"Not For Sale. Promotion Only" printed on disc.

Even though they were a global chart-topping, hit-making machine less than ten years prior, David Coverdale came up empty when he tried to find a U.S.-based record company to issue the group's 1997 release, Restless Heart (available Stateside only as an import). To Coverdale's credit, he did not attempt to give Whitesnake a modern-day makeover (which so many pop- metal bands of the late '80s did post-Nirvana, and failed miserably), as he follows in the same melodic rock mold of Whitesnake's previous two releases, 1987's Whitesnake and 1989's Slip of the Tongue. Unlike the late-'80s edition of Whitesnake (which included Steve Vai, Tommy Aldridge, etc.), the 1998 version is not a showcase for rock's most renowned hired guns. In addition to Coverdale, the only holdover from the group's previous album is guitarist Adrian Vandenberg, who FINALLY gets the chance to appear on a full-length Whitesnake recording (after several close calls on the aforementioned releases). Instead of walloping listeners over the skull with an album opening rocker, Coverdale kicks things off on a mellow note, with the bluesy ballad "Don't Fade Away," but harder-edged material soon follows, including the riff-rocking title track, and "Crying," which shows the singer's Zeppelin fixation remains. The times may have changed, but David Coverdale is content with his old sound – and longtime Whitesnake fans will be pleased.

Sold exclusively at lalalandrecords.com for the first 90 days of release. La-La Land Records, Metro-Goldwyn-Mayer and Universal Music Enterprises proudly present the 60th anniversary remastered and expanded 2-CD re-issue of renowned composer John Barry’s original motion picture score to the fourth James Bond film, THUNDERBALL. Produced by Albert R. Broccoli and Harry Saltzman, the 1965 film stars Sean Connery as James Bond 007 and is directed by Terence Young, returning to the series for the third time. Bold and brassy, propulsive and daring - John Barry’s THUNDERBALL is a mesmerizing monsoon of orchestral might that helped surge the Bond franchise to new heights! As illustrated within this exhilarating remastered showcase – THUNDERBALL sounds sensational and it cements its legacy as one of Barry’s finest works. Included are the iconic title song “Thunderball” by Barry and lyricist Don Black performed by Tom Jones, as well as the song “Mr. Kiss Kiss Bang Bang” by Barry and lyricist Leslie Bricusse, with versions performed by Dionne Warwick and Shirley Bassey! Expanded beyond previous soundtrack editions, THUNDERBALL is unleashed like never before within this deluxe presentation.

Arthur Honegger’s three Mouvements symphonique coupled with Pacific 231 used to fit nicely onto one LP, but like Charles Dutoit’s versions of these four works released on Erato in 1985 that included the First Symphony, David Zinman’s new disc adds additional pieces, in this case the more frequently recorded Second Symphony and the Monopartita, which receives what appears to be its third recording. Zinman’s performances offer the rhythmic drive of Honegger’s Rousselian influences without stinting his own bittersweet lyricism. The orchestra itself, now familiar from Arte Nova’s superb cycle of the Beethoven Symphonies, doesn’t have the air or lightness of the old Suisse Romande Orchestra under Ernest Ansermet, but it does have better chops and better discipline. Decca’s sound and production are by the same team that recorded Arte Nova’s Beethoven–their work here is a little more distant and appropriate to these brightly scored works.

May 12th 2021 marks the 150th anniversary of Daniel-François-Esprit Auber’s passing. The most important figure of the French lyrical scene along with Meyerbeer during the second third of the 19th-century, he was so popular that his name was given very soon after his death to the main road running along the newly opened Opéra Garnier. Insomniac, Auber spent his days and nights composing, writing no less than forty-seven lyrical pieces in his lifetime, mostly irresistible comic operas.

Three artists across three discs celebrating the very best music from the era of Dreamboats & Petticoats. This collection is loaded with original recordings of timeless hits from three of the greatest 1960s groups in The Walker Brothers, The Righteous Brothers and The Platters.

Elgar’s unjustly neglected ‘greatest choral masterpiece’ (Jeremy Dibble) is given an outstanding new recording by conductor David Temple, Crouch End Festival Chorus, London Mozart Players, and soloists Francesca Chiejina, Dame Sarah Connolly, Benjamin Hulett and Ashley Riches. Composed in 1906 after The Dream of Gerontius and The Apostles, The Kingdom depicts the lives of Christ’s disciples and the community of the early church with a mixture of gentle conversational sections and astonishing dramatic passages. Recorded in the recently restored Victorian Theatre at Alexandra Palace, its fluid musical narrative is both arresting and profoundly moving. Echoing Sir Adrian Boult, David Temple considers the oratorio to be Elgar’s pinnacle achievement. ‘I truly believe The Kingdom to be Elgar’s greatest choral work. It is a gem from the first note to the last.’

