This triple disc collector s box set features rare broadcast recordings by Neil Young, originally transmitted from live shows the great man performed in the 1970s and 1980s; his glory years if you will. Disc One includes two such superb performances: the first a short set Neil played alongside Bob Dylan and members of The Band at the San Francisco SNACK Benefit concert in 1975, and secondly his legendary acoustic set from the late show he gave at Boston s Music Hall in November 1976. Disc Two features Young s marvellous appearance on the Austin City Limits programme in 1984. Including recent cuts mixed with NY classics, this is perhaps Neil s finest performances of that period. Disc Three houses another 80s gig, played at the end of the decade in Hamburg, Germany, on 8th December 1989, shortly after the release of his dynamic Freedom album.

Pearl Jam entered Seattle's London Bridge Studios in March 1991 to record their debut album, Ten. Drummer Dave Krusen left the band in May 1991 after checking himself into rehabilitation and was replaced by Matt Chamberlain, but after just a handful of gigs Chamberlain left too and was superseded by Dave Abbruzzese, who played the rest of Pearl Jam's live shows supporting Ten. Released on August 27, 1991, Ten contained eleven tracks dealing with dark subjects like depression, suicide, loneliness, and murder.

To celebrate the pivotal album’s 20-year anniversary, Rhino will release a deluxe edition of Boys For Pele featuring a newly remastered version of the original, along with 21 bonus tracks that include: a selection of B-sides, rare recordings, and four previously unreleased tracks.

Compilation of covers of The Beatles' classics by wide array of pop & rock stars, including Billy Preston, Fats Domino, Joe Cocker, Deep Purple, Bryan Ferry, Emmylou Harris, Vanilla Fudge, and many more!

Whether or not this album's title refers to bluesman Robert Johnson's classic song of the same name, Katatonia is still singing the blues in their own way here, even if their style has nothing else to do with the blues as a genre. Continuing in the vein of their previous release, Tonight's Decision, this is depressing, heavy alternative rock with a notable Cure influence - Katatonia is not really playing metal anymore here. The production has been sharpened on this album compared to its predecessor, accentuating the quiet verse/loud chorus dynamics the band so often uses, making the loud parts hit harder and the softer parts come through with more detail. Meanwhile, frontman Jonas Renske has continued to grow as a vocalist, showing greater range while also maintaining that worried, defeated delivery…

The notes for this CD ask, "What issue is more topical than the Brazilian rain forest? So what reissue would be more topical than Walter Wanderley's Rain Forest?" Politically, this may be true, but musically, this collection is anything but topical. From the first tune - the monster hit "Summer Samba," the listener is catapulted straight back to the '60s when bossa nova was new in the U.S. and everyone wanted a piece of it. Organist Wanderley made a big splash with this CD, which went platinum in two years - and it does evoke strong water images, like "poolside" and "ice skating rink." The jazzmen are underutilized, since most of the tracks are less than three minutes long and leave little room to stretch out. One exception is the pretty Ferreira/Marconi ballad "Rain," the only track where Wanderley plays piano rather than organ and which features a fine solo by Urbie Green on trombone…

One of the strangest records you'll ever buy! Consequences was originally a 3LP box set - kind of a sound play of words, songs, noises, and lots of odd effects - an effort of classic rock proportions, but the brainchild of Lol Creme and Kevin Godley after their departure from pop group 10CC. It's nearly impossible to believe how a record like this got made - especially in the year that punk was taking over the British record industry - but the fact that it became an instant cutout may say a lot about its ill-chosen release. Whatever that history, though, the album's a near-legendary one now - some where between Ivor Cutler-esque sound poetry and some of the weirder pop of British mid 70s groups. Peter Cook wrote and performed all the spoken bits on the record, and Sarah Vaughan even makes a guest appearance!

Frankie Goes to Hollywood hyped their debut album Welcome to the Pleasuredome so much that when their second record, Liverpool, failed to live up to expectations, their career was effectively over. That didn't stop them from releasing greatest-hits albums, however, nor did it stop the inevitable wave of '80s nostalgia that surged forth in the '90s. To cash in on whatever meager Frankie nostalgia that may have existed, Bang!… Greatest Hits of Frankie Goes to Hollywood appeared in 1993. Bang! is as good a compilation of Frankie's material as could be assembled, featuring no less than eight songs from Pleasuredome (including, of course, "Relax," "Two Tribes," "The World Is My Oyster," and "Bang") and five songs from Liverpool. There were a couple of good songs stranded on the second album ("Ferry Cross the Mersey," "Rage Hard") and certain casual fans may enjoy having those singles on the same disc with the hits…

The album DUO by Joachim Kühn and Michael Wollny marks the start of a collaboration between two extraordinary partners: the label ACT and Château Palmer, one of the most important Grand Cru wineries in Bordeaux. And it unites the worlds of music, wine and modern art in a unique way. The first, exclusive release brings together two icons of European jazz piano who are also close friends and mutual sources of inspiration. Two ever-alert and enormously creative minds, which possess the virtue of being able to listen, and also the confidence to do the right thing at the right moment.

KUU!’s songs are so well honed, they have a way of emotionally hitting the spot, and also staying lodged in the mind. The reason why this band has been making such waves in Germany is the special chemistry between the artists, combined with a sixth sense and an urgency about the way they communicate. The band members – Kalle Kalima, Frank Möbus (both on guitars) with drummer Christian Lillinger – are never short of creative ideas, and they form a strong yet supple understructure for the phenomenally expressive singer Jelena Kuljić.