This new album by the award-winning Latvian Radio Choir conducted by Sigvards Kļava – recently hailed by the New York Times as ‘astonishing’, ‘superlative’ by the BBC Music Magazine, and ‘perhaps the finest chorus singing today’ by NPR – is focused on the sacred choral works by one of the greatest composers of the Romantic era, Felix Mendelssohn (1809–1847).

IQ are very excited to announce the release of ‘Dominion’, the long-awaited new album. Peter Nicholls: “Hot on the heels of ‘Resistance’ six years ago! Yes, it’s been a long time coming (we couldn’t be accused of rushing these things!) but we're confident this album is really strong and has been worth the wait. To be releasing a new IQ album in our 44th year feels genuinely exciting.” Mike Holmes: “We did actually write a lot more material for 'Dominion', but this choice of songs (and the running order) feels like a cohesive album to me. Even in this age of streaming individual songs I still approach a new IQ release with a ‘side one’ and ‘side two’ thing in my head – the selection and placement of songs for 'Dominion' just feels like a classic album should (I know, I’m using ‘old people’ speak!).

Violinist Joshua Bell reunites with two of his favorite collaborating artists and friends – cellist Steven Isserlis and pianist Jeremy Denk – for Sony Classical’s new recording of the piano trios of Felix Mendelssohn. The new recording follows a unique all-Brahms collection For the Love of Brahms – released by Sony Classical in 2018 – that was also a collaboration of Bell, Isserlis and Denk.

Welcome to the world of hidden treasures and symphonic jewels in "Raiders of the Symphony" with the Danish National Symphony Orchestra and the Danish National Concert Choir. The Danish National Symphony Orchestra is in an adventure spirit, and the iconic music from the Indiana Jones films becomes the highlight of the evening.

The Howling Void presents itself to listeners with a new brilliant album that pushes the boundaries of the band's universe. On one hand, it is a return to the boundless soundscapes of the early albums that introduced everyone to their unique vision of funeral doom metal. On the other hand, it is an evolution of the music within the mysterious mythos of The Howling Void. Epic guitar riffs, accompanied by atmospheric keyboards, resonate timelessly, touching on philosophical questions of metaphysics in the lyrics. "The Glow Of A Distant Fire" is a journey into one's inner world, into the microcosm. It is an album without which the picture of the modern heavy scene cannot be complete.

Tom Waits' first two albums, 1973's Closing Time and 1974's The Heart of Saturday Night, documented his estimable strengths as a songwriter, but they didn't always give much of a sense of the personality that came through in his live performances. In front of an audience, Waits transformed himself into something resembling a minor character from a Jack Kerouac novel, a witty but bedraggled hipster from the seedy side of Los Angeles. His third album, 1975's Nighthawks at the Diner, was designed to show off Waits as an entertainer as well as a tunesmith; producer Bones Howe set up a nightclub facsimile in a recording studio, paired Waits with a solid band of jazz-inclined studio musicians, brought in an audience, and recorded what was in essence his first live album…

Bad Reputation is the eighth studio album by the Irish rock band Thin Lizzy, released in 1977. As the front cover suggests, most of the tracks feature only three-quarters of the band, with guitarist Brian Robertson only credited on three tracks. He had missed most of their previous tour, following a hand injury sustained in a brawl, and this album turned out to be his last studio effort with Thin Lizzy. Bad Reputation reached No. 4 in the UK Albums Chart.

This is probably the most significant recording by Polish trumpeter virtuoso/composer Tomasz Stanko, surely at least among his Polish recordings before his later ECM period. Following Mile Davis, Stanko switched to Jazz-Rock Fusion (albeit a decade later) and his 1980s output with his Freelectronic ensemble is radically different from the Free Jazz he played in the 1970s. This double album consists of one studio recording and one live recording, both expressing Stanko's power as a performer and a composer to the max. The studio album, which was compiled over a period of two years, presents music composed by Stanko at the period when he was experimenting with hallucinogens and was deeply influenced by the writings of the Polish mystic / philosopher / avant-garde artist Witkacy (Stanislaw Ignacy Witkiewicz), who was also an early experimenter with drugs…