Includes rare tracks, demos and alternate mixes.

This reissue features all 120 classic titles from the American jazz label CTI Records. Each title comes with a deluxe booklet featuring a reproduction of the liner notes from the original Japanese LP release. This is CTI's ultimate reissue series, bringing back to life the passionate energy of the 1970s jazz scene. "Crawl Space" by Art Farmer This is Art Farmer's debut album for CTI, a virtuoso flugelhorn/trumpet player. He ventures into the world of fusion with keyboardist Dave Grusin, who also handled some of the arrangements, and Jeremy Steig, whose noisy flute sounds are a testament to the mature and brilliant playing that only a veteran can achieve.

Ilona Staller had many incarnations: a radical politician, a muse to the likes of Jeff Koons, a dead ringer for a Botticelli female figure (in that particular late-70s/80s color palette), and a famed adult-entertainment performer. Yet we would be remiss to neglect her Italo disco career, and now that she is giving interviews in magazines for the re-release of her memoir, we thought it was the right time to highlight her musical output—hey, in 1978, she almost made it to Sanremo, with the song “Cappuccetto Rosso” (Little Red Riding Hood), authored by one Vito Tommaso, a storied Mia Martini collaborator who then found his fortune with anime opening themes for the Italian market.

Renowned jazz musician Brian Culbertson has announced the release of his new album titled "Day Trip," scheduled for September 26, 2025. The album features an all-star lineup of musicians, including legends such as Marcus Miller, Sheila E., Branford Marsalis, and Randy Brecker. The first single from the album, "On The Road," is already available for streaming on all digital platforms and has become a hit on jazz radio stations. The album promises to be a major event for all fans of contemporary jazz and funk.

The veteran pianist Llew Matthews grew up in Harlem, New York. Over his long career, he has performed with numerous jazz giants including Kenny Dorham and Jackie McLean. He accompanied Lena Horne and seved as musical director for Nancy Wilson. While well known and cherished for his abilities as a side man, he had to wait until 1998 to release his first album as a leader, Nathalie, from a Japanese label. His third CD as a leader, brought to you by M&I of Japan, is a sweet and romantic collection of songs associated with the moon and stars. Matthews' straight forward, honest and elegant piano is supported well by veterans Stan Gilbert and Carl Burnett. The mood is relaxed, and appropriately romantic, and the gentle, dreamy swing of the trio is intoxicating: perfect music for a starry night!

The Hemulic Voluntary Band is the fourth studio album by Swedish progressive rock band Ritual. Its title references a fictional brass band from Tove Jansson’s Moomin universe, but the music leans more toward folk, symphonic rock, and ’70s-style prog, resulting in a richly imaginative sound. Although not a concept album, it’s thematically tied by literary influences and a sense of childlike wonder. Drawing on Jansson’s work, the lyrics explore imagination, nature, and the fantastical. Ritual’s songwriting focuses on storytelling and emotional depth, creating an immersive experience.
Critics praised the album’s inventive arrangements and emotional range. It’s mix of complexity and accessibility appeals to both prog fans and casual listeners, with a strong balance of technique and feeling…

Eddie Henderson – *Phantoms* (1989) is a jazz fusion album by the trumpeter known for blending funk, R&B, and jazz elements. This late-80s release features smooth production, synthesizer textures, and catchy grooves typical of the era, highlighting Henderson’s lyrical trumpet and flugelhorn work.
The album balances danceable rhythms with melodic improvisations, leaning toward a contemporary jazz sound that’s accessible and polished. *Phantoms* reflects Henderson’s ability to fuse jazz with commercial appeal, making it a notable entry in his discography during a period of evolving jazz styles.

Jan Garbarek-Bobo Stenson Quartet – *Dansere* (1976) is a jazz album by the Norwegian saxophonist Jan Garbarek and Swedish pianist Bobo Stenson, along with their quartet. Known for its spacious, atmospheric sound, the album blends Scandinavian folk influences with modern jazz improvisation.
Featuring lyrical melodies, delicate interplay, and a contemplative mood, *Dansere* highlights the group’s subtle dynamics and emotional depth. The music often feels introspective and ethereal, characteristic of the ECM label’s signature style. It’s a classic example of Nordic jazz from the 1970s, praised for its poetic and timeless quality.