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    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)

    Posted By: flac jacket
    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)

    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)
    EAC Secure Rip | FLACx10 (Image + Cue + Log) - 4.23 GB | Complete Scans (Jpeg 300 dpi) - 430 MB | MP3x10 (CBR320 Kbps) - 1.73 GB
    Rock | CD-Maximum | 716:54 minutes | 5% WinRar Recovery | Hosted on: FilePost & Uploaded

    The Rolling Stones by CD-Maximum of Russia. 31 volumes featuring the Stones back-catalogue of Decca, London and Rolling Stones Records album releases with bonus tracks. The bonus tracks are best sounding studio or live recordings (soundboard/audience) previously released on several bootlegs. The artwork packaging is first rate. Each CD features the original album artwork plus additional album, singles, E.P. or bootleg artwork from various countries (UK, France, Germany, USA and Japan) and full color posters. The silver CD is silk-screened with the original album label too. Sound quality overall is either excellent mono or stereo.




    _______________________________________________________________________________________________________________



    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)

    The Rolling Stones - Aftermath (USA) + 11 Bonus (1966) [2002 CD-Maximun Collection]
    FLAC (Image + Cue + Log) - 473 MB | Complete Scans (Jpeg 300 dpi) - 40.2 MB | MP3 (CBR320 Kbps) - 191 MB
    CD-Maximum | CDM 1202-1036-11 | 77:27 minutes

    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)


    The American version featured different cover art and a shorter running order that eliminated "Out of Time", "Take It or Leave It", "What to Do", and "Mother's Little Helper". All four tracks were later issued in the US on other compilations, and "Mother's Little Helper" was also issued as a single in 1966, peaking at No. 8 on the Billboard charts. In their place, the album substituted their current No. 1 hit "Paint It, Black". The revamped Aftermath still reached No. 2 in the US, eventually going platinum.

    The Rolling Stones finally delivered a set of all-original material with this LP, which also did much to define the group as the bad boys of rock & roll with their sneering attitude toward the world in general and the female sex in particular. The borderline misogyny could get a bit juvenile in tunes like "Stupid Girl." But on the other hand the group began incorporating the influences of psychedelia and Dylan into their material with classics like "Paint It Black," an eerily insistent number one hit graced by some of the best use of sitar (played by Brian Jones) on a rock record. Other classics included the jazzy "Under My Thumb," where Jones added exotic accents with his vibes, and the delicate Elizabethan ballad "Lady Jane," where dulcimer can be heard. Some of the material is fairly ho-hum, to be honest, as Mick Jagger and Keith Richards were still prone to inconsistent songwriting; "Goin' Home," an 11-minute blues jam, was remarkable more for its barrier-crashing length than its content. Look out for an obscure gem, however, in the brooding, meditative "I Am Waiting." Reviewed by Richie Unterberger allmusic.com


    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 6. April 2013, 2:14

    The Rolling Stones / Aftermath (USA)

    Used drive : HL-DT-STDVDRAM GH60N Adapter: 0 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -5 -T "artist=%albumartist%" -T "title=%title%" -T "album=%albumtitle%" -T "date=%year%" -T "genre=%genre%"

    -T "tracknumber=%tracknr%" %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 3:46.65 | 0 | 17014
    2 | 3:46.65 | 2:55.01 | 17015 | 30140
    3 | 6:41.66 | 3:07.71 | 30141 | 44236
    4 | 9:49.62 | 3:41.34 | 44237 | 60845
    5 | 13:31.21 | 2:40.31 | 60846 | 72876
    6 | 16:11.52 | 3:08.53 | 72877 | 87029
    7 | 19:20.30 | 3:26.64 | 87030 | 102543
    8 | 22:47.19 | 3:07.54 | 102544 | 116622
    9 | 25:54.73 | 2:54.64 | 116623 | 129736
    10 | 28:49.62 | 3:10.10 | 129737 | 143996
    11 | 31:59.72 | 11:13.44 | 143997 | 194515
    12 | 43:13.41 | 3:35.00 | 194516 | 210640
    13 | 46:48.41 | 3:24.04 | 210641 | 225944
    14 | 50:12.45 | 3:26.13 | 225945 | 241407
    15 | 53:38.58 | 4:12.20 | 241408 | 260327
    16 | 57:51.03 | 3:36.25 | 260328 | 276552
    17 | 61:27.28 | 3:02.08 | 276553 | 290210
    18 | 64:29.36 | 2:46.53 | 290211 | 302713
    19 | 67:16.14 | 1:56.74 | 302714 | 311487
    20 | 69:13.13 | 2:43.63 | 311488 | 323775
    21 | 71:57.01 | 2:53.35 | 323776 | 336785
    22 | 74:50.36 | 2:35.42 | 336786 | 348452


    Range status and errors

    Selected range

    Filename C:\EAC\The Rolling Stones - (1966) Aftermath (USA) + 11 Bonus\The Rolling Stones - Aftermath (USA).wav

    Peak level 98.8 %
    Extraction speed 2.2 X
    Range quality 99.9 %
    Test CRC C9BDC281
    Copy CRC C9BDC281
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 2) [998D6A8D] (AR v1)
    Track 2 accurately ripped (confidence 2) [F080F1E6] (AR v1)
    Track 3 accurately ripped (confidence 2) [F9E1F7D8] (AR v1)
    Track 4 accurately ripped (confidence 2) [2C3E76A3] (AR v1)
    Track 5 accurately ripped (confidence 2) [54099FBB] (AR v1)
    Track 6 accurately ripped (confidence 2) [DEF8CABB] (AR v1)
    Track 7 accurately ripped (confidence 2) [E33A2C1B] (AR v1)
    Track 8 accurately ripped (confidence 2) [8E15DFE8] (AR v1)
    Track 9 accurately ripped (confidence 2) [348E26E2] (AR v1)
    Track 10 accurately ripped (confidence 2) [2D1C0778] (AR v1)
    Track 11 accurately ripped (confidence 2) [10A2EA9E] (AR v1)
    Track 12 accurately ripped (confidence 2) [0A5187AE] (AR v1)
    Track 13 accurately ripped (confidence 2) [6F49E3D1] (AR v1)
    Track 14 accurately ripped (confidence 2) [25719F4F] (AR v1)
    Track 15 accurately ripped (confidence 2) [0FAEDBFD] (AR v1)
    Track 16 not present in database
    Track 17 not present in database
    Track 18 not present in database
    Track 19 accurately ripped (confidence 2) [C8C9E22E] (AR v1)
    Track 20 accurately ripped (confidence 2) [4919795C] (AR v1)
    Track 21 accurately ripped (confidence 2) [233341E1] (AR v1)
    Track 22 accurately ripped (confidence 2) [382733B9] (AR v1)

    19 track(s) accurately ripped
    3 track(s) not present in the AccurateRip database

    Some tracks could not be verified as accurate

    End of status report

    ==== Log checksum EB4542D83A1DA56B1F4BD28E29AB99812D74CEF0C9E6665A1BBCDBF6EC25FF87 ====


    Track Listing

    01. Paint It, Black
    02. Stupid Girl
    03. Lady Jane
    04. Under My Thumb
    05. Doncha Bother Me
    06. Think
    07. Flight 505
    08. High And Dry
    09. It's Not Easy
    10. I'm Waiting
    11. Goin' Home

    Bonus Tracks

    12. Reelin' And Rockin' (Chess Studios, Chicago 1964-06-11)
    13. It's All Over Now (Chess Studios, Chicago 1964-06-10)
    14. I Can't Be Satisfied (Chess Studios, Chicago 1964-06-10)
    15. Stewed And Keefed (Chess Studios, Chicago 1964-06-10)
    16. 2120 South Michigan Avenue (Long Version) (Chess Studios, Chicago 1964-06-11)
    17. Around And Around (Chess Studios, Chicago 1964-06-11)
    18. Confessin' The Blues (Chess Studios, Chicago 1964-06-11)
    19. Don't Lie To Me (Chess Studios, Chicago 1964-06-11)
    20. Down In The Bottom (Chess Studios, Chicago 1964-06-11)
    21. Down The Road Apiece (Chess Studios, Chicago 1964-06-11)
    22. Empty Heart (Chess Studios, Chicago 1964-06-11)


    The Rolling Stones

    Mick Jagger – lead vocals, harmonica on "Doncha Bother Me" (along with Brian Jones), percussion, lighting
    Keith Richards – electric guitar, acoustic guitar, backing vocals
    Brian Jones – electric, acoustic, and slide guitars, harmonica, backing vocals, marimbas on "Under My Thumb" and "Out of Time", bells, Appalachian dulcimer on "Lady Jane" and "I Am Waiting," sitar on "Paint It, Black", koto on "Take It Or Leave It", tenor saxophone on "Flight 505", keyboards on "It's Not Easy", "What To Do", "Out of Time" and "Take It or Leave It", percussion
    Charlie Watts – drums, percussion
    Bill Wyman – bass guitar, backing vocals, organ, piano on "Doncha Bother Me"


    Additional musicians

    Jack Nitzsche – percussion on "Goin' Home", electric piano on "Stupid Girl"
    Ian Stewart – piano, organ


    Album Released: June 20, 1966


    foobar2000 1.1.7 / Dynamic Range Meter 1.1.0
    log date: 2013-06-01 11:24:26

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: The Rolling Stones / Aftermath (USA)
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR10 -0.10 dB -12.54 dB 3:47 01-Paint It, Black
    DR11 -0.10 dB -12.45 dB 2:55 02-Stupid Girl
    DR12 -1.28 dB -18.55 dB 3:08 03-Lady Jane
    DR12 -0.10 dB -14.09 dB 3:41 04-Under My Thumb
    DR11 -0.10 dB -13.50 dB 2:40 05-Doncha Bother Me
    DR12 -0.10 dB -13.25 dB 3:09 06-Think
    DR11 -0.10 dB -12.50 dB 3:27 07-Flight 505
    DR11 -0.10 dB -13.65 dB 3:08 08-High And Dry
    DR10 -0.10 dB -12.23 dB 2:55 09-It's Not Easy
    DR13 -0.10 dB -16.83 dB 3:10 10-I'm Waiting
    DR12 -0.10 dB -15.23 dB 11:14 11-Goin' Home
    DR8 -0.10 dB -9.88 dB 3:35 12-Reelin' And Rockin'
    DR11 -0.90 dB -13.45 dB 3:24 13-It's All Over Now
    DR12 -0.10 dB -13.33 dB 3:26 14-I Can't Be Satisfied
    DR11 -0.10 dB -14.13 dB 4:12 15-Stewed And Keefed
    DR10 -0.10 dB -12.56 dB 3:36 16-2120 South Michigan Avenue (Long Version)
    DR13 -0.10 dB -14.85 dB 3:02 17-Around And Around
    DR12 -0.10 dB -15.26 dB 2:47 18-Confessin' The Blues
    DR10 -0.10 dB -11.98 dB 1:57 19-Don't Lie To Me
    DR9 -0.10 dB -10.64 dB 2:44 20-Down In The Bottom
    DR9 -0.10 dB -11.66 dB 2:53 21-Down The Road Apiece
    DR10 -0.10 dB -12.11 dB 2:36 22-Empty Heart
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 22
    Official DR value: DR11

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 810 kbps
    Codec: FLAC
    ================================================================================





    _______________________________________________________________________________________________________________



    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)

    The Rolling Stones - Got Live If You Want It! + 11 Bonus (1966) [2002 CD-Maximum Collection]
    FLAC (Image + Cue + Log) - 411 MB | Complete Scans (Jpeg 300 dpi) - 42.7 MB | MP3 (CBR320 Kbps) - 171 MB
    CD-Maximum | CDM 1202-1037-12 | 69:31 minutes

    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)


    Got LIVE If You Want It! is the first live album by British rock band The Rolling Stones. It was released in the US in late 1966. It was also released as Have You Seen Your Mother LIVE! on Decca in England but for export only; it was not released in the UK under this alternate title.

    At the time, it was not released officially in the UK; instead, the British market had the 1965 EP release Got Live If You Want It!, from which the album's name derived (a different mix of "I'm Alright" appeared on this EP.) The album had been compiled as a result of a contractual obligation with US distributor London Records, and the band themselves were not happy with it. They consequently disowned it, arguing that Get Yer Ya-Yas Out! The Rolling Stones in Concert (1970) was their true live album debut.

    The performances captured for Got Live If You Want It reportedly occurred on 1 and 7 October 1966, in Newcastle upon Tyne and Bristol while on their last UK tour for three years, despite the album's assertion that the recording hailed from the Royal Albert Hall. Although the band went into the studio later in October 1966 to correct audio imperfections, Got Live If You Want It! was deemed a lacklustre and ragged live document upon release. Furthermore, to fill out the album, two unissued studio recordings (1963's "Fortune Teller" and "I've Been Loving You Too Long" from 1965) received live audience overdubs in order to create fake concert recordings.

    The album was issued in December, as the group were nearing the end of Between the Buttons' sessions. It reached #6 in the US in early 1967 and went gold. Decca Records UK released the LP as Have You Seen Your Mother Live! for import purposes, while King Records Japan released the same LP under the title Hits LIVE.

