Celebrate this magical decade with 60 of the biggest and best hits from the world of 90s pop, rock, RnB, dance and reggae. This hit-packed 3CD set features a host of chart-topping pop stars that took the world by storm in the decade including George Michael, Whitney Houston, Celine Dion, Wet Wet Wet and Robbie Williams. The 90s were famous for spawning some of the coolest guitar music ever produced and it's represented here by the likes of Lenny Kravitz, Paul Weller, Manic Street Preachers, The Cranberries and Suede. Adamski, Olive, N-Trance and Robert Miles remind us of some of the biggest dancefloor smashes while Usher, Soul II Soul, Jamiroquai, P.M. Dawn, Salt-N-Pepa and Run D.M.C. highlight the strength and eclecticism that urban music went though in this great decade.

Phish had a busy year in 1994 with the release of their fifth studio album, ‘Hoist’, on March 29th followed by extended U.S. and Canada touring from April through New Year’s Eve. ‘Hoist’ was recorded in Los Angeles County the previous October and November of 1993, when the band was evacuated from ‘Hoist’ sessions at American Recording Company due to the Old Topanga Fire. On May 16th, 1994 during their spring tour, Phish returned to Los Angeles to play The Wiltern Theatre – a landmark Art Deco vaudeville and movie palace built in 1931 with a capacity of about 2,200 and located in Koreatown at the corner of Wilshire Boulevard and Western Avenue. It was a Monday night, tickets cost $17.50, and the band had invited The Simpsons creator Matt Groening to the show, catalyzing a long relationship that eventually found Phish on The Simpsons in 2002. The Wiltern ’94 was a nearly non-stop show with an easy flow and adventurous jamming woven around a creative setlist that elevated all those fortunate enough to bear witness.

Based in the North of England. Ancient Infinity Orchestra is a joyous large ensemble that has communal music-making at the heart of everything they do. And that includes the melodies that flow out of their new album It’s Always About Love which blossom with uplifting improvised contributions that circle around bandleader Ozzy Moysey’s beautiful compositions; generous sonic gifts of healing and repair.

So much more than just the archetypal jam band, the Grateful Dead grew to become an artistic and cultural institution that existed entirely on their own terms. While the band initially came out of a psychedelic revolution in the Bay Area's musically and chemically exploratory mid-'60s, they quickly evolved from their acid rock beginnings, incorporating elements of Americana and Bakersfield country into gently majestic albums like 1970's American Beauty. Their live shows were completely separate from their studio output, based on freeform improvisation borrowed from jazz and made up of extended performances and set list variations that ensured no two shows were exactly like. Though the band recorded only 13 studio albums between 1967 and 1989, an entire counterculture formed around their endless touring, and they even broke through to the mainstream with an unlikely radio hit in the MTV era. The Grateful Dead effectively ended with bandleader Jerry Garcia's death in 1995, but their presence never faded. Spin-off projects continued decades later, and regularly released archival recordings of the group's more than 2,000 concerts help new generations of Deadheads discover the band's sound, spectacle, and community perennially.

German Brass celebrates the 200th birthday of Johann Strauss with a brand-new album. It contains works by the composer and also works by some of his contemporary companions, such as Chopin, Brahms and Kreisler, that have been arranged as a programmatic "bouquet" around Johann Strauss. Matthias Höfs did the arrangements for the ensemble, presenting a lively new brass sound to known titles from the second half of the 19th century.

This recording and its packaging consists of material that may constitute satire, parody or burlesque or even downright forgery and could cause uncontrollable laughter.

USED (3CD) Eclectic, long out-of-print 1998 set. 48 tracks; Etta James, Carole King, Labelle, Sonic Youth, Madonna, Pretenders, Donna Summer, Aretha Franklin, Joan Jett, PJ Harvey, Eurythmics & loads more

This compilation features so many multi-talented artists: Marilyn Monroe, Linda Lawson, Diana Dors… listening to these songs takes you into the world of classic Hollywood films and their stars.

Recorded live at the Theatro Lampugnano oder Teatro Tenda, Milano. 11-6-1983. Limited edition 400 copies.

It offers a comprehensive compilation of the most iconic tracks by the Northern Irish punk rock band.

Talking Heads formed in 1975 in New York City. The original line up comprised three former art school students who had emerged from the New York punk scene. The trio featured lead vocalist and guitarist David Byrne, drummer Chris Frantz and bassist Tina Weymouth. The edgy stage presence of singer Byrne gave the band a sharp disconcerting power and Talking Heads became a cornerstone of the new wave music phenomenon. In 1978 Talking Heads were augmented by the addition of Jerry Harrison on keyboards and guitar.

Recorded on July 21, 28 and August 5, 1966 at The Penthouse, Seattle WA. Call Me: Jazz from the Penthouse presents previously unreleased live recordings of underrated jazz pianist Jack Wilson and his quartet, best known for his work on the Atlantic and Blue Note labels. Featuring a young Roy Ayers and recorded in Seattle at the Penthouse jazz club in July and August of 1966 when Wilson's group was touring the west coast with Redd Foxx, these recordings feature a mix of standards, current pop hits of the day, and originals by Wilson himself. In addition to Roy Ayers on vibes, the group features Von Barlow on drums and Buddy Woodson on bass. The deluxe 24-page booklet features an appreciation by Ahmad Jamal, interviews with Roy Ayers and Von Barlow, producer's notes, and previously unseen archival photographs. These recordings were made just two weeks before Wilson & Co. Would enter the studio to record his classic Blue Note debut Something Personal.

Hot Potatoes is the best available single-disc overview of Devo's career, hitting nearly all of the most significant moments from their first five albums, as well as including the non-LP singles "Be Stiff" and "Working in a Coalmine." "Whip It" and "Freedom of Choice" are here, of course, as are cult favorites "Jocko Homo," "Mongoloid," "Satisfaction (I Can't Get Me No)," plus many more. However, even if it's the best available, it isn't that widely available in the U.S.; plus, Devo's first three albums in particular all have at least a few fine songs that aren't included here. But if you only want one disc and don't mind hunting a bit, Hot Potatoes: The Best of Devo is superior to the American Greatest Hits, which for some reason does not feature "Mongoloid," one of the most obvious choices for a Devo hits collection.

"I think Sola Gratia is as good as anything I’ve ever done." That’s a bold claim by any musician, but it’s an extraordinary one from a singer-songwriter-all-round-musician of the calibre (and extensive back catalog) of Neal Morse, whose reputation as one of the progressive rock world’s most talented and prolific current artists is unparalleled. Like much of Neal’s music, Sola Gratia originated from a seed planted in his mind, followed much later by a whirlwind of inspiration - and, this time, a little solar power: "A couple of people had suggested to me that I should do a prog concept album based on the apostle Paul, but it wasn’t until I went on a cruise to Australia and New Zealand in January 2020 that I started waking up with a lot of music, and would go up on deck with my keyboard to work on it as the sun came up…

Five-decades-running Americana pioneers Nitty Gritty Dirt Band have already played a major role in the preservation and popularity of folk music—their Will The Circle Be Unbroken album series introduced droves of new fans to folk, country, and bluegrass and earned the band multiple Grammy awards—but now, the long-running group have taken on another American institution near and dear to their hearts; the Bob Dylan songbook.