Xenakis Trio refocuses on two major pillars of its repertoire: Iannis Xenakis and Steve Reich. Two distinct visions of contemporary percussion, brought together in a dialogue of materials, rhythms and resonances. Taken from their first album Alliages, these works take on a new dimension here: the warmth of vinyl restores all the density of the instrumental gesture, the grain of the timbre, the raw pulsation of the percussive sound. This edition is a field of resonance - a space where the tectonic forces of twentieth-century music combine with the artistic demands of a trio in search of the limits of sound.

Martin Helmchen begins a complete recording of Schubert's piano sonatas, with four double albums to be released between now and 2028, the bicentenary of the composer's death. The German pianist has spent his musical life with Schubert as a companion. Having played all of his major works, he decided it was time to embark on this adventure. In his view, Schubert demands from the performer "constant virtuosity that is never needlessly complex, set against sober interiority, the exuberant joy of the Ländler, and bouts of dramatic madness".

Three multi-award-winning French jazz talents, a unique project - between virtuosity, groove, and emotion! Laurent Coulondre, Arnaud Dolmen, and Grégory Privat, three key figures on the French jazz scene, are preparing to record an album in a unique musical ensemble! Finalists for the 2023 Django Reinhardt Prize, they came together on stage at the prestigious Académie du Jazz ceremony. This special moment gave birth to a project where their multi-award-winning talents merge to offer a work…

Véronique Gens' talent as a storyteller needs no introduction; she is an eminent ambassador for French mélodie and tragédie lyrique around the world. "Make us laugh! "says this sparkling programme, devised in collaboration with the Palazzetto Bru Zane. 'Les Divas d'Offenbach' presents all the facets of the prolific Jacques Offenbach - operetta, opéra-bouffe, fairy tales and opéra-comique - his famous arias from La Belle Hélène, La Grande-Duchesse de Gérolstein and La Périchole, as well as previously unreleased works recorded here for the first time. There are sections from major works that were not included in the final version as well as rarities from incidental music such as Valéria, Le Roman comique, Geneviève de Brabant and La Boulangère a des écus, a work that is practically never performed today but which enjoyed great success in the 19th century. Gens' long-time collaborator Hervé Niquet conducts the Chœur et Orchestre National des Pays de la Loire with style and passion.

On one side, Francesco Corti, one of the most internationally acclaimed harpsichordists and protagonist of five acclaimed albums released by the Arcana label. On the other, Ilya Gringolts, making his debut for the same label: a violinist of extraordinary versatility, committed to contemporary music but also animated by a deep passion for the Baroque repertoire and historically informed performance. Proof of this is his recording of Locatelli's Il labirinto armonico (2021), which was awarded the Diapason d'Or and selected as Editor's Choice by Gramophone. Two artistically different but complementary personalities, united for years in a successful partnership, tackle a milestone of chamber music: the first great example of concertante sonatas for keyboard and melodic instrument. Completing the programme is Tertia deficiens, a piece by contemporary composer and Baroque violinist Andrew McIntosh (GRAMMY nominee), commissioned specifically for this project with the aim of creating an evocative bridge between past and present.

Completely contrary to the usual image of JS Bach as a recluse in his ivory tower, Amandine Beyer and Gli Incogniti reveal his lively admiration for the Italian music of his time, particularly that of Vivaldi and the brothers Marcello. Here Bach discovered sunlight and luminous colours that never ceased to nourish and inspire his musical imagination.

After their internationally successful 1988 self-titled debut, few have followed the the Gypsy Kings' noteworthy fusion of their distinctive flamenco-inflected pop with other international influences. Love & Liberte, a 1994 Elektra Records release, is one of their few compilations of all-new material, one that demonstrates this growth perhaps more than any of their other projects. One of their more extravagant songs, "No Vivire" implements a prominent bassline and strong brass accents in the chorus. Equally pleasant but slightly less authentic, "Escucha Me" crosses their Spanish guitar sound with a full reggae ensemble. The album's zenith hits with two instrumental tracks, "Guitarra Negra" and "Love and Liberte." "Guitarra Negra" shows off castanets with bongos. Every few bars, the intensity seems to reach a peak, only to retreat and regroup for another charge. The title track evolves slowly, with a gradual guitar and bass crescendo highlighted by a series of sparse piano chords on selected downbeats for emphasis. Though not as energetic as their best work, Love and Liberte is still an easy album for a Gypsy Kings fan to appreciate.

For all the agony as to the status of classical music in the modern musical landscape, the three 20th century string quartets on this fine French release can be said to have entered the repertory, with a reach that extends far beyond the U.S. They go quite well together, which is the first point in favor of France's Quatuor Diotima here; both Steve Reich's Different Trains, for string quartet and tape, and George Crumb's Black Angels for electric quartet feature an artificially enhanced string quartet, and even Samuel Barber elected to "enhance" his String Quartet in B minor, Op. 11, by orchestrating its central movement and making it into the famous Adagio for strings. Highly recommended.

Cox is exactly what she promises to be: a badass rock’n’roll lady who makes her guitar produce sounds that are about to shake the world in a groundbreaking fashion.