"Dreamworld" is the debut CD from Embrase, a play on Marc Bras' name. It is an absolute treasure and another gem in Groove's catalog of great electronica. This disc features ten relatively short compositions and clocks in at 80 minutes. "Dreamworld" is a record with warm, melodical, rhythmic and easy assessable EM that has the ability to appeal to a lot of EM-fans. The sound is full, rich and the music is played with care. This disc is absolutely essential for Berlin school fans.

When Paul McCartney returned to the studio a year after his wife Linda's death, he wanted to cut loose and have a good time. He gathered a bunch of friends, most notably guitarist David Gilmour, with the intention of cutting a collection of rock & roll oldies with minimal rehearsal and a handful of takes. On the surface, that makes Run Devil Run like Choba B CCCP, but there are subtle differences that make Devil a far superior effort. This time around, there's a real freshness to the performances. Gilmour, in particular, amazes, turning in some of his finest playing in years.

Duran Duran came back out of nowhere in early 1993 with a new album and a huge hit, "Ordinary World." The group sounds more relaxed and mature than it did during their glory days, but not all that much has changed; instead of personifying the days of early-'80s synthesized dance-pop, the music is smooth dance pop for the '90s. Taken on its own terms, Duran Duran (The Wedding Album) works every bit as well as Duran Duran, Rio, or Seven and the Ragged Tiger. "Ordinary World" and "Come Undone" are wonderful pop singles that sit between some passable album tracks and the occasional embarrassment, namely the wretched cover of the Velvet Underground's "Femme Fatale." In other words, Duran Duran are back and as good as they ever were.

Following on from the highly successful first two editions of Dance Masters, featuring the classics mixes from maestros Shep Pettibone and Arthur Baker, the spotlight turns to another remix legend, John Luongo. Boston born, John is one of the truly legendary DJ's and remixers of the Disco era. John got his break at Epic by overdubbing percussion from saltshakers and spoons onto a promo and then passing them back the tape. This resulted in him being flown to New York and put in a studio (of his choice) to mix and produce Melba Moore's "You Stepped Into My Life". From this point everything he touched was a hit. He went onto remix Disco classics by Jackie Moore "This Time Baby", Dan Hartman "Vertigo Relight My Fire" and Patti Labelle "Music Is My Way Of Life". John, however, was not afraid of remixing artists that didn't fit into the disco genre, and this attitude is borne out by the tracklisting of this compilation on which Gladys Knight and The Pips rub shoulders with ZZ Top, and Billy Idol and Baltimora appears alongside Bill Nelson and I Level.

On 15" July 1987 two guitar maestros shared the stage at the Montreux Jazz Festival for an evening of breathtaking flamenco music. The show opens with a solo piece from John McLaughlin, followed by a solo piece from Paco de Lucia, before the two virtuosos join forces in a series of duets for the rest of the evening. The repertoire is drawn from their solo albums, from albums by The Guitar Trio and from covers of music written by friends such as Chick Corea and Egberto Gismonti. This is a superb concert for any lover of great flamenco guitar playing or indeed for anyone who loves to see great musicians performing at their very best.

Trombone Shorty returns with Lifted, his first album in 5 years and the follow-up to his Blue Note debut Parking Lot Symphony, featuring special guests including vocalist Lauren Daigle & guitarist Gary Clark Jr. An album that captures the energy of his legendary live shows, Lifted combines classic New Orleans sounds (funk, gospel, street rhythms, Mardi Gras Indian chants & second lines) with modern lyrics, melody & beats to create something fresh & unique. Part Jimi Hendrix, part James Brown and all New Orleans, Troy “Trombone Shorty” Andrews is the bandleader and frontman of Trombone Shorty & Orleans Avenue, a hard-edged funk band that employs brass-band beats, rock dynamics & improvisation in a jazz tradition.

Ludovico Einaudi returns to the piano, this time alone, for his first solo piano record of new material in 20 years, since I Giorni in 2001. Underwater was written with "songwriting, not composing. A fresh approach" in mind, which can be heard in its memorable melodies. Ludovico says "a song is like a breath, it needs nothing more. The album is a place to freely reflect, a place without boundaries."