precise guitar breaks into its own three-minute anthems. The Buzzcocks' influence is immediate and easy; indeed, Billy Talent conveniently opened a clutch of dates on the reunited veterans' 2003 tour. Likewise, Talent benefits from production that tweaks its hooks for maximum sonic pugilism…

Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records!
1992 multi-platinum album from the Stone Temple Pilots, a cornerstone of 1990s alt rock! Includes "Sex Type Thing" and "Wicked Garden" Hybrid Stereo SACD Mastered by Ryan K. Smith direct to DSD from the original master tape
Stone Temple Pilots roared on to the scene in 1992 with their raucous debut Core. A breakout success, the album peaked at No. 3 on the Billboard 200 chart, dominated radio waves with hits like "Sex Type Thing" and "Wicked Garden," and has been certified 8x platinum by the RIAA. The band also took home the 1994 Grammy Award for Best Hard Rock Performance for their smash single "Plush."

Warner Music presents "Country Songs 80s" including hits from Buck Owens, Emmylou Harris, Dolly Parton, Kenny Rogers etc.

Warner Music presents "Classic Rock Compilation" including hits from Alice Cooper, Blur, The Doors, Grateful Dead etc.

Welcome to the Neighbourhood is the seventh studio album by American rock singer Meat Loaf, released in 1995 as follow-up to the megahit album Bat Out of Hell II: Back into Hell. It went platinum in the United States and United Kingdom. The album is thought of as a concept album, as all of the songs are ordered in the track listing as to tell a story about a relationship throughout the years. Three singles were released: "I'd Lie for You (And That's the Truth)" (a duet with Patti Russo), "Not a Dry Eye in the House" and "Runnin' for the Red Light (I Gotta Life)". They reached #2, #7 and #21 in the UK charts, with the first two written by Diane Warren, who later also wrote songs for Meat Loaf's albums Couldn't Have Said It Better and Bat Out of Hell III: The Monster Is Loose. In some markets, radio stations also played "Amnesty Is Granted", though it was not released as an official single. Despite the chart success of the album and its singles, only "Amnesty is Granted" has appeared on an official live album, Casa De Carne (Live 2008) as a bonus CD with Hang Cool Teddy Bear. "I'd Lie for You (And That's the Truth)" was recorded as a sound check with the Melbourne Symphony Orchestra, but only included as a bonus download track.

Warner Music presents "90s Road Trip Vibes" including hits from RHCP, Madonna, Cher, Green Day, Blur etc.

Dianne Reeves represents a multitude of styles and approaches, ranging from pop to R&B to straight jazz. The Best of Dianne Reeves provides the listener with a generous collection that emphasizes these opposites. "Better Days" from Dianne Reeves, along with "You Taught My Heart to Sing" and the title cut from I Remember, are light and pretty, emphasizing her ability as a ballad singer. Much more interesting are "Endangered Species" and "Old Souls" from Art & Survival. Backed by infectious rhythms, textured arrangements, and heavy grooves, Reeves unleashes her dynamic vocals bolstered by chants, outbursts, and hymns. Two cuts allow the listener to compare Reeves to other notable singers. "River" from In the Moment offers a soulful, quiet take on Joni Mitchell's classic, while "Lullaby of Birdland," complete with big band backing, succeeds in offering a likable rendition of a Sarah Vaughan favorite…

Van der Graaf Generator's fourth album, Pawn Hearts was also their second most popular; at one time this record was a major King Crimson cult item due to the presence of Robert Fripp on guitar, but Pawn Hearts has more to offer than that. The opening track, "Lemmings," calls to mind early Gentle Giant, with its eerie vocal passages (including harmonies) set up against extended sax, keyboard, and guitar-driven instrumental passages, and also with its weird keyboard and percussion interlude, though this band is also much more contemporary in their focus than Gentle Giant. Peter Hammill vocalizes in a more traditional way on "Man-Erg," against shimmering organ swells and Guy Evans' very expressive drumming, before the song goes off on a tangent by way of David Jackson's saxes and some really weird time signatures - plus some very pretty acoustic and electric guitar work by Hammill himself and Fripp…

2 x CD in deluxe casebound packaging with 16 page booklet containing Eno writing and images from the period.
Reissue of Brian Eno’s critically acclaimed 1993 single-track album. Named after the precious sensual oil derived from the flowers of the Seville orange, Neroli is more than any other Eno work intrinsically linked with the idea of perfume and fragrance. The piece is formed from a single Phrygian mode melody which Eno constructs and deconstructs throughout the work with the subtle flair that has become his trademark.
A piece of pure atmosphere that is considered by many to be the ultimate realisation of Eno’s ‘mood music’, Neroli has been played in maternity wards for its soothing effect and organic, natural feel…

The most iconic band of the U.K. glam rock scene of the '70s, T. Rex were the creation of Marc Bolan, who started out as a cheerfully addled acolyte of psychedelia and folk-rock until he turned to swaggering rock & roll with boogie rhythm and a tricked-up fashion sense. For a couple years, T. Rex were the biggest band in England and a potent cult item in the United States. If their stardom didn't last, their influence did, and T. Rex's dirty but playful attitude and Bolan's sense of style and rock star moves would show their influence in metal, punk, new wave, and alternative rock; it's all but impossible to imagine the '80s new romantic scene existing without Bolan's influence. In 1977, Bolan was killed in a car accident, and the band disbanded.

Richard Perry's 1978 production of the self-titled Leo Sayer album is one of the artist's most serious and heartfelt, though it only generated a minor hit in the cover of the Boudleau Bryant/Felice Bryant tune "Raining in My Heart." With Fleetwood Mac's Lindsey Buckingham on electric guitar, Waddy Wachtel on slide guitar, and Ben Benay on acoustic, the performance and production of that particular song offers much on an album that is equally impressive. James Brown/Russell Smith's "Dancing the Night Away," with David Lindley's important and unobtrusive fiddle and steel guitar, and "Stormy Weather," the Tom Snow/Leo Sayer collaboration which opens the album, all work in unison, providing evidence that Sayer had superstardom just within his grasp.