    A live document of the Brian Jones-era Rolling Stones sounds enticing, but the actual product is a letdown, owing to a mixture of factors, some beyond the producers' control and other very much their doing. The sound on the original LP was lousy – which was par for the course on most mid-'60s live rock albums – and the remasterings have only improved it marginally, and for that matter not all of it's live; a couple of old studio R&B covers were augmented by screaming fans that had obviously been overdubbed. Still, the album has its virtues as a historical document, with some extremely important caveats for anyone not old enough to recognize the inherent limitations in a live album of this vintage. The first concerns the history of this release – the Got Live if You Want It! album (not to be confused with the superior sounding but much shorter, U.K.-only extended-play single, issued in England in mid-1965) was a U.S.-only release late 1966, intended to feed a seemingly insatiable American market. As a best-of album had been issued in March 1966 and Aftermath in June of the same year, and the Stones had just come off of a major U.S. tour (which proved to be their last for over three years), another album was needed, to bridge the gap in America between the those earlier LPs, the two most recent singles – "Paint It, Black" and "Have You Seen Your Mother, Baby, Standing in the Shadow?" – and the Between the Buttons album, which was not going to make it out in time for the Christmas season.

    The result was Got Live if You Want It!, which was intended to be recorded at a concert at Royal Albert Hall on September 23, 1966, the Stones' first live appearance in England in over a year. The problem was, as was memorably stated by a writer in Rolling Stone magazine a few years later, the Stones in those days didn't play concerts – they played riots, and that was precisely what happened at Royal Albert Hall, as several hundred fans charged the stage, overwhelming the band before they'd gotten through the opening number, "Paint It, Black." The scene was captured in the footage later used in the promotional film for "Have You Seen Your Mother, Baby, Standing in the Shadow?" What was left of the show, once order was restored, was taped, along with at least two other shows on that tour over the next week or so; and it should also be remembered that in those days the group seldom played for more than 30 to 40 minutes, and sometimes less than that, much like the Beatles in concert. And the audience noise, much as it was with the Beatles, was overwhelming in the days before stacks of Marshall amps became routine in a band's equipment – indeed, at some shows, at certain moments, only the tempo of Charlie Watts' drumming could tell you which song the group was doing, and the band members couldn't hear much more than the crowd – matters such as tuning instruments and precise playing, even down to the most routine changes, became exercises in futility. Add to that the limitations of live recording, and the inevitable sound leakages and other problems, and one can see how this album was easier to conceive than to actually bring off successfully. When all of the tapes were assembled, the producers were left with about 28 minutes of material that was usable to varying degrees, and even that was somewhat wishful thinking by the standards of the day. (Apart from the Kinks' Live at Kelvin Hall [aka The Live Kinks], few groups or record labels in 1967 had the courage to release a concert album that sounded like the real article.) And here, someone – the Stones' producer, London Records, whoever – started fiddling around, twirling knobs, changing balances, and making the stuff supposedly sound "better," and bringing in a couple of studio tracks, "I've Been Loving You Too Long" and "Fortune Teller," and laying on some crowd noise to bring the show up to an acceptable length for an LP.

    The result is the Rolling Stones album that has undergone more changes than any other in its various incarnations. First, there was the original LP version and the mix it featured, which left out most of the introduction and virtually any between-song talk by Mick Jagger; his voice was brought up and the rest of the band sounds somewhat suppressed; one channel of the stereo version had Jagger's voice isolated and amplified to ridiculous prominence, while the other channel had a relatively "flat" and realistic balance on the concert material. In fact, if you took the latter channel and bumped it onto both channels of an open-reel tape, the result was a short but pretty good live performance. In the mid-'80s, ABKCO Records took control of the Stones' library and went back to the original source tapes for the Got Live if You Want It! CD, re-editing the material in consultation with producer Andrew Oldham, improving the mixes on several of the songs, including "The Last Time," "Time Is on My Side," and "19th Nervous Breakdown," and also giving a fuller account of Long John Baldry's introduction. That was a step in the right direction and improved the record somewhat. Then, in 2002, came the SACD hybrid remastering of the album for a new CD edition, which is likely to be the last word in improvement on this album. The balances are finally realistic, in terms of Jagger's voice and the rest of the band – Bill Wyman's bass work and Charlie Watts' drumming are consistently rewarding, and Keith Richards and Brian Jones have their moments, as well, though not as consistently. The performances were done, after all, under what were, at best, siege conditions, with little opportunity for finesse or nuance.The one element that does come through consistently is the excitement and sheer kinetic energy generated by the band. The older songs come off the best – though one is glad that they do "Lady Jane," the dulcimer-dominated piece comes off in this setting a lot like "Yesterday" did when the Beatles did that in concert; audiences shriek and scream over a quiet, reflective song that really doesn't merit that response, and the result as a live performance is off-kilter; the group's rendition of their then-current single, "Have You Seen Your Mother, Baby, Standing in the Shadow?" is a bit chaotic, although it does give the band a chance to show what Keith Richards' critique of the studio version's burying of the rhythm section was all about – he and Brian Jones do their best to compensate for the lack of overdubbed brass stabs. The only real disappointment is the finale, "Satisfaction," which comes off as quick, ragged, and chaotic – it was impossible to interlock the guitars the way the group's sound needed, and it has no real ending, which is why it's faded down. The album is a lot more uneven than the much shorter EP of the same name (available on Singles 1963-1965), but it is now at least a fairly honest document of what rock & roll concerts in the mid-'60s were like. Ironically, Got Live if You Want It! wasn't released in England until more than a decade later and, in the interim, in 1971, Decca Records took some of its tracks, jumbled them up with some cuts off the 1969 concert album Get Yer Ya-Ya's Out!, and combined them under the misleading title Gimme Shelter, as though it were the soundtrack to that movie (despite a disclaimer on the back), and generally infuriated fans on both sides of the Atlantic in the process. Reviewed by Richie Unterberger allmusic.com


    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 7. April 2013, 19:05

    The Rolling Stones / Got Live If You Want It!

    Used drive : HL-DT-STDVDRAM GH60N Adapter: 0 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -5 -T "artist=%albumartist%" -T "title=%title%" -T "album=%albumtitle%" -T "date=%year%" -T "genre=%genre%"

    -T "tracknumber=%tracknr%" %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 2:46.35 | 0 | 12484
    2 | 2:46.35 | 2:55.21 | 12485 | 25630
    3 | 5:41.56 | 3:12.35 | 25631 | 40065
    4 | 8:54.16 | 2:07.17 | 40066 | 49607
    5 | 11:01.33 | 2:59.50 | 49608 | 63082
    6 | 14:01.08 | 2:11.45 | 63083 | 72952
    7 | 16:12.53 | 3:16.25 | 72953 | 87677
    8 | 19:29.03 | 3:29.07 | 87678 | 103359
    9 | 22:58.10 | 2:55.68 | 103360 | 116552
    10 | 25:54.03 | 2:24.55 | 116553 | 127407
    11 | 28:18.58 | 2:21.18 | 127408 | 138000
    12 | 30:40.01 | 3:55.60 | 138001 | 155685
    13 | 34:35.61 | 2:29.03 | 155686 | 166863
    14 | 37:04.64 | 2:29.08 | 166864 | 178046
    15 | 39:33.72 | 3:06.65 | 178047 | 192061
    16 | 42:40.62 | 2:45.10 | 192062 | 204446
    17 | 45:25.72 | 3:55.65 | 204447 | 222136
    18 | 49:21.62 | 2:41.32 | 222137 | 234243
    19 | 52:03.19 | 2:47.63 | 234244 | 246831
    20 | 54:51.07 | 3:14.05 | 246832 | 261386
    21 | 58:05.12 | 3:09.65 | 261387 | 275626
    22 | 61:15.02 | 3:06.12 | 275627 | 289588
    23 | 64:21.14 | 5:09.04 | 289589 | 312767


    Range status and errors

    Selected range

    Filename C:\EAC\The Rolling Stones - (1966) Got Live If You Want It! + 11 Bonus\The Rolling Stones - Got Live If You Want It!.wav

    Peak level 100.0 %
    Extraction speed 2.2 X
    Range quality 100.0 %
    Test CRC 5FA793E6
    Copy CRC 5FA793E6
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 1) [8370BFAE] (AR v1)
    Track 2 accurately ripped (confidence 1) [8B4956DF] (AR v1)
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    Track 7 accurately ripped (confidence 1) [BE42FB8A] (AR v1)
    Track 8 accurately ripped (confidence 1) [B7B17F21] (AR v1)
    Track 9 accurately ripped (confidence 1) [F41874BE] (AR v1)
    Track 10 accurately ripped (confidence 1) [F7D1B107] (AR v1)
    Track 11 accurately ripped (confidence 1) [85A8B962] (AR v1)
    Track 12 accurately ripped (confidence 1) [1C134AE2] (AR v1)
    Track 13 accurately ripped (confidence 1) [C39CD652] (AR v1)
    Track 14 accurately ripped (confidence 1) [8B7083C9] (AR v1)
    Track 15 accurately ripped (confidence 1) [0F987F9D] (AR v1)
    Track 16 accurately ripped (confidence 1) [0801F44D] (AR v1)
    Track 17 accurately ripped (confidence 1) [77AA733C] (AR v1)
    Track 18 accurately ripped (confidence 1) [CA5E39AF] (AR v1)
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    Track 23 accurately ripped (confidence 1) [8F0E8A4A] (AR v1)

    All tracks accurately ripped

    End of status report

    ==== Log checksum 9F37F7C5120CF5759792AF0277A916216967ECCF0E6F5FA05F926C9B5021155D ====


    Track Listing

    01. Under My Thumb
    02. Get Off Of My Cloud
    03. Lady Jane
    04. Not Fade Away
    05. I've Been Loving You Too Long
    06. Fortune Teller
    07. The Last Time
    08. 19th Nervous Breakdown
    09. Time Is On My Side
    10. I'm Alright
    11. Have You Seen Your Mother Baby, Standing In The Shadow?
    12. (I Can't Get No) Satisfaction

    Bonus Tracks

    13. Around And Around (L'Olympia, Paris 1965-04-17)
    14. Off The Hook (L'Olympia, Paris 1965-04-17)
    15. Time Is On My Side (L'Olympia, Paris 1965-04-17)
    16. Carol (L'Olympia, Paris 1965-04-17)
    17. It's All Over Now (L'Olympia, Paris 1965-04-17)
    18. Little Red Rooster (L'Olympia, Paris 1965-04-17)
    19. Route 66 (L'Olympia, Paris 1965-04-17)
    20. Everybody Needs Somebody To Love (L'Olympia, Paris 1965-04-17)
    21. The Last Time (L'Olympia, Paris 1965-04-17)
    22. I'm Alright (L'Olympia, Paris 1965-04-17)
    23. Hey Crawdaddy (L'Olympia, Paris 1965-04-17)


    The Rolling Stones

    Mick Jagger – lead vocals, percussion
    Keith Richards – guitars, backing vocals
    Brian Jones – guitars, backing vocals, harmonica, appalachian dulcimer
    Charlie Watts – drums, percussion
    Bill Wyman – bass guitar, backing vocals


    Album Released: December 10, 1966


    foobar2000 1.1.7 / Dynamic Range Meter 1.1.0
    log date: 2013-06-01 12:28:38

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: The Rolling Stones / Got Live If You Want It!
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR9 -0.06 dB -10.40 dB 2:46 01-Under My Thumb
    DR8 -0.07 dB -9.91 dB 2:55 02-Get Off Of My Cloud
    DR10 -0.06 dB -12.38 dB 3:12 03-Lady Jane
    DR9 -0.09 dB -11.31 dB 2:07 04-Not Fade Away
    DR10 -0.06 dB -12.46 dB 3:00 05-I've Been Loving You Too Long
    DR9 -0.06 dB -11.44 dB 2:12 06-Fortune Teller
    DR9 -0.07 dB -10.68 dB 3:16 07-The Last Time
    DR9 -0.07 dB -10.19 dB 3:29 08-19th Nervous Breakdown
    DR9 -0.08 dB -11.96 dB 2:56 09-Time Is On My Side
    DR10 -0.09 dB -13.10 dB 2:25 10-I'm Alright
    DR9 -0.07 dB -10.82 dB 2:21 11-Have You Seen Your Mother Baby, Standing In The Shadow?
    DR10 -0.07 dB -12.57 dB 3:56 12-(I Can't Get No) Satisfaction
    DR8 -0.06 dB -10.11 dB 2:29 13-Around And Around
    DR8 -0.06 dB -8.95 dB 2:29 14-Off The Hook
    DR8 -0.07 dB -9.40 dB 3:07 15-Time Is On My Side
    DR9 -0.07 dB -10.55 dB 2:45 16-Carol
    DR8 -0.07 dB -10.28 dB 3:56 17-It's All Over Now
    DR8 -0.04 dB -9.32 dB 2:41 18-Little Red Rooster
    DR9 -0.08 dB -10.33 dB 2:48 19-Route 66
    DR11 -0.08 dB -11.92 dB 3:14 20-Everybody Needs Somebody To Love
    DR11 -0.64 dB -13.15 dB 3:10 21-The Last Time
    DR9 -0.09 dB -10.53 dB 3:06 22-I'm Alright
    DR9 0.00 dB -10.10 dB 5:09 23-Hey Crawdaddy
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 23
    Official DR value: DR9

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 784 kbps
    Codec: FLAC
    ================================================================================





    _______________________________________________________________________________________________________________



    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)

    The Rolling Stones - Big Hits (High Tide And Green Grass) (UK) + 6 Bonus (1966) [2002 CD-Maximum Collection]
    FLAC (Image + Cue + Log) - 382 MB | Complete Scans (Jpeg 300 dpi) - 46 MB | MP3 (CBR320 Kbps) - 149 MB
    CD-Maximum | CDM 1202-1038-13 | 60:30 minutes

    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)


    Big Hits (High Tide and Green Grass) is the first official compilation album by The Rolling Stones, released on 28 March 1966, on London Records in the US and on 4 November 1966, by Decca Records in the UK. The two releases featured different cover art and track listing. The front cover for the American release was used for the rear photo on the UK edition.

