Hot Potatoes is the best available single-disc overview of Devo's career, hitting nearly all of the most significant moments from their first five albums, as well as including the non-LP singles "Be Stiff" and "Working in a Coalmine." "Whip It" and "Freedom of Choice" are here, of course, as are cult favorites "Jocko Homo," "Mongoloid," "Satisfaction (I Can't Get Me No)," plus many more. However, even if it's the best available, it isn't that widely available in the U.S.; plus, Devo's first three albums in particular all have at least a few fine songs that aren't included here. But if you only want one disc and don't mind hunting a bit, Hot Potatoes: The Best of Devo is superior to the American Greatest Hits, which for some reason does not feature "Mongoloid," one of the most obvious choices for a Devo hits collection.

Since Charly Records began working with the catalog of the fabled Texas label International Artists Records, they've released a steady stream of material by Lone Star psychedelic pioneers the 13th Floor Elevators, beginning with the definitive 2009 box set Sign of the 3 Eyed Men. But while Charly's releases have been beautifully assembled and annotated, they've also been created with serious fans in mind, rather than someone looking for the band's basic oeuvre. While a four-disc box set might seem a bit much for someone who just wants the basics, The Albums Collection is a thorough but elegant collection that delivers the Elevators' essential repertoire in one package. The Albums Collection includes the four albums the Elevators released in their lifetime - The Psychedelic Sounds of the 13th Floor Elevators, Easter Everywhere, Live, and Bull of the Woods - all in remastered form…

Marko Hietala has been synonymous with quality for more than four decades. As a founding member of the heavy metal band Tarot, as a key member of the supergroup Sinergy (alongside extreme talents such as Alexi Laiho) and as one of the key figures in the world's biggest symphonic metal band Nightwish, Hietala has not only shaped but also defined the sound of harder rock. Needless to say, his thunderous bass lines and rich vocals have been heard in the world's most famous venues such as Wembley Arena and legendary festivals such as Rock in Rio.
Roses From The Deep promises to deliver a unique blend of dark, introspective lyricism and soaring, cinematic soundscapes. Drawing inspiration from myth, nature, and the human experience, Hietala has crafted an album that transcends genres, with elements of progressive rock, folk, and symphonic metal seamlessly intertwined…

The Long Run is the sixth studio album by American rock group the Eagles. It was released in 1979 by Asylum Records in the United States and the United Kingdom. This was the first Eagles album to feature bassist Timothy B. Schmit, who had replaced founding member Randy Meisner, and the last full studio album to feature Don Felder before his termination from the band in 2001. This was the band's final studio album for Asylum Records. It also turned out to be their last studio album during their original tenure, as the Eagles disbanded in 1980; even though they reunited in 1994, they did not release another studio album until 2007's Long Road Out of Eden. The album was certified 7× Platinum and has sold more than eight million copies in the US.

Alicia Keys' debut album, Songs in A Minor, made a significant impact upon its release in the summer of 2001, catapulting the young singer/songwriter to the front of the neo-soul pack. Critics and audiences were captivated by a 19-year-old singer whose taste and influences ran back further than her years, encompassing everything from Prince to smooth '70s soul, even a little Billie Holiday. In retrospect, it was the idea of Alicia Keys that was as attractive as the record, since soul fans were hungering for a singer/songwriter who seemed part of the tradition without being as spacy as Macy Gray or as hippie mystic as Erykah Badu while being more reliable than Lauryn Hill. Keys was all that, and she had style to spare – elegant, sexy style accentuated by how she never oversang, giving the music a richer feel. It was rich enough to compensate for some thinness in the writing – though it was a big hit, "Fallin'" doesn't have much body to it – which is a testament to Keys' skills as a musician.

If any single song sums up Status Quo in the hearts and the minds of the millions, it's "Down Down." Other songs may have been bigger, others may have more resonance, and some ("Rocking All Over the World " comes to mind) may be so permanently ingrained that it's hard to remember that Status Quo cut anything else. But, if you want to nail the very essence of Status Quo, only "Down Down" will do. It was their first British number one and their first all-time classic. And it was also their first grinning, winking acknowledgement that not only was there a formula to the records they made, but they were not afraid to list its ingredients. "Down Down" is the perfect Status Quo record, and the fact that it doesn't arrive until six songs into the band's eighth album just proves how much fun it had coming up with it.

Perhaps realizing that Down on the Farm wasn't the proper swan song for Little Feat, the group persuaded Warner Brothers to release a compilation of rarities and overlooked tracks as a swan song and farewell to fans. Filled with live performances, obscurities, album tracks, and a new song apiece from Bill Payne and Paul Barrere, Hoy Hoy is a bit scattered, a bit incoherent, a little bewildering, and wholly delightful – a perfect summation of a group filled with quirks, character, and funk, traits which were as much a blessing as they were a curse. Hoy Hoy is one of those rare albums that may be designed for diehards – who else really needs radio performances, early recordings from before the band was signed, and outtakes, especially if they're surrounded by early album tracks? – but still is a great introduction for novices. That doesn't mean it's as good as such masterpieces as Sailin' Shoes, Dixie Chicken, or Waiting for Columbus, but it does capture the group's careening, freewheeling spirit, humor, and musical versatility, arguably better than any single album.

After gaining some recognition from the success of the band's previous album, Bachman-Turner Overdrive got around to recording Not Fragile. Not only had one of the three Bachman brothers (Tim, the rhythm guitarist) left the band to BTO's advantage, but Randy Bachman and C.F. Turner had clearly grown musically. To the album's benefit, most of the material on Not Fragile are the band's much-liked rock anthems, ranging from the hyper-distorted title track, through the famous but far more timid song "You Ain't Seen Nothing Yet."

The sixth edition of the fantastic anthology series from the Blue Note Records label, featuring some of the greatest players that ever walked the face of the Earth, like Thad Jones and Mel Lewis, Chet Baker, Dinah Washington, Peggy Lee, Miles Davis, Grant Green, Billie Holiday, Cassandra Wilson, Horace Silver, Ike Quebec, Blue Mitchell and many more.