Triple CD box set that houses three studio albums from the Rock pioneer. From Bowie's more recent career this album collection features Outside 1995 (his reunion with Brian Eno), 1997s Earthling and Hours… from 1999. Includes the singles 'Hallo Spaceboy' and 'Little Wonder'.

At the start of the 1980s, it dawned on somebody in charge of Jimi Hendrix's musical legacy that a whole generation of new listeners had come of age since the guitarist's demise. That meant it was time for a fresh raid on the vaults and a fresh, authorized album release to fly the flag of the Hendrix estate, amid the steady stream of bootleg, gray market, and other unauthorized collections of his early work starting to fill up record store bins and browsers. Kiss the Sky did not just resurrect and recycle old familiar recordings, but included a pair of tracks that were new to most listeners and had a lot of meaning for serious fans. The album walked a fine line, emphasizing the more challenging side of Hendrix's work without ignoring some key elements of his mass appeal…

Schizoid Dimension: A Tribute to King Crimson contains contributions by a variety of artists on Cleopatra-affiliated labels, including Controlled Bleeding, Chrome, Brand X, Pressurehed, Astralasia, Melting Euphoria, Alien Planetscapes, Architectural Metaphor, Xcranium, Spirits Burning, Solid Space, and ex-Crimson violinist David Cross, whose track features John Wetton on vocals. Sometimes the artists' styles don't really mesh well with the music, but at other times, the reinterpretations can be fresh and compelling.

1963 BBC sessions not on the official "Live At The BBC" albums, feature fantastic R&B covers and some of their best early originals.

Hits Of The Beach Boys is the compilation album released in 2002 by EMI Records. The collection featuring 10 big hits 1963-1966 by the US legends The Beach Boys.

The album is taken from the Trident Studios 1/4” stereo tapes dated 15th December 1971, which were created for the then-provisional track listing of what would become THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS album. The tracklisting for Waiting In The Sky (Before The Starman Came To Earth) runs differently from the Ziggy Stardust album and features four songs that didn’t make the final album.

Some albums are so obvious it’s a wonder they didn’t exist before, and so it is with Chris Isaak's Beyond the Sun, a salute to the classic rock & roll label Sun Records. Ever since his first album, Isaak has exhibited an enormous debt to the titans who recorded at Sun, particularly Roy Orbison and Elvis Presley, whose work is showcased heavily here. Isaak doesn’t stick strictly to songs released on Sun – he covers “Can’t Help Falling in Love,” which Presley did not release during his time on Sun – but he doesn’t stick to the obvious, either, finding excellent songs from the likes of Warren Smith. Still, Elvis rules the roost, not only in terms of songs covered, but in approach.

Given the disappointing sales of the previous two All-Starr Band live albums, Ringo's star wasn't bright enough to get this release out on a major label or even a conventional label. As a stopgap, it was available only in Blockbuster Music stores for a brief time – at the rock-bottom bargain price of 5.99 dollars – and further volumes were not forthcoming. A shame, actually, for this was the best of the three All-Starr albums up to that point, representing what was probably Ringo's finest all-around group of the 1990s.

Released in 1993, The Security of Illusion signaled a rebirth of sorts for Canadian prog rock popsters Saga, as earlier members Jim Gilmour (keyboards) and Steve Negus (drums) were welcomed back into the fold – for the first time since 1985's Behaviour. And as evidenced by the music, the result of the reunion returned the group straight back to their heady early-'80s period, especially on the downright vicious rockers "Mind Over Matter" and "Stand Up," as well as the percussive-heavy album closer, "Without You." Instead of being influenced by what was going on in the rock world circa this time period (here's a hint…well, whatever, nevermind), Saga stick to their guns on The Security of Illusion, and come up with a release that nearly managed to out-rock their Canadian competitor at the time, Rush.

Having acquired a small cult following with its first album, Budgie offered a second dose of abrasive, forceful heavy metal that, like its predecessor, drew on influences ranging from Cream to Black Sabbath and Led Zeppelin. Budgie was a band that loved contrasts – the folk-ish qualities of "Make Me Happy" and the Beatlesque "Rolling Home Again" make hard-driving classics like "Hot as a Docker's Armpit," "Drugstore Woman," and "Rocking Man" seem all the more intense. For all its strengths, Squawk didn't turn Budgie into the well-known outfit it should have been. Budgie's followers were a devoted bunch, but unfortunately, there weren't nearly enough of them.