    The UK Big Hits (High Tide and Green Grass) includes tracks released after the American edition appeared. The Rolling Stones' debut 1963 single, a cover of Chuck Berry's "Come On", was included, but its more successful follow-up, "I Wanna Be Your Man" — composed by rivals (although in reality as friends) Lennon–McCartney — was left off the album.


    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 7. April 2013, 20:53

    The Rolling Stones / Big Hits (High Tide And Green Grass) (UK)

    Used drive : HL-DT-STDVDRAM GH60N Adapter: 0 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -5 -T "artist=%albumartist%" -T "title=%title%" -T "album=%albumtitle%" -T "date=%year%" -T "genre=%genre%"

    -T "tracknumber=%tracknr%" %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 2:36.70 | 0 | 11769
    2 | 2:36.70 | 3:24.38 | 11770 | 27107
    3 | 6:01.33 | 3:29.65 | 27108 | 42847
    4 | 9:31.23 | 3:41.70 | 42848 | 59492
    5 | 13:13.18 | 2:49.47 | 59493 | 72214
    6 | 16:02.65 | 1:51.18 | 72215 | 80557
    7 | 17:54.08 | 1:51.55 | 80558 | 88937
    8 | 19:45.63 | 3:48.52 | 88938 | 106089
    9 | 23:34.40 | 2:57.38 | 106090 | 119402
    10 | 26:32.03 | 2:45.50 | 119403 | 131827
    11 | 29:17.53 | 4:00.20 | 131828 | 149847
    12 | 33:17.73 | 3:10.25 | 149848 | 164122
    13 | 36:28.23 | 3:02.20 | 164123 | 177792
    14 | 39:30.43 | 3:06.60 | 177793 | 191802
    15 | 42:37.28 | 2:28.03 | 191803 | 202905
    16 | 45:05.31 | 2:21.22 | 202906 | 213502
    17 | 47:26.53 | 2:46.55 | 213503 | 226007
    18 | 50:13.33 | 4:12.08 | 226008 | 244915
    19 | 54:25.41 | 2:44.28 | 244916 | 257243
    20 | 57:09.69 | 3:18.72 | 257244 | 272165


    Range status and errors

    Selected range

    Filename C:\EAC\The Rolling Stones - (1966) Big Hits (High Tide And Green Grass) (UK) + 6 Bonus\The Rolling Stones - Big Hits (High Tide And

    Green Grass) (UK).wav

    Peak level 100.0 %
    Extraction speed 2.2 X
    Range quality 100.0 %
    Test CRC DABCD029
    Copy CRC DABCD029
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 4) [897A65B0] (AR v1)
    Track 2 accurately ripped (confidence 4) [E22E6539] (AR v1)
    Track 3 accurately ripped (confidence 4) [2446A144] (AR v1)
    Track 4 accurately ripped (confidence 4) [B313B733] (AR v1)
    Track 5 accurately ripped (confidence 4) [66165EA5] (AR v1)
    Track 6 accurately ripped (confidence 4) [DF6E901E] (AR v1)
    Track 7 accurately ripped (confidence 4) [4061717C] (AR v1)
    Track 8 accurately ripped (confidence 4) [029BC00F] (AR v1)
    Track 9 accurately ripped (confidence 4) [CE80C02C] (AR v1)
    Track 10 accurately ripped (confidence 4) [EF58D3BA] (AR v1)
    Track 11 accurately ripped (confidence 4) [51A05DB1] (AR v1)
    Track 12 accurately ripped (confidence 4) [7DE25684] (AR v1)
    Track 13 accurately ripped (confidence 4) [20DACB98] (AR v1)
    Track 14 accurately ripped (confidence 4) [CE5057F3] (AR v1)
    Track 15 accurately ripped (confidence 4) [A6490D54] (AR v1)
    Track 16 accurately ripped (confidence 4) [96F5A826] (AR v1)
    Track 17 accurately ripped (confidence 4) [DA90492C] (AR v1)
    Track 18 accurately ripped (confidence 4) [B0F9BFDC] (AR v1)
    Track 19 accurately ripped (confidence 4) [428E72C9] (AR v1)
    Track 20 accurately ripped (confidence 4) [2A4D24CC] (AR v1)

    All tracks accurately ripped

    End of status report

    ==== Log checksum E7A13173240703B19211FC356CC0A8FD474B529B5A6B1CF2706E27D85DF3091D ====


    Track Listing

    01. Have You Seen Your Mother, Baby, Standing In The Shadow?
    02. Paint It, Black
    03. It's All Over Now
    04. The Last Time
    05. Heart Of Stone
    06. Not Fade Away
    07. Come On
    08. (I Can't Get No) Satisfaction
    09. Get Of Of My Cloud
    10. As Tears Go By
    11. 19Th Nervous Breakdown
    12. Lady Jane
    13. Time Is On My Side
    14. Little Red Rooster

    Bonus Tracks

    15. Have You Seen Your Mother, Baby, Standing In The Shadow- (Early Mix With Different Vocal)
    16. Paint It, Black (Backing Track)
    17. Mother's Little Helper (Backing Track)
    18. Heart Of Stone (Early Version)
    19. Con Le Mie Lacrime (Mick Jagger Solo Single Relased April 1966)**
    20. Out Of Time (Mick Jagger Solo Version)

    **"As Tears Go By" sung in Italian. Mick Jagger solo single released in Italy, April 1966.


    The Rolling Stones

    Mick Jagger – harmonica, lead vocals, percussion
    Brian Jones – guitar, slide guitar, harmonica, appalachian dulcimer, sitar, organ, backing vocals, keyboards
    Keith Richards – guitar, backing vocals
    Charlie Watts – drums
    Bill Wyman – bass guitar, keyboards, backing vocals


    Additional musicians

    Jack Nitzsche – percussion, keyboards
    Phil Spector – percussion
    Ian Stewart – keyboards


    Album Released: November 4, 1966


    foobar2000 1.1.7 / Dynamic Range Meter 1.1.0
    log date: 2013-06-01 16:00:17

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: The Rolling Stones / Big Hits (High Tide And Green Grass) (UK)
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR8 -0.08 dB -9.21 dB 2:37 01-Have You Seen Your Mother, Baby, Standing In The Shadow?
    DR9 -0.08 dB -11.16 dB 3:25 02-Paint It, Black
    DR9 -0.07 dB -10.42 dB 3:30 03-It's All Over Now
    DR9 -0.09 dB -10.19 dB 3:42 04-The Last Time
    DR10 -0.08 dB -12.63 dB 2:50 05-Heart Of Stone
    DR9 -0.06 dB -10.46 dB 1:51 06-Not Fade Away
    DR9 -0.08 dB -10.06 dB 1:52 07-Come On
    DR9 -0.07 dB -9.68 dB 3:49 08-(I Can't Get No) Satisfaction
    DR9 -0.08 dB -10.39 dB 2:58 09-Get Of Of My Cloud
    DR10 0.00 dB -13.44 dB 2:46 10-As Tears Go By
    DR8 -0.07 dB -9.37 dB 4:00 11-19Th Nervous Breakdown
    DR13 -0.62 dB -19.47 dB 3:10 12-Lady Jane
    DR10 -0.07 dB -11.62 dB 3:02 13-Time Is On My Side
    DR12 -0.08 dB -14.11 dB 3:07 14-Little Red Rooster
    DR11 -0.45 dB -13.55 dB 2:28 15-Have You Seen Your Mother, Baby, Standing In The Shadow? (Early Mix)
    DR10 -0.42 dB -13.91 dB 2:21 16-Paint It, Black (Backing Track)
    DR10 -0.12 dB -13.58 dB 2:47 17-Mother's Little Helper (Backing Track)
    DR10 -0.64 dB -13.33 dB 4:12 18-Heart Of Stone (Early Version)
    DR10 -0.09 dB -14.31 dB 2:44 19-Con Le Mie Lacrime (7' Italian Mick Jagger Solo)
    DR9 -0.08 dB -11.74 dB 3:19 20-Out Of Time (Mick Jagger Solo)
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 20
    Official DR value: DR10

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 837 kbps
    Codec: FLAC
    ================================================================================





    _______________________________________________________________________________________________________________



    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)

    The Rolling Stones - Between The Buttons (UK) + 7 Bonus (1967) [2002 CD-Maximum Collection]
    FLAC (Image + Cue + Log) - 358 MB | Complete Scans (Jpeg 300 dpi) - 37.5 MB | MP3 (CBR320 Kbps) - 151 MB
    CD-Maximum | CDM 1202-1039-14 | 60:49 minutes

    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)


    Between the Buttons is the fifth British studio album by The Rolling Stones, released on 20 January 1967 in the UK and 11 February in the US as the follow-up to Aftermath. It was the beginning of the Stones' brief foray into psychedelia. In 2003, the American version of Between the Buttons, which included "Ruby Tuesday" and "Let's Spend the Night Together", was ranked #355 on Rolling Stone magazine's 500 Greatest Albums of All Time.

    Sessions for the album began on 3 August 1966 and lasted until the 11th at Los Angeles' RCA Studios during the Rolling Stones' 1966 American Tour. Dave Hassinger was the engineer. Several songs were worked on; the backing tracks of six songs that would appear on the album were recorded, as were those of "Let's Spend the Night Together" and "Who's Driving Your Plane?", B-side of "Have You Seen Your Mother, Baby, Standing in the Shadow?", released as a single in late September.

    The band returned to London and sessions continued at IBC Studios from 31 August until 3 September. "Have You Seen Your Mother, Baby, Standing in the Shadow?" was completed to be released on 23 September before the Stones embarked on their seventh British tour which lasted into early October and was their last UK tour for three years.

    The second block of recording sessions for Between the Buttons began on 8 November at the newly opened Olympic Sound Studios in Barnes, London and alternated between there and Pye Studios until 26 November. During this time the bulk of the album was completed including vocal and other overdubs on the previously recorded backing tracks and mixing. "Ruby Tuesday" was also completed.

    Around the same time producer Andrew Loog Oldham was also preparing the US-only live album Got Live If You Want It!, a contractual requirement from London Records that contained live performances from their recent British tour as well as studio tracks overdubbed with audience noise. After that album's release on 10 December, a final overdubbing session for Buttons was held at Olympic Studio on 13 December 1966 before Oldham took the tapes back to RCA Studios in Hollywood for final mixing and editing. Brian Wilson of The Beach Boys was invited down to RCA Studios in Los Angeles during the mix-down of 'My Obsession', which remains one of his favourite Rolling Stones songs.

    The album was recorded using 4-track machines and initial tracks were pre-mixed to make room for overdubs. Mick Jagger felt the songs lost clarity. He commented during an interview, "We bounced it back to do overdubs so many times we lost the sound of it. [The songs] sounded so great, but later on I was really disappointed with it."[4] He commented further; "I don't know, it just isn't any good. 'Back Street Girl' is about the only one I like." In an interview with New Music Express, he even called the rest of the album "more or less rubbish."

    Between the Buttons was the last album wholly produced by Oldham, with whom the Stones fell out in mid-1967 during the recording sessions for Their Satanic Majesties Request.

    All reissues of the album since 1968 have been in stereo; the album's mono mix has yet to see an official CD release.

