Cum On Feel The Hitz is a superlative and comprehensive collection of Slade singles from 1970 to 1991. Cum On Feel The Hitz is released as a double CD and a 2LP collection: the CD comprises of 43 singles, while the double vinyl features 24 singles. Cum On Feel The Hitz includes all six of their UK Number one singles: "Coz I Luv You”, “Take Me Bak ‘Ome”, ”Mama Weer All Crazee Now”, “Cum On Feel The Noize”, “Skweeze Me, Pleeze Me“ and “Merry Xmas Everybody” and a total of 16 Top 10 singles. The affection for Slade’s music and attitude remains undimmed today, as 1973’s “Merry Christmas Everybody” has gone on to become Britain’s best loved Christmas song.

Mind Maze is Trees Speak’s fifth album to be released on Soul Jazz Records in the space of little over two years. "Trees Speak is music as cosmological translation, borrowing from Can and Miles Davis' Bitches Brew-era practice of studio-as-composition-tool, where lengthy improvisations coalesce into indelible flights of fancy with razor blade-assisted tape edits. Trees Speak operates between the subconscious and the unconscious, the radiant and the eclipse, the micro and the macro.

Esoteric Recordings is pleased to announce the release of a re-mastered and expanded 3 Disc clamshell box edition of the 1977 album, “Deadlines” by STRAWBS. Released in late 1977, this would be the band’s final album to be released in the 1970s. Recorded in Dublin and London by a line-up of Dave Cousins (vocals, acoustic guitars, banjo, guitar), Dave Lambert (vocals, lead guitar), Chas Cronk (bass, acoustic guitar, vocals) and Tony Fernandez (drums, percussion) with guest keyboard players John Mealing and Robert Kirby, “Deadlines” was the Strawbs only album for the Arista label. Often unfairly overlooked in the Strawbs canon and largely ignored by some quarters of the music press upon its release (at the height of Punk rock), “Deadlines” was a fine album featured some excellent tracks such as ‘No Return’, ‘The Last Resort’, ‘Sealed With A Traitor’s Kiss’, ‘Time And Life’, ‘New Beginnings’, ‘Deadly Nightshade’ and ‘Words of Wisdom’.

Resonance Records with the cooperation of National Public Radio (NPR) is proud to announce the release of Sarah Vaughan's Live At Rosy’s, New Orleans on March 25th, 2016 The deluxe 2-CD set is comprised exclusively of newly discovered recordings by “Sassy” capturing the legendary jazz singer’s live performance at Rosy’s Jazz Club on May 31, 1978.

Sourced from the Original Analog Master Tapes for Audiophile Sonics. Originally intended as a clever poke at the era's trends that critics maintained were making the band irrelevant, the title of and music on The Long Run continue to prove the Eagles got the last laugh. Created in the wake of the group's demanding tour for the blockbuster Hotel California, the 1979 record ultimately became the final record the Eagles would create for nearly three decades. Stacked with first-rate material and three mammoth singles, the seven-times-platinum effort ensured the Eagles never drifted far from the public's consciousness.

Remastered WHCN-FM broadcast of Buddy Guy live from The Sting in Connecticut on 9th January 1992.

A double CD set including Live At The Venue and the 4th Album Rehearsal Sessions (both containing recordings from 1980). Featuring a line-up of Bill Bruford, John Clark, Dave Stewart and Jeff Berlin, both of these discs were previously only available in the Seems Like a Lifetime Ago box set and see their first release outside of the box here. This definitive re-release is on Bruford’s own Winterfold Records and was overseen personally by Bill.

Chesney Henry "Chet" Baker Jr. was an American jazz trumpeter and vocalist. He is known for major innovations in cool jazz that led him to be nicknamed the "Prince of Cool". Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals: Chet Baker Sings (1954) and It Could Happen to You (1958). Jazz historian Dave Gelly described the promise of Baker's early career as "James Dean, Sinatra, and Bix, rolled into one". His well-publicized drug habit also drove his notoriety and fame.

Over the years, there have been a surplus of Fleetwood Mac compilations but prior to 2018's 50 Years: Don't Stop, very few have attempted to tell the band's story from beginning to end. There was only one, actually: 25 Years-The Chain, released two years into the Mac's uncertain post-Lindsey Buckingham era. Buckingham rejoined the band in 1997 but he was kicked out prior to the November '18 release of 50 Years: Don't Stop, his departure coloring the perception of the triple-disc compilation in the sense that Fleetwood Mac's story doesn't belong to him. 50 Years proves this through its chronological sequencing, which underscores the group's evolution from blues-rockers to album rock titans and, finally, to pop superstars (its accompanying single disc of highlights, in contrast, is deliberately front-loaded with hits, so it's not as instructive).

With Revolver, the Beatles made the Great Leap Forward, reaching a previously unheard-of level of sophistication and fearless experimentation. Sgt. Pepper, in many ways, refines that breakthrough, as the Beatles consciously synthesized such disparate influences as psychedelia, art song, classical music, rock & roll, and music hall, often in the course of one song. Not once does the diversity seem forced – the genius of the record is how the vaudevillian "When I'm 64" seems like a logical extension of "Within You Without You" and how it provides a gateway to the chiming guitars of "Lovely Rita."

During times of extreme political and social change, Stevie Wonder's voice and songwriting served as cultural and spiritual guideposts to many a listener, often lending insight and a barometer with which to measure the ways of the world. But that was largely during the golden phase of his career, generally regarded as being the late '60s through 1980's Hotter Than July. His work in the mid-'80s through the '90s was marginal in comparison, only hinting at glimpses of former brilliance, sugar-coated by over-polished production and radio-friendly content.