The legendary band, Led Zeppelin. Despite creating numerous masterpieces, they were constantly plagued by "plagiarism accusations." However, they uniquely sublimated diverse musical influences like blues and folk, transforming them into a one-of-a-kind sound. We unravel the secret of their re-creation by tracing it back to their roots. Led Zeppelin is truly an unparalleled and great band in the history of rock! The term "plagiarism accusations" has followed their career, but that's precisely because they were deeply influenced by a wide range of music, from blues to folk, and openly wore it as a "badge of honor." Their true genius lies not in merely borrowing these elements, but in completely transforming and re-creating them into the unique "Led Zeppelin sound."

This five-disc, 116-track box set presents a sweeping history of the blues from its emergence in the early 1900s clear through to its various contemporary guises, and includes samples of country blues in all of its regional variations, as well as cuts from string bands, jug bands, jazz combos, gritty Chicago blues outfits, and a look at how rock artists like Bob Dylan and Jimi Hendrix incorporated the blues into their distinctive styles. Intelligently gathered and arranged, it treats the blues both from a historical perspective and from a working assumption that the form is still alive and well, continually morphing and transforming itself. There simply isn't a better or deeper survey of the blues on the market.

Graced with cover art of a grotesque gorilla sporting the Stones' trademark leering lips, GRRR! doesn't quite have the classy veneer usually associated with a 50th anniversary collection. Frankly, that's a good sign for the Rolling Stones: they're celebrating their half-century together but refusing to take themselves too seriously, even when they're assembling a mammoth retrospective that's available in three different incarnations. Each chronicles the Stones' story beginning with their first single, a cover of Chuck Berry's "Come On," to a pair of good new recordings (a loose-limbed rocker called "Doom and Gloom" and the poppier "One More Shot"). Neither the standard triple-disc version, a budget two-disc version, or the super deluxe four-disc set - which has the added bonus of a disc of the band's Chess Records-heavy demos for IBC in 1963, a significant enticement to make the investment…

Wishbone Ash are noted for their extensive use of harmony twin lead guitars, which had been attracting electric blues bands since Jeff Beck and Jimmy Page had played together in the Yardbirds in 1966. Their contributions helped Andy Powell and Ted Turner to be voted "Two of the Ten Most Important Guitarists in Rock History" (Traffic magazine 1989). Melody Maker (1972) described Powell and Turner as "the most interesting two-guitar team since the days when Beck and Page graced The Yardbirds". Wishbone Ash formed when Martin Turner and Steve Upton set up auditions for a guitarist and subsequently ended up with two guitarists because they could not decide between the two. So as a result, guitarists/vocalists Andy Powell and Ted Turner completed the original Wishbone Ash line-up. This recording is from their January 19, 1974 show at the Capitol Theater in Passaic, New Jersey, shortly before Ted Turner left the band. Presented on 180 gram colored vinyl with a gatefold LP jacket.

hänssler Classic presnts "Romantic Classical Music" - a compilation of 11 classical works, including Mozart's Eine kleine Nachtmusik Serenade for strings, Liszt's Romance oubliée, for piano, Dvořák's Romance in F minor.

hänssler Classic presents " Relax with Classical Music" - a compilation of 13 classical works, including Vivaldi's Concerto for 4 Violins in D Major, Op. 3, Mozart's Violin Concerto No. 7, Bach's Concerto in E major / E Dur BWV 1042.

Chesney Henry "Chet" Baker Jr. was an American jazz trumpeter and vocalist. He is known for major innovations in cool jazz that led him to be nicknamed the "Prince of Cool". Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals: Chet Baker Sings (1954) and It Could Happen to You (1958). Jazz historian Dave Gelly described the promise of Baker's early career as "James Dean, Sinatra, and Bix, rolled into one". His well-publicized drug habit also drove his notoriety and fame. Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and 1980s.

Vangelis' sweeping score to Ridley Scott's 1992 historical epic 1492: Conquest of Paradise is being reissued on vinyl for the first time since its original release. The accompanying CD reissue includes two bonus tracks: Line Open and Landscape. A cinematic and emotional composition, 1492 features the iconic title theme Conquest of Paradise, which went on to chart internationally and became one of Vangelis' most recognisable pieces.

Grover Washington Jr. made his mark early on with hit recordings for Kudu and Motown. After he switched to Elektra, the soulful saxophonist debuted on the label with Paradise, a decent but not overly memorable effort. Washington (on soprano, tenor, flute and baritone) plays quite well as do the members of his septet (which include violinist John Blake, guitarist Richard Steacker and bassist Tyrone Brown) but the material (seven group originals) failed to include any really catchy melodies or strong hits. This date is therefore more for Grover Washington completists than for general fans of the idiom. Washington's next project would be his best-selling Winelight.