    The Rolling Stones' 1967 recordings are a matter of some controversy; many critics felt that they were compromising their raw, rootsy power with trendy emulations of the Beatles, Kinks, Dylan, and psychedelic music. Approach this album with an open mind, though, and you'll find it to be one of their strongest, most eclectic LPs, with many fine songs that remain unknown to all but Stones devotees. The lyrics are getting better (if more savage), and the arrangements more creative, on brooding near-classics like "All Sold Out," "My Obsession," and "Yesterday's Papers." "She Smiled Sweetly" shows their hidden romantic side at its best, while "Connection" is one of the record's few slabs of conventionally driving rock. But the best tracks were the two songs that gave the group a double-sided number one in early 1967: the lustful "Let's Spend the Night Together" and the beautiful, melancholy "Ruby Tuesday," which is as melodic as anything Mick Jagger and Keith Richards would ever write. Reviewed by Bruce Eder allmusic.com


    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 7. April 2013, 23:08

    The Rolling Stones / Between The Buttons (UK)

    Used drive : HL-DT-STDVDRAM GH60N Adapter: 0 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -5 -T "artist=%albumartist%" -T "title=%title%" -T "album=%albumtitle%" -T "date=%year%" -T "genre=%genre%"

    -T "tracknumber=%tracknr%" %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 2:21.24 | 0 | 10598
    2 | 2:21.24 | 3:20.73 | 10599 | 25671
    3 | 5:42.22 | 3:24.72 | 25672 | 41043
    4 | 9:07.19 | 2:14.10 | 41044 | 51103
    5 | 11:21.29 | 2:44.65 | 51104 | 63468
    6 | 14:06.19 | 4:17.70 | 63469 | 82813
    7 | 18:24.14 | 2:15.38 | 82814 | 92976
    8 | 20:39.52 | 3:16.37 | 92977 | 107713
    9 | 23:56.14 | 3:50.03 | 107714 | 124966
    10 | 27:46.17 | 3:17.07 | 124967 | 139748
    11 | 31:03.24 | 2:50.00 | 139749 | 152498
    12 | 33:53.24 | 4:57.33 | 152499 | 174806
    13 | 38:50.57 | 2:34.67 | 174807 | 186423
    14 | 41:25.49 | 3:07.50 | 186424 | 200498
    15 | 44:33.24 | 3:16.49 | 200499 | 215247
    16 | 47:49.73 | 3:27.72 | 215248 | 230844
    17 | 51:17.70 | 3:13.10 | 230845 | 245329
    18 | 54:31.05 | 3:13.53 | 245330 | 259857
    19 | 57:44.58 | 3:03.46 | 259858 | 273628


    Range status and errors

    Selected range

    Filename C:\EAC\The Rolling Stones - (1967) Between The Buttons (UK) + 7 Bonus\The Rolling Stones - Between The Buttons (UK).wav

    Peak level 100.0 %
    Extraction speed 2.1 X
    Range quality 99.9 %
    Test CRC 6CA46CD7
    Copy CRC 6CA46CD7
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 1) [AA39CF87] (AR v1)
    Track 2 accurately ripped (confidence 1) [F65AB0B6] (AR v1)
    Track 3 accurately ripped (confidence 1) [C96C8802] (AR v1)
    Track 4 accurately ripped (confidence 1) [07962D4A] (AR v1)
    Track 5 accurately ripped (confidence 1) [DCE87581] (AR v1)
    Track 6 accurately ripped (confidence 1) [7F95A2B6] (AR v1)
    Track 7 accurately ripped (confidence 1) [F7594E71] (AR v1)
    Track 8 accurately ripped (confidence 1) [E6655A26] (AR v1)
    Track 9 accurately ripped (confidence 1) [16B9CB47] (AR v1)
    Track 10 accurately ripped (confidence 1) [A9DABAC5] (AR v1)
    Track 11 accurately ripped (confidence 1) [17B517A6] (AR v1)
    Track 12 accurately ripped (confidence 1) [6BC5EAEA] (AR v1)
    Track 13 accurately ripped (confidence 1) [B9298859] (AR v1)
    Track 14 not present in database
    Track 15 not present in database
    Track 16 accurately ripped (confidence 1) [C90166D6] (AR v1)
    Track 17 accurately ripped (confidence 1) [31E9D78F] (AR v1)
    Track 18 accurately ripped (confidence 1) [8C79CAB1] (AR v1)
    Track 19 not present in database

    16 track(s) accurately ripped
    3 track(s) not present in the AccurateRip database

    Some tracks could not be verified as accurate

    End of status report

    ==== Log checksum F338FA8E557DABC7EE999F82A1631D19116771853429E0A3143FC2503C931B61 ====


    Track Listing

    01. Yesterday's Papers
    02. My Obsession
    03. Back Street Girl
    04. Connection
    05. She Smiled Sweetly
    06. Cool, Calm And Collected
    07. All Sold Out
    08. Please Go Home
    09. Who's Been Sleeping Here?
    10. Complicated
    11. Miss Amanda Jones
    12. Something Happened To Me Yesterday

    Bonus Tracks

    13. Have You Seen Your Mother, Baby, Standing In The Shadows- (Original Single Mono Mix)
    14. Get Yourself Together (Unreleased, Olympic Sound Studios, London November 1966)
    15. If You Let Me (Outtake, RCA Studios, Los Angeles March 1966)
    16. Let's Spend The Night Together (Original Single Mono Mix)
    17. Ruby Tuesday (Original Single Mono Mix)
    18. Who's Driving Your Plane (B-Side)
    19. Yesterday's Papers (Backing Track)


    The Rolling Stones

    Mick Jagger - lead and backing vocals, percussion
    Keith Richard - guitars, backing vocals, bass guitar, double bass, co-lead vocals on "Connection", "My Obsession" and "Something Happened to Me Yesterday"
    Brian Jones - electric guitar on "My Obsession", "All Sold Out", "Miss Amanda Jones", "Connection", and "Please Go Home", acoustic guitar on "Complicated" and "Something Happened to Me Yesterday", piano on "Ruby Tuesday", "Who's Been Sleeping Here?", and 'All Sold Out' organ on "Complicated", "She Smiled Sweetly", and "All Sold Out", electric dulcimer on "Cool, Calm, Collected", vibraphone, marimba, and harpsichord on "Yesterday's Papers", kazoo on "Cool, Calm, Collected", recorder on "Ruby Tuesday" and "All Sold Out", bass guitar, theremin on "Please Go Home", Trumpet, Trombone, Tuba, and saxophone on "Something Happened to Me Yesterday", harmonica on "Who's Been Sleeping Here?" and "Cool, Calm, Collected", percussion, sitar on "Cool, Calm, Collected", backing vocals
    Charlie Watts - drums, percussion
    Bill Wyman - bass guitar, percussion, double bass, backing vocals


    Additional musicians

    Jack Nitzsche - piano on "She Smiled Sweetly" and "Let's Spend the Night Together", harpsichord on 'Back Street Girl'
    Ian Stewart - piano on "My Obsession", "Connection", "Miss Amanda Jones", and "Something Happened to Me Yesterday", organ on "Miss Amanda Jones"
    Nicky Hopkins - piano on "Cool, Calm, Collected"
    Nick DeCaro - accordion on "Back Street Girl"


    Album Released: January 20, 1967


    foobar2000 1.1.7 / Dynamic Range Meter 1.1.0
    log date: 2013-06-01 16:28:11

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: The Rolling Stones / Between The Buttons (UK)
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR9 -0.08 dB -11.36 dB 2:21 01-Yesterday's Papers
    DR9 -0.08 dB -10.66 dB 3:21 02-My Obsession
    DR10 -0.32 dB -13.72 dB 3:25 03-Back Street Girl
    DR11 -0.07 dB -13.05 dB 2:14 04-Connection
    DR10 -0.08 dB -12.31 dB 2:45 05-She Smiled Sweetly
    DR9 -0.07 dB -10.53 dB 4:18 06-Cool, Calm And Collected
    DR10 -0.08 dB -11.74 dB 2:16 07-All Sold Out
    DR9 -0.08 dB -9.98 dB 3:16 08-Please Go Home
    DR11 -0.08 dB -13.24 dB 3:50 09-Who's Been Sleeping Here?
    DR11 -0.08 dB -12.43 dB 3:17 10-Complicated
    DR10 -0.08 dB -12.15 dB 2:50 11-Miss Amanda Jones
    DR9 -0.08 dB -11.73 dB 4:57 12-Something Happened To Me Yesterday
    DR9 -0.07 dB -10.40 dB 2:35 13-Have You Seen Your Mother, Baby, Standing In The Shadows (Original 7'' Mono Mix)
    DR9 -0.09 dB -10.05 dB 3:08 14-Get Yourself Together (Unreleased)
    DR10 -0.07 dB -13.88 dB 3:17 15-If You Let Me
    DR11 -0.08 dB -12.47 dB 3:28 16-Let's Spend The Night Together (Original 7'' Mono Mix)
    DR11 0.00 dB -13.51 dB 3:13 17-Ruby Tuesday (Original 7'' Mono Mix)
    DR11 -0.09 dB -13.00 dB 3:14 18-Who's Driving Your Plane? (UK B-Side)
    DR12 0.00 dB -14.22 dB 3:04 19-Yesterday's Papers (Backing Track)
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 19
    Official DR value: DR10

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 781 kbps
    Codec: FLAC
    ================================================================================





    _______________________________________________________________________________________________________________



    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)

    The Rolling Stones - Between The Buttons (USA) + 9 Bonus (1967) [2002 CD-Maximum Collection]
    FLAC (Image + Cue + Log) - 477 MB | Complete Scans (Jpeg 300 dpi) - 41.8 MB | MP3 (CBR320 Kbps) - 197 MB
    CD-Maximum | CDM 1202-1040-15 | 79:30 minutes

    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)


    Between the Buttons is the seventh American studio album by The Rolling Stones, released on 11 February in the US as the follow-up to Aftermath. It was the beginning of the Stones' brief foray into psychedelia. In 2003, the American version of Between the Buttons, which included "Ruby Tuesday" and "Let's Spend the Night Together", was ranked #355 on Rolling Stone magazine's 500 Greatest Albums of All Time.

    **for more information see Between The Buttons (UK) post.


    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 8. April 2013, 0:28

    The Rolling Stones / Between The Buttons (USA)

    Used drive : HL-DT-STDVDRAM GH60N Adapter: 0 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -5 -T "artist=%albumartist%" -T "title=%title%" -T "album=%albumtitle%" -T "date=%year%" -T "genre=%genre%"

    -T "tracknumber=%tracknr%" %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 3:39.68 | 0 | 16492
    2 | 3:39.68 | 2:05.70 | 16493 | 25937
    3 | 5:45.63 | 3:18.37 | 25938 | 40824
    4 | 9:04.25 | 2:09.15 | 40825 | 50514
    5 | 11:13.40 | 2:44.05 | 50515 | 62819
    6 | 13:57.45 | 4:14.38 | 62820 | 81907
    7 | 18:12.08 | 2:16.22 | 81908 | 92129
    8 | 20:28.30 | 3:17.40 | 92130 | 106944
    9 | 23:45.70 | 3:51.38 | 106945 | 124307
    10 | 27:37.33 | 3:12.00 | 124308 | 138707
    11 | 30:49.33 | 2:43.47 | 138708 | 150979
    12 | 33:33.05 | 4:55.70 | 150980 | 173174
    13 | 38:29.00 | 3:48.45 | 173175 | 190319
    14 | 42:17.45 | 3:38.17 | 190320 | 206686
    15 | 45:55.62 | 3:25.58 | 206687 | 222119
    16 | 49:21.45 | 2:49.30 | 222120 | 234824
    17 | 52:11.00 | 3:59.15 | 234825 | 252764
    18 | 56:10.15 | 5:26.20 | 252765 | 277234
    19 | 61:36.35 | 9:59.38 | 277235 | 322197
    20 | 71:35.73 | 2:50.20 | 322198 | 334967
    21 | 74:26.18 | 5:02.63 | 334968 | 357680


    Range status and errors

    Selected range

    Filename C:\EAC\The Rolling Stones - (1967) Between The Buttons (USA) + 9 Bonus\The Rolling Stones - Between The Buttons (USA).wav

    Peak level 100.0 %
    Extraction speed 2.1 X
    Range quality 100.0 %
    Test CRC ADCA5338
    Copy CRC ADCA5338
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 2) [999FD32C] (AR v1)
    Track 2 accurately ripped (confidence 2) [795B0B61] (AR v1)
    Track 3 accurately ripped (confidence 2) [5DFFA27E] (AR v1)
    Track 4 accurately ripped (confidence 2) [350D8287] (AR v1)
    Track 5 accurately ripped (confidence 2) [8AE13C1F] (AR v1)
    Track 6 accurately ripped (confidence 2) [0586EF1E] (AR v1)
    Track 7 accurately ripped (confidence 2) [02CCC87E] (AR v1)
    Track 8 accurately ripped (confidence 2) [5CC29780] (AR v1)
    Track 9 accurately ripped (confidence 2) [556C3A6E] (AR v1)
    Track 10 accurately ripped (confidence 2) [5E08CF33] (AR v1)
    Track 11 accurately ripped (confidence 2) [B9A7F229] (AR v1)
    Track 12 accurately ripped (confidence 2) [B109E9D5] (AR v1)
    Track 13 accurately ripped (confidence 2) [D590FD98] (AR v1)
    Track 14 accurately ripped (confidence 2) [B13DD90B] (AR v1)
    Track 15 accurately ripped (confidence 2) [599620DA] (AR v1)
    Track 16 accurately ripped (confidence 2) [1D5F3430] (AR v1)
    Track 17 accurately ripped (confidence 2) [88714642] (AR v1)
    Track 18 accurately ripped (confidence 2) [973A7224] (AR v1)
    Track 19 accurately ripped (confidence 2) [0414ABAB] (AR v1)
    Track 20 accurately ripped (confidence 2) [F460B55B] (AR v1)
    Track 21 accurately ripped (confidence 2) [91E0BE90] (AR v1)

    All tracks accurately ripped

    End of status report

    ==== Log checksum CC03FF7071FCBCF7BE05E54C16F096F232C7760EB462CAD42D37943FF7CEDE6F ====


    Track Listing

    01. Let's Spend The Night Together
    02. Yesterday's Papers
    03. Ruby Tuesday
    04. Connection
    05. She Smiled Sweetly
    06. Cool, Calm And Collected
    07. All Sold Out
    08. My Obsession
    09. Who's Been Sleeping Here?
    10. Complicated
    11. Miss Amanda Jones
    12. Something Happened To Me Yesterday

    Bonus Tracks

    13. Family (Olympic Sound Studios, London, May 1968)
    14. Downtown Lucy (Olympic Sound Studios, London, May 1968)
    15. Hamburger To Go (Olympic Sound Studios, London, May 1968)
    16. Memo From Turner #1 (Unknown Recording Session 1968)
    17. Memo From Turner #2 (Olympic Sound Studios, London 1968-11-17)
    18. Sister Morphine (Olympic Sound Studios, London, May 1968)
    19. Still A Fool (Olympic Sound Studios, London, May 1968)
    20. You Got The Silver (Olympic Sound Studios, London, February-March 1969)
    21. Highway Child (Keith Richards Redlands Home Session, February 1968)


    The Rolling Stones

    Mick Jagger - lead and backing vocals, percussion
    Keith Richard - guitars, backing vocals, bass guitar, double bass, co-lead vocals on "Connection", "My Obsession" and "Something Happened to Me Yesterday"
    Brian Jones - electric guitar on "My Obsession", "All Sold Out", "Miss Amanda Jones", "Connection", and "Please Go Home", acoustic guitar on "Complicated" and "Something Happened to Me Yesterday", piano on "Ruby Tuesday", "Who's Been Sleeping Here?", and 'All Sold Out' organ on "Complicated", "She Smiled Sweetly", and "All Sold Out", electric dulcimer on "Cool, Calm, Collected", vibraphone, marimba, and harpsichord on "Yesterday's Papers", kazoo on "Cool, Calm, Collected", recorder on "Ruby Tuesday" and "All Sold Out", bass guitar, theremin on "Please Go Home", Trumpet, Trombone, Tuba, and saxophone on "Something Happened to Me Yesterday", harmonica on "Who's Been Sleeping Here?" and "Cool, Calm, Collected", percussion, sitar on "Cool, Calm, Collected", backing vocals
    Charlie Watts - drums, percussion
    Bill Wyman - bass guitar, percussion, double bass, backing vocals


    Additional musicians

    Jack Nitzsche - piano on "She Smiled Sweetly" and "Let's Spend the Night Together", harpsichord on 'Back Street Girl'
    Ian Stewart - piano on "My Obsession", "Connection", "Miss Amanda Jones", and "Something Happened to Me Yesterday", organ on "Miss Amanda Jones"
    Nicky Hopkins - piano on "Cool, Calm, Collected"
    Nick DeCaro - accordion on "Back Street Girl"


    Album Released: February 11, 1967


    foobar2000 1.1.7 / Dynamic Range Meter 1.1.0
    log date: 2013-06-01 16:49:47

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: The Rolling Stones / Between The Buttons (USA)
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR9 -0.08 dB -10.59 dB 3:40 01-Let's Spend The Night Together
    DR9 -0.07 dB -11.36 dB 2:06 02-Yesterday's Papers
    DR10 -0.07 dB -11.87 dB 3:18 03-Ruby Tuesday
    DR13 -0.08 dB -15.28 dB 2:09 04-Connection
    DR9 -0.07 dB -11.33 dB 2:44 05-She Smiled Sweetly
    DR10 -0.08 dB -11.26 dB 4:15 06-Cool, Calm And Collected
    DR10 -0.05 dB -12.20 dB 2:16 07-All Sold Out
    DR11 -0.08 dB -13.42 dB 3:18 08-My Obsession
    DR9 -0.06 dB -11.52 dB 3:52 09-Who's Been Sleeping Here?
    DR11 -0.06 dB -12.89 dB 3:12 10-Complicated
    DR9 -0.08 dB -11.43 dB 2:44 11-Miss Amanda Jones
    DR10 -0.08 dB -12.81 dB 4:56 12-Something Happened To Me Yesterday
    DR11 -0.23 dB -12.84 dB 3:49 13-Family
    DR11 -0.09 dB -14.45 dB 3:38 14-Downtown Lucy
    DR11 -0.01 dB -12.94 dB 3:26 15-Hamburger To Go
    DR11 0.00 dB -13.22 dB 2:49 16-Memo From Turner #1
    DR11 0.00 dB -13.40 dB 3:59 17-Memo From Turner #2
    DR10 -0.08 dB -12.76 dB 5:26 18-Sister Morphine
    DR10 -0.07 dB -11.76 dB 10:00 19-Still A Fool
    DR9 -0.89 dB -13.37 dB 2:50 20-You Got The Silver
    DR12 -0.07 dB -13.19 dB 5:03 21-Highway Child
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 21
    Official DR value: DR10

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 830 kbps
    Codec: FLAC
    ================================================================================





    _______________________________________________________________________________________________________________



    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)

    The Rolling Stones - Their Satanic Majesties Request + 10 Bonus (1967) [2002 CD-Maximum Collection]
    FLAC (Image + Cue + Log) - 462 MB | Complete Scans (Jpeg 300 dpi) - 52.7 MB | MP3 (CBR320 Kbps) - 197 MB
    CD-Maximum | CDM 1202-1041-16 | 78:42 minutes

    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)


    Their Satanic Majesties Request is the sixth British and eighth American studio album by The Rolling Stones, released on 8 December 1967 by Decca Records in the UK and the following day in the US by London Records. Its title is a play on the "Her Britannic Majesty requests and requires…" text that appears inside a British passport.

    Upon its initial release, the album "drew mixed reviews from the critics as well as some mixed reactions within the group itself."

    Begun just after Between the Buttons had been released, the recording of Their Satanic Majesties Request was long and sporadic, broken up by court appearances and jail terms. For the same reasons, the entire band was seldom present in the studio at one time. Further slowing productivity was the presence of the multiple guests that the band members had brought along. One of the more level-headed members of the band during this time, Bill Wyman, wary of psychedelic drugs, wrote the song "In Another Land" to parody the Stones' current goings-on.

    Their producer and manager Andrew Loog Oldham, already fed up with the band's lack of focus, distanced himself from them following their drug bust and finally quit, leaving them without a producer. As a result Their Satanic Majesties Request was the Stones' only self-produced album, which Mick Jagger admitted was not for the best.

    According to Brian Jones, a month before the album's planned release date the group "hadn't got anything put together".

    Keith Richards himself has been critical of the album in later years. While he likes some of the songs ("2000 Light Years from Home", "Citadel" and "She's a Rainbow"), "the album was a load of crap".

    The Stones experimented with many new instruments and sound effects during the sessions including the theremin, synthesizers, short wave radio static and string arrangements by John Paul Jones.

    Released in December 1967, Their Satanic Majesties Request reached #3 in the UK and #2 in the US (easily going gold), but its commercial performance declined rapidly. It was soon viewed as a pretentious, poorly conceived attempt to outdo The Beatles and Sgt. Pepper's Lonely Hearts Club Band (released in June 1967), often explained by drug trials and excesses in contemporary musical fashion, although John Lennon and Paul McCartney did provide backing vocals on "Sing This All Together".

    Without a doubt, no Rolling Stones album – and, indeed, very few rock albums from any era – split critical opinion as much as the Rolling Stones' psychedelic outing. Many dismiss the record as sub-Sgt. Pepper posturing; others confess, if only in private, to a fascination with the album's inventive arrangements, which incorporated some African rhythms, Mellotrons, and full orchestration. What's clear is that never before or after did the Stones take so many chances in the studio. (Some critics and fans feel that the record has been unfairly undervalued, partly because purists expect the Stones to constantly champion a blues 'n' raunch worldview.) About half the material is very strong, particularly the glorious "She's a Rainbow," with its beautiful harmonies, piano, and strings; the riff-driven "Citadel"; the hazy, dream-like "In Another Land," Bill Wyman's debut writing (and singing) credit on a Stones release; and the majestically dark and doomy cosmic rocker "2000 Light Years from Home," with some of the creepiest synthesizer effects (devised by Brian Jones) ever to grace a rock record. The downfall of the album was caused by some weak songwriting on the lesser tracks, particularly the interminable psychedelic jam "Sing This All Together (See What Happens)." It's a much better record than most people give it credit for being, though, with a strong current of creeping uneasiness that undercuts the gaudy psychedelic flourishes. In 1968, the Stones would go back to the basics, and never wander down these paths again, making this all the more of a fascinating anomaly in the group's discography. Reviewed by Richie Unterberger allmusic.com


    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 8. April 2013, 22:17

    The Rolling Stones / Their Satanic Majesties Request

    Used drive : HL-DT-STDVDRAM GH60N Adapter: 0 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -5 -T "artist=%albumartist%" -T "title=%title%" -T "album=%albumtitle%" -T "date=%year%" -T "genre=%genre%"

    -T "tracknumber=%tracknr%" %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 3:47.03 | 0 | 17027
    2 | 3:47.03 | 2:53.10 | 17028 | 30012
    3 | 6:40.13 | 3:15.28 | 30013 | 44665
    4 | 9:55.41 | 3:08.15 | 44666 | 58780
    5 | 13:03.56 | 7:56.60 | 58781 | 94540
    6 | 21:00.41 | 5:18.71 | 94541 | 118461
    7 | 26:19.37 | 4:25.32 | 118462 | 138368
    8 | 30:44.69 | 5:09.15 | 138369 | 161558
    9 | 35:54.09 | 4:47.01 | 161559 | 183084
    10 | 40:41.10 | 3:40.08 | 183085 | 199592
    11 | 44:21.18 | 3:10.43 | 199593 | 213885
    12 | 47:31.61 | 4:33.09 | 213886 | 234369
    13 | 52:04.70 | 3:35.72 | 234370 | 250566
    14 | 55:40.67 | 4:11.55 | 250567 | 269446
    15 | 59:52.47 | 2:48.05 | 269447 | 282051
    16 | 62:40.52 | 4:00.55 | 282052 | 300106
    17 | 66:41.32 | 2:27.13 | 300107 | 311144
    18 | 69:08.45 | 4:07.62 | 311145 | 329731
    19 | 73:16.32 | 2:33.12 | 329732 | 341218
    20 | 75:49.44 | 2:51.54 | 341219 | 354097


    Range status and errors

    Selected range

    Filename C:\EAC\The Rolling Stones - (1967) Their Satanic Majesties Request + 10 Bonus\The Rolling Stones - Their Satanic Majesties

    Request.wav

    Peak level 99.4 %
    Extraction speed 2.1 X
    Range quality 100.0 %
    Test CRC 7A8D8DEE
    Copy CRC 7A8D8DEE
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 cannot be verified as accurate (confidence 3) [829D6D1B], AccurateRip returned [94A3F1CC] (AR v2)
    Track 2 cannot be verified as accurate (confidence 3) [AAD5D6B7], AccurateRip returned [34759897] (AR v2)
    Track 3 cannot be verified as accurate (confidence 3) [365D51B7], AccurateRip returned [FEF2C1E0] (AR v2)
    Track 4 cannot be verified as accurate (confidence 3) [AD26CD23], AccurateRip returned [30496555] (AR v2)
    Track 5 cannot be verified as accurate (confidence 2) [009B02DA], AccurateRip returned [61C4B504] (AR v2)
    Track 6 cannot be verified as accurate (confidence 3) [EA1367F0], AccurateRip returned [C3DC47A3] (AR v2)
    Track 7 cannot be verified as accurate (confidence 2) [499945CD], AccurateRip returned [159D6F13] (AR v2)
    Track 8 cannot be verified as accurate (confidence 2) [5BCBEBB8], AccurateRip returned [0C5A27AE] (AR v2)
    Track 9 cannot be verified as accurate (confidence 2) [7F264355], AccurateRip returned [E611FE12] (AR v2)
    Track 10 cannot be verified as accurate (confidence 2) [206AE8AD], AccurateRip returned [61C2F528] (AR v2)
    Track 11 cannot be verified as accurate (confidence 3) [6AC5F76D], AccurateRip returned [3946D3F1] (AR v2)
    Track 12 cannot be verified as accurate (confidence 3) [816471A5], AccurateRip returned [CDC6A299] (AR v2)
    Track 13 cannot be verified as accurate (confidence 3) [A430CFD7], AccurateRip returned [9C280096] (AR v2)
    Track 14 cannot be verified as accurate (confidence 2) [A5DF6EEB], AccurateRip returned [1856548E] (AR v2)
    Track 15 cannot be verified as accurate (confidence 3) [A0C65FD0], AccurateRip returned [09A952EB] (AR v2)
    Track 16 cannot be verified as accurate (confidence 3) [8033AB59], AccurateRip returned [1D83B443] (AR v2)
    Track 17 cannot be verified as accurate (confidence 3) [68956721], AccurateRip returned [F6746084] (AR v2)
    Track 18 cannot be verified as accurate (confidence 3) [5CFDE70B], AccurateRip returned [4CB234CE] (AR v2)
    Track 19 cannot be verified as accurate (confidence 3) [53381CBF], AccurateRip returned [014E51FF] (AR v2)
    Track 20 cannot be verified as accurate (confidence 3) [4B40C852], AccurateRip returned [9E5B4112] (AR v2)

    No tracks could be verified as accurate
    You may have a different pressing from the one(s) in the database

    End of status report

    ==== Log checksum 9CC6603D6F81B08E714B31ADB0FFE746336B5A772753E0395BFD79CDB06CCB2C ====


    Track Listing

    01. Sing This All Together
    02. Citadel
    03. In Another Land
    04. 2000 Man
    05. Sing This All Together (See What Happens)
    06. She's A Rainbow
    07. The Lantern
    08. Gomper
    09. 2000 Light Years From Home
    10. On With The Show

    Bonus Tracks

    11. Child On The Moon (B-Side Original Mono Mix)
    12. We Love You (Original Single Mix)
    13. Dandelion (B-Side)
    14. The Lantern (Rough Mono Monitor Mix)
    15. In Another Land (Rough Mono Monitor Mix)
    16. She's A Rainbow (Rough Mono Monitor Mix)
    17. Untitled ( Rehearsals For An Unfinished Song)
    18. 2000 Light Years From Home (Rough Mix Of Backing Track)
    19. 2000 Man (Rehearsals)
    20. Gold Painted Nails (Rehearsals)


    The Rolling Stones

    Mick Jagger – lead and backing vocals, percussion
    Keith Richards – guitars, backing vocals
    Brian Jones – Mellotron, organ, electric dulcimer, recorder, percussion, piano, theremin, concert harp, sitar, sound effects, saxophones, flutes, trumpets, backing vocals, brass on "The Lantern", "Sing This All Together", and "Sing This All Together (See What Happens)", bass guitar on "Gomper"
    Charlie Watts – drums, percussion, tablas
    Bill Wyman – bass guitar, percussion, backing vocals, organ, lead vocals on "In Another Land"


    Additional musicians

    Nicky Hopkins – piano, harpsichord
    John Lennon and Paul McCartney - backing vocals and percussion on "Sing This All Together" and "Sing This All Together (See What Happens)"
    John Paul Jones – string arrangement on "She's a Rainbow"
    Ronnie Lane – backing vocals on "In Another Land"
    Steve Marriott – backing vocals and acoustic guitar on "In Another Land"
    Uncredited musicians – strings on "She's a Rainbow"


    Album Released: December 8, 1967


    foobar2000 1.1.7 / Dynamic Range Meter 1.1.0
    log date: 2013-06-01 17:18:38

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: The Rolling Stones / Their Satanic Majesties Request
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR12 -0.35 dB -15.75 dB 3:47 01-Sing This All Together
    DR11 -0.09 dB -13.00 dB 2:53 02-Citadel
    DR13 -0.09 dB -16.08 dB 3:15 03-In Another Land
    DR10 -0.09 dB -12.25 dB 3:08 04-2000 Man
    DR13 -0.09 dB -16.08 dB 7:57 05-Sing This All Together (See What Happens)
    DR10 -0.08 dB -12.49 dB 5:19 06-She's A Rainbow
    DR11 -0.07 dB -14.41 dB 4:25 07-The Lantern
    DR9 -0.07 dB -11.53 dB 5:09 08-Gomper
    DR13 -0.10 dB -16.14 dB 4:47 09-2000 Light Years From Home
    DR10 -0.07 dB -12.43 dB 3:40 10-On With The Show
    DR5 -0.05 dB -6.35 dB 3:11 11-Child On The Moon (B-Side Original 7' Mono Mix)
    DR10 -0.08 dB -12.16 dB 4:33 12-We Love You (Original 7'' Mix)
    DR9 -0.07 dB -10.68 dB 3:36 13-Dandelion (B-Side)
    DR8 -1.07 dB -12.37 dB 4:12 14-The Lantern (Rough Mono Monitor Mix)
    DR9 -1.25 dB -12.05 dB 2:48 15-In Another Land (Rough Mono Monitor Mix)
    DR7 -1.13 dB -11.43 dB 4:01 16-She's A Rainbow (Rough Mono Monitor Mix)
    DR13 -0.09 dB -16.91 dB 2:27 17-Untitled ( Rehearsals For An Unfinished Song)
    DR11 -0.08 dB -13.42 dB 4:08 18-2000 Light Years From Home (Rough Mix Of Backing Track)
    DR14 -0.11 dB -15.61 dB 2:33 19-2000 Man (Rehearsals)
    DR10 -0.09 dB -15.01 dB 2:52 20-Gold Painted Nails (Rehearsals)
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 20
    Official DR value: DR10

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 779 kbps
    Codec: FLAC
    ================================================================================





    _______________________________________________________________________________________________________________



    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)

    The Rolling Stones - Flowers + 10 Bonus (1967) [2002 CD-Maximum Collection]
    FLAC (Image + Cue + Log) - 421 MB | Complete Scans (Jpeg 300 dpi) - 43.3 MB | MP3 (CBR320 Kbps) - 172 MB
    CD-Maximum | CDM 1202-1042-17 | 68:51 minutes

    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)


    Flowers is an American compilation album by The Rolling Stones, released in the summer of 1967. The songs either appeared as singles, had been omitted from the American versions of Aftermath and Between the Buttons, were collected from studio sessions dating back to 1965, or are reissues of songs recently released on other albums.

    Three tracks had never been released. "My Girl", "Ride On, Baby" and "Sittin' on a Fence" are from the Aftermath sessions from December 1965.

    The title refers to the album's cover, with flower stems underneath the portrait of each band member. Bassist Bill Wyman claims that Mick Jagger and Keith Richards deliberately arranged the stem of Brian Jones's flower so that it had no leaves, as a prank. The portraits are from the British version of Aftermath.

    Flowers reached #3 in the US during the late summer of 1967 and went gold.

    Flowers was dismissed as a rip-off of sorts by some critics, since it took the patchwork bastardization of British releases for the American audience to extremes, gathering stray tracks from the U.K. versions of Aftermath and Between the Buttons, 1966-1967 singles (some of which had already been used on the U.S. editions of Aftermath and Between the Buttons), and a few outtakes. Judged solely by the music, though, it's rather great. "Lady Jane," "Ruby Tuesday," and "Let's Spend the Night Together" are all classics (although they had all been on an LP before); the 1966 single "Mother's Little Helper," a Top Ten hit, is also terrific; and "Have You Seen Your Mother Baby, Standing in the Shadow?," making its first album appearance, is the early Stones at their most surrealistic and angst-ridden. A lot of the rest of the cuts rate among their most outstanding 1966-1967 work. "Out of Time" is hit-worthy in its own right (and in fact topped the British charts in an inferior cover by Chris Farlowe); "Backstreet Girl," with its European waltz flavor, is one of the great underrated Stones songs. The same goes for the psychedelic Bo Diddley of "Please Go Home," and the acoustic, pensively sardonic "Sittin' on a Fence," with its strong Appalachian flavor. Almost every track is strong, so if you're serious about your Stones, don't pass this by just because a bunch of people slag it as an exploitative marketing trick (which it is). There's some outstanding material you can't get anywhere else, and the album as a whole plays very well from end to end. Reviewed by Richie Unterberger allmusic.com


    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 9. April 2013, 16:54

    The Rolling Stones / Flowers

    Used drive : HL-DT-STDVDRAM GH60N Adapter: 0 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -5 -T "artist=%albumartist%" -T "title=%title%" -T "album=%albumtitle%" -T "date=%year%" -T "genre=%genre%"

    -T "tracknumber=%tracknr%" %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 3:19.48 | 0 | 14972
    2 | 3:19.48 | 2:36.45 | 14973 | 26717
    3 | 5:56.18 | 3:40.10 | 26718 | 43227
    4 | 9:36.28 | 3:12.42 | 43228 | 57669
    5 | 12:48.70 | 3:45.40 | 57670 | 74584
    6 | 16:34.35 | 2:42.55 | 74585 | 86789
    7 | 19:17.15 | 3:29.53 | 86790 | 102517
    8 | 22:46.68 | 3:20.05 | 102518 | 117522
    9 | 26:06.73 | 2:48.65 | 117523 | 130187
    10 | 28:55.63 | 2:51.70 | 130188 | 143082
    11 | 31:47.58 | 2:56.62 | 143083 | 156344
    12 | 34:44.45 | 3:03.05 | 156345 | 170074
    13 | 37:47.50 | 2:58.17 | 170075 | 183441
    14 | 40:45.67 | 4:52.73 | 183442 | 205414
    15 | 45:38.65 | 2:27.55 | 205415 | 216494
    16 | 48:06.45 | 3:34.26 | 216495 | 232570
    17 | 51:40.71 | 1:58.23 | 232571 | 241443
    18 | 53:39.19 | 2:06.55 | 241444 | 250948
    19 | 55:45.74 | 3:40.23 | 250949 | 267471
    20 | 59:26.22 | 3:21.04 | 267472 | 282550
    21 | 62:47.26 | 3:19.14 | 282551 | 297489
    22 | 66:06.40 | 2:44.03 | 297490 | 309792


    Range status and errors

    Selected range

    Filename C:\EAC\The Rolling Stones - (1967) Flowers +10 Bonus\The Rolling Stones - Flowers.wav

    Peak level 99.3 %
    Extraction speed 2.2 X
    Range quality 100.0 %
    Copy CRC 21C09345
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 3) [655048FA] (AR v1)
    Track 2 accurately ripped (confidence 3) [411AF2A7] (AR v1)
    Track 3 accurately ripped (confidence 3) [74E6A4E3] (AR v1)
    Track 4 accurately ripped (confidence 3) [557BA5C5] (AR v1)
    Track 5 accurately ripped (confidence 3) [EAF7CC16] (AR v1)
    Track 6 accurately ripped (confidence 3) [308A7439] (AR v1)
    Track 7 accurately ripped (confidence 3) [2FD2227C] (AR v1)
    Track 8 accurately ripped (confidence 3) [F4715A5B] (AR v1)
    Track 9 accurately ripped (confidence 3) [CA231079] (AR v1)
    Track 10 accurately ripped (confidence 3) [ABA8333F] (AR v1)
    Track 11 accurately ripped (confidence 3) [8B859213] (AR v1)
    Track 12 accurately ripped (confidence 3) [6989040A] (AR v1)
    Track 13 accurately ripped (confidence 3) [69957C29] (AR v1)
    Track 14 accurately ripped (confidence 3) [48436081] (AR v1)
    Track 15 accurately ripped (confidence 3) [5DA554D2] (AR v1)
    Track 16 accurately ripped (confidence 4) [60FBC5CF] (AR v1)
    Track 17 accurately ripped (confidence 3) [FA3BF317] (AR v1)
    Track 18 accurately ripped (confidence 3) [01EEF0AB] (AR v1)
    Track 19 accurately ripped (confidence 3) [FA7F8263] (AR v1)
    Track 20 accurately ripped (confidence 3) [111B1FC1] (AR v1)
    Track 21 accurately ripped (confidence 3) [0F910A09] (AR v1)
    Track 22 accurately ripped (confidence 5) [3EF4218C] (AR v1)

    All tracks accurately ripped

    End of status report

    ==== Log checksum A559ADCE0BA7C666FCA0F79B2E5BB7F70A3A0BC5B845B4587A7A02DE5F7E9D67 ====


    Track Listing

    01. Ruby Tuesday
    02. Have You Seen Your Mother, Baby, Standing In The Shadow?
    03. Let's Spend The Night Together
    04. Lady Jane
    05. Out Of Time
    06. My Girl
    07. Back Street Girl
    08. Please Go Home
    09. Mother's Little Helper
    10. Take It Or Leave It
    11. Ride On Baby
    12. Sittin' On A Fence

    Bonus Tracks

    13. Sad Day (B-Side Original Mono Mix)
    14. Out Of Time (Backing Track)
    15. Have You Seen Your Mother, Baby, Standing In The Shadow (Backing Track)
    16. I Can See It (Backing Track)
    17. Sometimes Happy, Sometimes Blue (Early Rehearsal For 'Dandelion')
    18. Yesterday's Papers (Early Rehearsal)
    19. Let's Spend The Night Together (Backing Track)
    20. Ruby Tuesday (Backing Track)
    21. Complicated (Backing Track)
    22. All Sold Out (Backing Track)


    The Rolling Stones

    Mick Jagger - Lead vocals, percussion, backing vocals
    Keith Richards - Guitars, backing vocals, Double bass on ("Ruby Tuesday"), Piano, Bass guitar on ("Let's Spend the Night Together")
    Brian Jones - Guitars, keyboards, bass guitar, percussion, koto on ("Take It or Leave It") and ("Ride On, Baby"), theremin on ("Please Go Home"), Dulcimer on ("Lady Jane"), recorder on ("Ruby Tuesday"), autoharp on ("Ride On, Baby") backing vocals
    Bill Wyman - Bass guitar, backing vocals, Electric organ, Double bass on ("Ruby Tuesday"), percussion
    Charlie Watts - Drums, Percussion


    Album Released: June 26, 1967


    foobar2000 1.1.7 / Dynamic Range Meter 1.1.0
    log date: 2013-06-01 17:29:06

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: The Rolling Stones / Flowers
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR10 -0.08 dB -11.97 dB 3:20 01-Ruby Tuesday
    DR8 -0.08 dB -10.17 dB 2:37 02-Have You Seen Your Mother, Baby, Standing In The Shadow?
    DR9 -0.08 dB -10.63 dB 3:40 03-Let's Spend The Night Together
    DR12 -0.12 dB -15.45 dB 3:13 04-Lady Jane
    DR11 -0.09 dB -13.52 dB 3:46 05-Out Of Time
    DR9 -0.08 dB -10.94 dB 2:43 06-My Girl
    DR11 -0.87 dB -15.33 dB 3:30 07-Back Street Girl
    DR9 -0.07 dB -11.22 dB 3:20 08-Please Go Home
    DR10 -0.07 dB -10.95 dB 2:49 09-Mother's Little Helper
    DR12 -0.08 dB -14.05 dB 2:52 10-Take It Or Leave It
    DR10 -0.07 dB -12.32 dB 2:57 11-Ride On Baby
    DR13 -0.10 dB -14.40 dB 3:03 12-Sittin' On A Fence
    DR9 -0.17 dB -12.15 dB 2:58 13-Sad Day (US Mono B-Side)
    DR10 -2.58 dB -15.58 dB 4:53 14-Out Of Time (Backing Track)
    DR7 -0.14 dB -9.43 dB 2:28 15-Have You Seen Your Mother, Baby, Standing In The Shadow? (Backing Track)
    DR10 -0.14 dB -11.33 dB 3:34 16-I Can See It (Backing Track)
    DR12 -0.17 dB -14.77 dB 1:58 17-Sometimes Happy, Sometimes Blue (Early Rehearsal For 'Dandelion')
    DR5 -0.11 dB -7.30 dB 2:07 18-Yesterday's Papers (Early Rehearsal)
    DR11 -0.17 dB -12.20 dB 3:40 19-Let's Spend The Night Together (Backing Track)
    DR11 -0.06 dB -13.89 dB 3:21 20-Ruby Tuesday (Backing Track)
    DR11 -0.13 dB -12.39 dB 3:19 21-Complicated (Backing Track)
    DR10 -0.14 dB -11.56 dB 2:44 22-All Sod Out (Backing Track)
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 22
    Official DR value: DR10

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 812 kbps
    Codec: FLAC
    ================================================================================





    _______________________________________________________________________________________________________________



    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)

    The Rolling Stones - Beggars Banquet + 7 Bonus (1968) [2002 CD-Maximum Collection]
    FLAC (Image + Cue + Log) - 474 MB | Complete Scans (Jpeg 300 dpi) - 43.8 MB | MP3 (CBR320 Kbps) - 185 MB
    CD-Maximum | CDM 1202-1043-18 | 76:34 minutes

    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)


    Beggars Banquet is the seventh British and ninth American studio album by the English rock band The Rolling Stones. It was released in December 1968 by Decca Records in the United Kingdom and London Records in the United States. It marked a return to the band's R&B roots, generally viewed as more primal than the conspicuous psychedelia of Their Satanic Majesties Request. It also started off a string of four LPs that is usually regarded as the band's finest work.

