The Tortured Poets Department[a] is the eleventh studio album by the American singer-songwriter Taylor Swift, released on April 19, 2024, through Republic Records. It was expanded into a double album two hours after its release, subtitled The Anthology, containing a second volume of songs.

Med musikalisk mångfald och sprakande energi möter du Arvingarna på deras allra första egna Julturné, ”Klart det ska bil Jul”!

A magnificent collection of the best rock hits of all time! Enjoy!

MALTA is a Japanese jazz saxophonist. A memorable first album by MALTA who invited Eric Gale to a special guest.

German Democratic Recordings, Das ultimative Label für Metal aus Ostdeutschland feiert den fünfunddreißigsten Jahrestag des Mauerfalls mit dieser 4-CD-Box, die bislang unveröffentlichte Live-Mitschnitte des Rundfunks von verschiedenen Hard & Heavy-Bands der DDR beinhaltet. Diese zeitgeschichtlich relevanten Konzert-Aufnahmen stammen aus einer Zeit, als Hard Rock und Heavy Metal nur ein geduldetes Übel waren und sind eine spannende Zeitreise in ein Land, daß vor dreieinhalb Dekaden verschwand. hochwertige Klappschachtel (Cap-Box) mit 4 CDs in Karton-Stecktaschen und 16-seitigem Booklet. Die Compilation umfasst 59 Songs mit insgesamt knapp vier Stunden Spielzeit, die wir mit freundlicher Genehmigung der Stiftung Deutsches Rundfunkarchivs (DRA) durch die rbb media GmbH lizensiert haben.

Ornithology: The Best of Bird is a new compilation bringing together 11 cuts from legendary jazz saxophonist Charlie Parker. Designed as an introduction to this influential artist, it covers Bird's prime years between 1945 and 1953, with cuts including "Ko-Ko," "Billie's Bounce," and "Groovin' High." Included on the back of the newly designed sleeve is a new essay by GRAMMY Award-winning writer Ashley Kahn.

On his second solo album, Barrett was joined by Humble Pie drummer Jerry Shirley and Pink Floyd members Rick Wright (organ) and David Gilmour (guitar). Gilmour and Wright acted as producers as well. Instrumentally, the result is a bit fuller and smoother than the first album, although it's since been revealed that Gilmour and Wright embellished these songs as best they could without much involvement from Barrett, who was often unable or unwilling to perfect his performance. The songs, however, are just as fractured as on his debut, if not more so. "Baby Lemonade," "Gigolo Aunt," and the nursery rhyming "Effervescing Elephant" rank among his peppiest and best-loved tunes. Elsewhere, the tone is darker and more meandering. It was regarded as something of a charming but unfocused throwaway at the time of its release, but Barrett's singularly whimsical and unsettling vision holds up well.

This is a specially priced, two-CDs-for-the-price-of-one photo-cube set, loaded with great stuff from Charlie Musselwhite, Koko Taylor, Lonnie Brooks, Johnny Winter, Billy Boy Arnold, Lonnie Mack, and a host of others who have trotted their wares on the label over the years. Besides giving the novice one great introduction to the label (as the music runs from traditional to modern), the big bonus here is a treasure trove of previously unissued tracks from Roy Buchanan (a chaotic version of Link Wray's "Jack the Ripper"); Floyd Dixon (a recut of his Blues Brothers-approved hit "Hey Bartender"); Albert Collins and Johnny Copeland in a marvelous outtake from the Showdown! album ("Something to Remember You By"); and the band that started it all, Hound Dog Taylor & the Houserockers, with a crazed version of Elmore James' "Look on Yonder's Wall," as sloppy as it is cool.

In the liner notes to this album, Stan Getz comments about how producer Herb Alpert showed him aspects of recording he had never experienced before. In this case, it's how to over-produce without overwhelming a lead soloist, as Alpert loads up this date with synthesizer players, electric instruments, and effects as a backdrop for the ultra-cool tenor of Getz. While not going overboard, it would have been nice to hear this music without the caramel-thick arrangements, leaving just Getz and a rhythm section to play sans the unnecessary sugarcoating. Initially released about a year before Getz passed away, the end result is a lazy and far too sweet group of pieces that muck up romance in a smothering fashion. Where string arrangements can sound beautiful, the sleepy synths on "Waltz for Stan" and echoplexed sax during "Madrugada" and especially the nine-minute ambling "Midnight Ride"…

The 40th Anniversary edition of Jethro Tull’s Minstrel In The Gallery. Original album plus seven bonus tracks (six previously unreleased) and all to stereo by Steven Wilson. The album has been expanded to include the b-side Summerday Sands, several studio outtakes, and alternate session material recorded for a BBC broadcast. The second disc features a live recording of Jethro Tull performing at the Olympia in Paris on July 5, 1975, a few months prior to the release of Minstrel In The Gallery. During the show, the band played songs from several of its albums, including War Child and Aqualung, as well as an early performance of Minstrel In The Gallery.
Minstrel in the Gallery was Tull's most artistically successful and elaborately produced album since Thick as a Brick and harked back to that album with the inclusion of a 17-minute extended piece ("Baker Street Muse")…

With this album from Thomas Köhler and Frank Rothe you get, what you can expect - and a little more. They wanted to "Look forward" and they did. One track with a more complex arrangement, a track in Berlin school style at his best, some sounds maybe coming thru a prisma and an energetic final, this is how the artists see their own album. Journey for more than an hour through epic soundscapes and chilling sequences.

The aim was to do for country what Saturday Night Fever did for disco. The result was that bars from Kona to Kalamazoo suddenly had mechanical bulls, and slickers walking around in cowboy hats. You might also pinpoint this as the moment in time when "country" music suddenly went cosmopolitan, paving the way for Garth Brooks. Johnny Lee's "Lookin' for Love" was one of the decade's biggest singles, and this album briefly made a star of Mickey Gilley (whose Texas club provided a home for that alpha bull). Fans of Bob Seger, Jimmy Buffet, the Eagles, Dan Fogelberg, and Bonnie Raitt may want this collection for the tunes they lack elsewhere. And it sure recalls an era. But please don't call it "country." –Bill Holdship

Founded by Frank Bornemann at the end of the 1960s, ELOY has released a total of 20 studio albums. Their breakthrough came in the mid-seventies, mostly with spectacular concept albums, which sold more and more worldwide. The breakthrough for ELOY came in the mid-seventies, mostly with spectacular concept albums that were sold worldwide, increasingly. This was not only rewarded with numerous high chart positions in Germany, honored with many awards but also brought Eloy a lot of international attention and a considerable fan base, which still exists and is constantly growing.When a fan club recently came up with the idea of bundling their own favorites from the band's extensive repertoire and producing their own compilations, we had the idea of offering this officially and releasing ELOY's highlights from different eras of the band's history on CD. We had Frank Bornemann and sound engineer Benjamin Schäfer edit the sound in such a way that they fit together perfectly and offer the listener a very individual listening experience. This is how Hidden Treasures came into being, offering ELOY fans a sound and song combination that has never been heard before.

Best of The Runaways live at The Agora, Cleveland, OH, USA, July 19, 1976."

Newly released live album featuring a collection of performances recorded during his 1993 concert in California.