David Bowie 6. I Can’t Give Everything Away (2002 - 2016) is the sixth in a series of box sets spanning Bowie’s career from 1969. The thirteen-piece CD box set is named after the closing track on ★ (BLACKSTAR), Bowie’s final studio album. The box sets include newly remastered versions (except ★ and No Plan), with input from David’s co-producer Tony Visconti. Exclusive to each of the box sets are Montreux Jazz Festival and Re:Call 6. The former was recorded on the 18th of July 2002 at the prestigious Montreux Jazz Festival and among the 31 tracks features a full performance bar one song of one of Bowie’s most revered albums, Low. Re:Call 6 features 41 non-album / alternative versions / b-sides and soundtrack songs, including tracks never previously available on CD. An accompanying 128-page book features previously unseen notes, drawings and handwritten lyrics from Bowie and photos by Sukita (who took the set’s cover shot), Jimmy King, Frank W. Ockenfels 3, Markus Klinko, Mark ‘Blammo’ Adams and more as well as memorabilia, technical notes about the albums from co-producer Tony Visconti and design notes from Jonathan Barnbrook. The CD box includes faithfully reproduced mini-vinyl versions of the original albums where applicable, and the CDs will be gold-coloured rather than the usual silver. 13 CD Box Set + 128-page hardback book

On 12 May 2024, Jean-Michel Jarre and special guest Sir Brian May electrified the Bratislava skies with 'Bridge from the Future', the opening concert of the seventh edition of the STARMUS Festival. The live performance of 22 tracks took place against the breathtaking backdrop of the SNP Bridge (UFO Bridge). During the afternoon, as the audience were congregating around the Danube from throughout the city, they were welcomed by a brand new composition titled 'Bridge from the future - Live in Bratislava'. The music was specially created by Jarre specifically for this event, where real sounds of the stars were weaved into the soundscape, inviting the audience to consider our position on Earth within the cosmos, and the future of our home planet, reflecting the theme of the year's edition of the STARMUS Festival.

Having documented the British psychedelic scene with anthologies devoted to the years 1967, 1968 and 1969, Grapefruit’s ongoing series fearlessly confronts the dawn of the Seventies with a slight rebrand. New Moon's In The Sky: The British Progressive Pop Sounds Of 1970 features (appropriately enough) seventy tracks from the first year of the new decade as the British pop scene adjusted to life without The Beatles. The 3-CD set concentrates on the more song-based recordings to emanate from British studios during 1970, whether from a pure-pop-for-then-people perspective or the more concise, melodic end of the burgeoning progressive rock spectrum.
We acknowledge the end of the road for some bands who’d achieved a modicum of late Sixties success (Honeybus, Love Sculpture, Plastic Penny) while also charting the arrival of various acts like Curved Air, Atomic Rooster…

Lambert Ringlage is a German musician from Essen, Germany born on 26 October, 1966. He started his own musical label Spheric Music and began releasing his own albums through his label in 1991. Lambert's musical style closely follows the Berlin School of electronic music. He has also worked with and/or released music with Palantir, Stephen Parsick, and Alien Nature.

Eddi Reader's voice falls like a soft autumn rain. Despite its cleansing nature, it carries a touch of melancholy for the coming darkness of winter; it bears a hint of sadness and solitude for the one who longs for sunshine and warmth. Simple Soul is a sweet setting for Reader. Although it's not overflowing with catchy pop songs, it's the kind of soothing record you might listen to while making a quiet, candlelight dinner or meandering around the house on a lazy Sunday morn. While Reader's honey voice swirls beautifully around, the pristine acoustic guitar sounds dance with Indian tamboura and harmonium, creating an almost mystical ambience. Again, don't expect to tie on your dancing shoes. This is definitely more of a slipper and robe kind of thing. The main musical and production support comes from Boo Hewerdine, Roy Dodds, and Teddy Borowiecki – talented fellows one and all.

Some critics might dismiss Sophie Milman as simply another pretty female singer, yet with her third CD, she continues to show an adventurous spirit, tackling standards and obscurities while also forging ahead into pop. Retaining many of the musicians from her previous release, Make Someone Happy, the upbeat alto offers a hip take of Duke Ellington's long overlooked "Take Love Easy," exuding sex appeal and backed by guitarist Rob Piltch, bassist Kieran Overs, and percussionist Mark McLean (who also arranged it), with a brief solo added on soprano sax by PJ Perry. Pianist Paul Shrofel contributed the breezy bop vehicle "That Is Love," which showcases Milman in her best light. She soars in the brisk treatment of the old chestnut "Day In, Day Out," starting in a samba setting and switching to bop, featuring alto saxophonist Wessel Warmdaddy Anderson.