    Following the long sessions for Their Satanic Majesty's Request in 1967 and the departure of producer and manager Andrew Loog Oldham, Mick Jagger and Keith Richards hired producer Jimmy Miller, who had produced the Spencer Davis Group and Traffic. The partnership would prove to be a success and Miller would work with the band until 1973.

    Beggars Banquet was Brian Jones' last full effort with the Rolling Stones.

    Critics considered the LP as a return to form. It was also a clear commercial success, reaching No. 3 in the UK and No. 5 in the US (on the way to eventual platinum status).

    -

    On 10–11 December 1968 the band filmed a television extravaganza entitled The Rolling Stones Rock and Roll Circus featuring John Lennon, Eric Clapton, The Who, Jethro Tull, and Marianne Faithfull among the musical guests. One of the original aims of the project was to promote Beggars Banquet, but the film was shelved by the Rolling Stones until 1996, when it was finally released officially.

    In 2003, the album was ranked number 57 on Rolling Stone magazine's list of the 500 greatest albums of all time. In the same year the TV network VH1 named Beggars Banquet the 67th greatest album of all time. The album is also featured in the book 1001 Albums You Must Hear Before You Die.

    The Stones forsook psychedelic experimentation to return to their blues roots on this celebrated album, which was immediately acclaimed as one of their landmark achievements. A strong acoustic Delta blues flavor colors much of the material, particularly "Salt of the Earth" and "No Expectations," which features some beautiful slide guitar work. Basic rock & roll was not forgotten, however: "Street Fighting Man," a reflection of the political turbulence of 1968, was one of their most innovative singles, and "Sympathy for the Devil," with its fire-dancing guitar licks, leering Jagger vocals, African rhythms, and explicitly satanic lyrics, was an image-defining epic. On "Stray Cat Blues," Jagger and crew began to explore the kind of decadent sexual sleaze that they would take to the point of self-parody by the mid-'70s. At the time, though, the approach was still fresh, and the lyrical bite of most of the material ensured Beggars Banquet's place as one of the top blues-based rock records of all time. Reviewed by Richie Unterberger allmusic.com


    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 9. April 2013, 19:41

    The Rolling Stones / Beggars Banquet

    Used drive : HL-DT-STDVDRAM GH60N Adapter: 0 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -5 -T "artist=%albumartist%" -T "title=%title%" -T "album=%albumtitle%" -T "date=%year%" -T "genre=%genre%"

    -T "tracknumber=%tracknr%" %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 6:24.51 | 0 | 28850
    2 | 6:24.51 | 4:00.03 | 28851 | 46853
    3 | 10:24.54 | 3:24.43 | 46854 | 62196
    4 | 13:49.22 | 2:21.17 | 62197 | 72788
    5 | 16:10.39 | 6:14.60 | 72789 | 100898
    6 | 22:25.24 | 3:15.54 | 100899 | 115577
    7 | 25:41.03 | 2:53.05 | 115578 | 128557
    8 | 28:34.08 | 4:38.37 | 128558 | 149444
    9 | 33:12.45 | 2:09.66 | 149445 | 159185
    10 | 35:22.36 | 4:50.38 | 159186 | 180973
    11 | 40:12.74 | 3:41.02 | 180974 | 197550
    12 | 43:54.01 | 5:05.10 | 197551 | 220435
    13 | 48:59.11 | 4:25.65 | 220436 | 240375
    14 | 53:25.01 | 4:13.70 | 240376 | 259420
    15 | 57:38.71 | 5:20.38 | 259421 | 283458
    16 | 62:59.34 | 3:46.37 | 283459 | 300445
    17 | 66:45.71 | 9:46.74 | 300446 | 344469


    Range status and errors

    Selected range

    Filename C:\EAC\The Rolling Stones - (1968) Beggars Banquet + 7 Bonus\The Rolling Stones - Beggars Banquet.wav

    Peak level 100.0 %
    Extraction speed 2.0 X
    Range quality 99.9 %
    Test CRC 86F26787
    Copy CRC 86F26787
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 not present in database
    Track 2 not present in database
    Track 3 not present in database
    Track 4 not present in database
    Track 5 not present in database
    Track 6 not present in database
    Track 7 not present in database
    Track 8 not present in database
    Track 9 not present in database
    Track 10 not present in database
    Track 11 not present in database
    Track 12 not present in database
    Track 13 not present in database
    Track 14 not present in database
    Track 15 not present in database
    Track 16 not present in database
    Track 17 not present in database

    None of the tracks are present in the AccurateRip database

    End of status report

    ==== Log checksum FE71B99695C9E475B8A8F6AF33BFAF8AA1D0736CD47AA87FD65919A957FED068 ====


    Track Listing

    01. Sympathy For The Devil
    02. No Expectations
    03. Dear Doctor
    04. Parachute Woman
    05. Jigsaw Puzzle
    06. Street Fighting Man
    07. Prodigal Son
    08. Stray Cat Blues
    09. Factory Girl
    10. Salt Of The Earth

    Bonus Tracks

    11. Jumping Jack Flash (Original Mono Mix)
    12. Highway Child (Keith Richards Redlands Home Session, February 1968)
    13. And I Was A Country Boy (Unreleased Instrumental, Olympic Sound Studios, London 1969-03-23)
    14. Family (Acoustic Version, Olympic Sound Studios, London 1968-06-28)
    15. Blood Red Wine (Unreleased, Olympic Sound Studios, London, May 1968)
    16. Downtown Suzie (Rough Mix, Olympic Sound Studios, London, May 1968)
    17. Still A Fool (Unreleased, Olympic Sound Studios, London, May 1968)


    The Rolling Stones

    Mick Jagger – lead and backing vocals, harmonica on "Parachute Woman"
    Keith Richards – acoustic, electric and slide guitar, bass guitar on "Sympathy for the Devil" and "Street Fighting Man", backing vocals, lead vocals on opening of "Salt of the Earth"
    Brian Jones – slide guitar on "No Expectations", "Jigsaw Puzzle", and "Stray Cat Blues", mellotron on "Jigsaw Puzzle" and "Stray Cat Blues", harmonica on "Dear Doctor", "Parachute Woman", and "Prodigal Son", sitar and tambura on "Street Fighting Man", acoustic guitar (inaudible in final mix) and backing vocals on "Sympathy for the Devil"
    Charlie Watts – drums, tabla on "Factory Girl", backing vocals on "Sympathy for the Devil"
    Bill Wyman – bass guitar, upright bass on "Dear Doctor" and "Parachute Woman, backing vocals and maracas on "Sympathy for the Devil"


    Additional musicians

    Nicky Hopkins – piano, organ on "No Expectations"
    Rocky Dijon – congas on "Sympathy for the Devil", "Stray Cat Blues", "Factory Girl"
    Ric Grech – fiddle on "Factory Girl"
    Ry Cooder – mandolin on "Factory Girl"
    Dave Mason – mellotron on "Factory Girl", shehnai on "Street Fighting Man"
    Jimmy Miller – backing vocals on "Sympathy for the Devil"
    Watt Street Gospel Choir – backing vocals on "Salt of the Earth"


    Album Released: December 6, 1968


    foobar2000 1.1.7 / Dynamic Range Meter 1.1.0
    log date: 2013-06-01 17:36:51

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: The Rolling Stones / Beggars Banquet
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR9 -0.08 dB -10.40 dB 6:25 01-Sympathy For The Devil
    DR10 -0.91 dB -13.64 dB 4:00 02-No Expectations
    DR9 -0.08 dB -10.97 dB 3:25 03-Dear Doctor
    DR9 -0.29 dB -12.00 dB 2:21 04-Parachute Woman
    DR9 -0.08 dB -11.10 dB 6:15 05-Jigsaw Puzzle
    DR9 -0.08 dB -10.70 dB 3:16 06-Street Fighting Man
    DR10 -0.08 dB -11.68 dB 2:53 07-Prodigal Son
    DR9 -0.08 dB -10.78 dB 4:38 08-Stray Cat Blues
    DR10 -0.10 dB -11.98 dB 2:10 09-Factory Girl
    DR9 -0.09 dB -11.86 dB 4:51 10-Salt Of The Earth
    DR4 -0.54 dB -6.56 dB 3:41 11-Jumping Jack Flash (Original Mono Mix)
    DR10 -0.07 dB -11.75 dB 5:05 12-Highway Child (Unreleased)
    DR11 -0.07 dB -12.47 dB 4:26 13-And I Was A Country Boy (Unreleased Instrumental)
    DR10 -0.05 dB -12.29 dB 4:14 14-Family (Acoustic Version)
    DR10 -0.07 dB -15.30 dB 5:21 15-Blood Red Wine (Unreleased)
    DR11 -0.08 dB -13.77 dB 3:46 16-Downtown Lusie (Rough Mix)
    DR15 0.00 dB -17.15 dB 9:47 17-Still A Fool (Unreleased)
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 17
    Official DR value: DR10

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 821 kbps
    Codec: FLAC
    ================================================================================





    _______________________________________________________________________________________________________________



    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)

    The Rolling Stones - Through The Past, Darkly (Big Hits Vol. 2) (UK) + 8 Bonus (1969) [2002 CD-Maximum Collection]
    FLAC (Image + Cue + Log) - 410 MB | Complete Scans (Jpeg 300 dpi) - 42.6 MB | MP3 (CBR320 Kbps) - 180 MB
    CD-Maximum | CDM 1202-1044-19 | 72:37 minutes

    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)


    Through the Past, Darkly (Big Hits Vol. 2) is The Rolling Stones' second official compilation album, released in 1969 shortly following Brian Jones's departure from the group and subsequent death. The album was released by Decca Records in the UK and London Records/ABKCO Records in the US.

    In September, Through the Past, Darkly (Big Hits Vol. 2), dedicated to Jones, appeared with an octagonal-shaped album cover. Because their first "Big Hits" compilation had been released in separate formats, with the Aftermath-era material appearing only on its UK edition, the American edition of "Big Hits Vol. 2" included hit singles from the "Aftermath" period.

    The British track listing included the more obscure "You Better Move On", from The Rolling Stones' self-titled 1964 debut EP and "Sittin' on a Fence", an Aftermath outtake originally released in 1967 on the US-compiled Flowers album. In addition to those songs, many tracks, notably single-only releases, were collected for the first time on a UK Rolling Stones album: "Let's Spend the Night Together", "Ruby Tuesday", "We Love You", "Dandelion", and "Honky Tonk Women".

    Both versions of Through the Past, Darkly (Big Hits Vol. 2) proved to be popular releases, reaching #2 in the UK and US with enduring sales.

    The name of the album is a play on a line from the KJV translation of I Corinthians 13: "For now we see through a glass, darkly, but then face to face…", but it is more likely the Stones intended a homage to Ingmar Bergman and his 1961 film Through a Glass Darkly.

    In the inside flap of the album, there is a tribute to Jones, which reads: "When this you see, remember me, and bear me in your mind. Let all the world say what they may, speak of me as you find."


    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 11. April 2013, 20:29

    The Rolling Stones / Through The Past, Darkly (Big Hits Vol. 2) (UK)

    Used drive : HL-DT-STDVDRAM GH60N Adapter: 0 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -5 -T "artist=%albumartist%" -T "title=%title%" -T "album=%albumtitle%" -T "date=%year%" -T "genre=%genre%"

    -T "tracknumber=%tracknr%" %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 3:41.71 | 0 | 16645
    2 | 3:41.71 | 2:45.20 | 16646 | 29040
    3 | 6:27.16 | 4:49.10 | 29041 | 50725
    4 | 11:16.26 | 3:26.42 | 50726 | 66217
    5 | 14:42.68 | 2:41.05 | 66218 | 78297
    6 | 17:23.73 | 4:22.03 | 78298 | 97950
    7 | 21:46.01 | 3:18.25 | 97951 | 112825
    8 | 25:04.26 | 4:10.17 | 112826 | 131592
    9 | 29:14.43 | 3:12.20 | 131593 | 146012
    10 | 32:26.63 | 3:37.58 | 146013 | 162345
    11 | 36:04.46 | 3:02.30 | 162346 | 176025
    12 | 39:07.01 | 3:04.17 | 176026 | 189842
    13 | 42:11.18 | 4:07.28 | 189843 | 208395
    14 | 46:18.46 | 3:28.72 | 208396 | 224067
    15 | 49:47.43 | 3:50.73 | 224068 | 241390
    16 | 53:38.41 | 3:07.35 | 241391 | 255450
    17 | 56:46.01 | 2:03.10 | 255451 | 264685
    18 | 58:49.11 | 4:22.60 | 264686 | 284395
    19 | 63:11.71 | 4:12.47 | 284396 | 303342
    20 | 67:24.43 | 5:11.54 | 303343 | 326721


    Range status and errors

    Selected range

    Filename C:\EAC\The Rolling Stones - (1969) Through The Past, Darkly (Big Hits Vol. 2) (UK) + 8 Bonus\The Rolling Stones - Through The Past,

    Darkly (Big Hits Vol. 2) (UK).wav

    Peak level 100.0 %
    Extraction speed 2.2 X
    Range quality 100.0 %
    Test CRC 2EB9FDB9
    Copy CRC 2EB9FDB9
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 not present in database
    Track 2 not present in database
    Track 3 not present in database
    Track 4 not present in database
    Track 5 not present in database
    Track 6 not present in database
    Track 7 not present in database
    Track 8 not present in database
    Track 9 not present in database
    Track 10 not present in database
    Track 11 not present in database
    Track 12 not present in database
    Track 13 not present in database
    Track 14 not present in database
    Track 15 not present in database
    Track 16 not present in database
    Track 17 not present in database
    Track 18 not present in database
    Track 19 not present in database
    Track 20 not present in database

    None of the tracks are present in the AccurateRip database

    End of status report

    ==== Log checksum EBFE824EB5E25DBA234C9AC26551EC072D1E8491C35EDB4F629F1A48E346A125 ====


    Track Listing

    01. Jumping Jack Flash
    02. Mother's Little Helper
    03. 2000 Light Years From Home
    04. Let's Spend The Night Together
    05. You Better Move On
    06. We Love You
    07. Street Fighting Man
    08. She's A Rainbow
    09. Ruby Tuesday
    10. Dandelion
    11. Sittin' On A Fence
    12. Honky Tonk Woman

    Bonus Tracks

    14. Cocksucker Blues (Unreleased Demo)
    15. Jumping Jack Flash (Backing Track)
    16. Did Everybody Pay Their Dues- (Early Version Of Street Fighting Man)
    17. Sometimes Happy, Sometimes Blue (Early Version Of 'Dandelion')
    18. We Love You (Backing Track)
    19. Brown Sugar (Alternate Version)
    20. You Can't Always Get What You Want (B-Side Mono Edit)


    The Rolling Stones

    Mick Jagger – lead vocals, percussion, harmonica
    Brian Jones - guitar, harmonica, sitar, tambura, mellotron, recorder, organ, backing vocals
    Keith Richards – guitar, backing vocals
    Mick Taylor – guitar on 'Honky Tonk Woman'
    Charlie Watts – drums, percussion
    Bill Wyman – bass guitar, keyboards, backing vocals


    Album Released: September 12, 1969


    foobar2000 1.1.7 / Dynamic Range Meter 1.1.0
    log date: 2013-06-02 12:37:59

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: The Rolling Stones / Through The Past, Darkly (Big Hits Vol. 2) (UK)
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR4 -1.50 dB -7.30 dB 3:42 01-Jumping Jack Flash
    DR12 0.00 dB -13.54 dB 2:45 02-Mother's Little Helper
    DR8 -1.05 dB -11.71 dB 4:49 03-2000 Light Years From Home
    DR11 -0.08 dB -12.94 dB 3:27 04-Let's Spend The Night Together
    DR12 -0.19 dB -13.56 dB 2:41 05-You Better Move On
    DR11 -0.08 dB -12.80 dB 4:22 06-We Love You
    DR7 -0.96 dB -10.21 dB 3:18 07-Street Fighting Man
    DR11 -0.09 dB -13.01 dB 4:10 08-She's A Rainbow
    DR11 -0.08 dB -12.84 dB 3:12 09-Ruby Tuesday
    DR10 -0.08 dB -11.97 dB 3:38 10-Dandelion
    DR8 -2.47 dB -13.96 dB 3:02 11-Sittin' On A Fence
    DR12 -0.27 dB -15.27 dB 3:04 12-Honky Tonk Woman
    DR13 0.00 dB -15.60 dB 4:07 13-Memo From Turner (Mick Jagger Solo 7')
    DR10 -0.02 dB -14.43 dB 3:29 14-Cocksucker Blues (Unreleased Demo)
    DR10 -0.08 dB -11.36 dB 3:51 15-Jumping Jack Flash (Backing Track)
    DR10 -3.03 dB -15.12 dB 3:07 16-Did Everybody Pay Their Dues (Early Version Of Street Fighting Man)
    DR12 -0.09 dB -14.38 dB 2:03 17-Sometimes Happy, Sometimes Blue (Early Version Of Dandelion)
    DR10 -0.09 dB -11.42 dB 4:23 18-We Love You (Backing Track)
    DR9 0.00 dB -11.27 dB 4:13 19-Brown Sugar (Alternate Version)
    DR10 -0.06 dB -13.14 dB 5:12 20-You Can't Always Get What You Want (Mono 7' Edit)
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 20
    Official DR value: DR10

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 748 kbps
    Codec: FLAC
    ================================================================================





    _______________________________________________________________________________________________________________



    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)

    The Rolling Stones - Let It Bleed + 7 Bonus (1969) [2002 CD-Maximum Collection]
    FLAC (Image + Cue + Log) - 461 MB | Complete Scans (Jpeg 300 dpi) - 39.2 MB | MP3 (CBR320 Kbps) - 177 MB
    CD-Maximum | CDM 1202-1045-20 | 72:23 minutes

    The Rolling Stones - Complete CD-Maximun Collection (2002) (Volumes 11-20 of 31)


    Let It Bleed is the eighth British and tenth American album by English rock band The Rolling Stones, released in December 1969 by Decca Records in the UK and London Records in the US. Released shortly after the band's 1969 American Tour, it is the follow-up to 1968's Beggars Banquet and the last album by the band to feature Brian Jones as well as the first to feature Mick Taylor.

    Although the Stones had begun the recording of "You Can't Always Get What You Want" in November 1968, before Beggars Banquet had been released, recording for Let It Bleed began in earnest in February 1969 and would continue sporadically until early November. Brian Jones performs on only two tracks: playing the autoharp on "You Got the Silver", and percussion on "Midnight Rambler". His replacement, Mick Taylor, plays guitar on two tracks, "Country Honk" and "Live With Me". Keith Richards, who had already shared vocal duties with Mick Jagger on "Connection", and sung separate lead vocals on parts of "Something Happened to Me Yesterday" and "Salt of the Earth", sang his first solo lead vocal on a Rolling Stones recording with "You Got the Silver".

    Released in December, Let It Bleed reached #1 in the UK (temporarily knocking The Beatles' Abbey Road out of the top slot) and #3 on the Billboard Top Pop Albums chart in the US, where it eventually went 2x platinum.

    Mostly recorded without Brian Jones – who died several months before its release (although he does play on two tracks) and was replaced by Mick Taylor (who also plays on just two songs) – this extends the rock and blues feel of Beggars Banquet into slightly harder-rocking, more demonically sexual territory. The Stones were never as consistent on album as their main rivals, the Beatles, and Let It Bleed suffers from some rather perfunctory tracks, like "Monkey Man" and a countrified remake of the classic "Honky Tonk Woman" (here titled "Country Honk"). Yet some of the songs are among their very best, especially "Gimme Shelter," with its shimmering guitar lines and apocalyptic lyrics; the harmonica-driven "Midnight Rambler"; the druggy party ambience of the title track; and the stunning "You Can't Always Get What You Want," which was The Stones' "Hey Jude" of sorts, with its epic structure, horns, philosophical lyrics, and swelling choral vocals. "You Got the Silver" (Keith Richards' first lead vocal) and Robert Johnson's "Love in Vain," by contrast, were as close to the roots of acoustic down-home blues as The Stones ever got. Reviewed by Richie Unterberger allmusic.com


    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 16. April 2013, 0:58

    The Rolling Stones / Let It Bleed

    Used drive : HL-DT-STDVDRAM GH60N Adapter: 0 ID: 1

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    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -5 -T "artist=%albumartist%" -T "title=%title%" -T "album=%albumtitle%" -T "date=%year%" -T "genre=%genre%"

    -T "tracknumber=%tracknr%" %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 4:35.28 | 0 | 20652
    2 | 4:35.28 | 4:22.55 | 20653 | 40357
    3 | 8:58.08 | 3:10.37 | 40358 | 54644
    4 | 12:08.45 | 3:36.63 | 54645 | 70907
    5 | 15:45.33 | 5:34.20 | 70908 | 95977
    6 | 21:19.53 | 6:57.12 | 95978 | 127264
    7 | 28:16.65 | 2:55.00 | 127265 | 140389
    8 | 31:11.65 | 4:15.35 | 140390 | 159549
    9 | 35:27.25 | 7:32.20 | 159550 | 193469
    10 | 42:59.45 | 4:31.66 | 193470 | 213860
    11 | 47:31.36 | 3:02.44 | 213861 | 227554
    12 | 50:34.05 | 6:36.22 | 227555 | 257276
    13 | 57:10.27 | 2:48.31 | 257277 | 269907
    14 | 59:58.58 | 5:32.45 | 269908 | 294852
    15 | 65:31.28 | 3:51.30 | 294853 | 312207
    16 | 69:22.58 | 2:59.46 | 312208 | 325678


    Range status and errors

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    Filename C:\EAC\The Rolling Stones - (1969) Let It Bleed + 7 Bonus\The Rolling Stones - Let It Bleed.wav

    Peak level 100.0 %
    Extraction speed 1.9 X
    Range quality 100.0 %
    Test CRC A3A275BD
    Copy CRC A3A275BD
    Copy OK

    No errors occurred


    AccurateRip summary

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    Track 14 not present in database
    Track 15 not present in database
    Track 16 not present in database

    None of the tracks are present in the AccurateRip database

    End of status report

    ==== Log checksum 0E2CDD36532ED9A9D1EF3F9EF4FE705275ECE4F0A6E36D6967C886D0B43962DA ====


    Track Listing

    01. Gimme Shelter
    02. Love In Vain
    03. Country Honk
    04. Live With Me
    05. Let It Bleed
    06. Midnight Rambler
    07. You Got The Silver
    08. Monkey Man
    09. You Can't Always Get What You Want

    Bonus Tracks

    10. Gimme Shelter (Alternate Version With Keith Richards On Vocal)
    11. Honky Tonk Women (Alternate Version With Different Lyrics)
    12. Loving Cup (Alternate Version With Different Piano)
    13. You Got the Silver (Alternate Version With Mick Jagger On Vocal)
    14. Sister Morphine (Alternate Version With Ry Cooder On Guitar)
    15. Memo From Turner (Alternate Version With Different Rhythm)
    16. Honky Tonk Woman (Mono Single Mix)


    The Rolling Stones

    Mick Jagger - lead vocals (except "You Got the Silver"), harmonica on "Gimme Shelter" and "Midnight Rambler"
    Keith Richards - guitars on all tracks, acoustic guitar on "Country Honk", bass guitar on "Live with Me", backing vocals on "Gimme Shelter", "Country Honk" and "Monkey Man", lead vocals on "You Got the Silver"
    Brian Jones - percussion on "Midnight Rambler", autoharp on "You Got the Silver"
    Mick Taylor - slide guitar on "Country Honk", guitars on "Live with Me"
    Charlie Watts - drums (except "You Can't Always Get What You Want")
    Bill Wyman - bass guitar (except "Country Honk" and "Live with Me"), autoharp on "Let It Bleed", vibes on "Monkey Man"


    Additional musicians

    Ian Stewart - piano on "Let It Bleed"
    Nicky Hopkins - piano on "Gimme Shelter", "Live with Me", "You Got the Silver" and "Monkey Man", organ on "You Got the Silver"
    Byron Berline - fiddle on "Country Honk"
    Merry Clayton - vocals on "Gimme Shelter"
    Ry Cooder - mandolin on "Love in Vain"
    Bobby Keys - tenor saxophone on "Live with Me"
    Jimmy Miller - percussion on "Gimme Shelter", drums on "You Can't Always Get What You Want", tambourine on "Monkey Man"
    Leon Russell - piano and horn arrangement on "Live with Me"
    Jack Nitzsche - choral arrangements on "You Can't Always Get What You Want"
    Al Kooper - piano, French horn and organ on "You Can't Always Get What You Want"


    Album Released: December 5, 1969


    foobar2000 1.1.7 / Dynamic Range Meter 1.1.0
    log date: 2013-06-02 12:43:45

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: The Rolling Stones / