The Flower Kings' tenth studio album happens to be one of their most adventurous, captivating, dynamic and front-to-back relentless works of theirs, a 75-minute-long album contained just within six tracks, 'The Sum of No Evil' from 2007 is a gorgeous and expansive symphonic prog record full of bold and unexpected turns, strong melodies and overall excellent, soulful playing; briefly put, here are all the elements of a TFK album delivering all the goods, in spades. Narrowing things down to a single-disc set (in contemporary terms) seems to have allowed the band to organize a rather focused work, and a surprisingly accessible one, too, thanks to the myriad of fantastic and highly memorable hooks and melodies. Needless to say, Stolt's guitar work here is driven and flamboyant, with the experienced Swedish axe-man delivering some of the most delightful and appealing riffs of the entire back catalogue of the The Flower Kings.

Originally released in the early 80's on cassette only, this timeless and legendary album is finally available on CD! Re-mastered and re-edited by Klaus Wiese himself, this masterpiece rediscovers one of the finest moments in Wiese's discography and his entire music career.

The Essential Michael Jackson is a greatest hits compilation album by American singer Michael Jackson. It was released on July 19, 2005, by Sony Music's catalog division Legacy Recordings as part of The Essential series. The two-disc compilation features thirty-eight hit songs by Michael Jackson, from his days at Motown Records with The Jackson 5 in the late 1960s and early 1970s to his 2001 hit "You Rock My World". On August 26, 2008, The Essential Michael Jackson 3.0 was released in the US as a limited edition containing an additional disc of seven songs performed by Jackson. A re-titled release in the UK was planned on July 6, 2009 as The Hits, but was cancelled upon Jackson's death. As of 2018, the album was certified 4× platinum in the US.

Greatest Hits is the first greatest hits album by American rock band Boston. The album released on June 3, 1997 features songs originally released on both the Epic and MCA labels, as well as three previously unreleased recordings ("Higher Power", "Tell Me", and "The Star-Spangled Banner"). The album was certified double platinum on December 4, 2003 in the US.

Wonderful representative collection of music from England's Renaissance.

Heinrich Schiff gives a fine interpretation of both concertos and has suberb orchestral balance with two of the finest European orchestras – the Amsterdam Concergebouw under Colin Davis and the Dresden Statkapelle under Neville Marinner. Both orchestras have gorgeous sound and both conductors are extremely supportive at every turn.

This collection of vocal and orchestral works by Benjamin Britten span his career, from Two Portraits for string orchestra, written when he was 16, to the solo cantata, Phaedra, one of his last completed works. The music varies in style but even the earliest pieces sound mature and demonstrate the composer's early mastery of his craft. Phaedra, from 1975, sets a selection of monologues from Racine's play that outline the dilemma of the queen who falls in love with her husband's son from an earlier marriage.

After Simon & Garfunkel, one of the most successful duos in pop history, split up in 1970, Art Garfunkel became a solo artist, as well as pursuing an acting career. Garfunkel's pure, high tenor had been one of the most distinctive elements of the duo's music. Songs from a Parent to a Child is a charming collection of folky children's songs performed by Art Garfunkel and such guest musicians as Billy Preston and John Sebastian. The songs are light and sweet enough to appeal to children, yet there's also enough wit and musical substance to keep parents entertained, which is what makes Songs from a Parent to a Child a cut above most kids' records.

As in his previous solo album, The Thunderthief makes it very clear exactly what John Paul Jones brought to Led Zeppelin: driving bass, epic compositions, and impeccable musicianship. It's also very clear what he wasn't doing for Zeppelin: writing the lyrics. The tracks with words on the album are awkward and occasionally laughable, particularly the title track, which sounds suspiciously like a jab at Robert Plant, and "Angry Angry," a presumably mock punk song. Both detract from what is otherwise a very impressive album. Jones plays nearly every instrument on the record and mixes sounds from seemingly every continent and era he could think of.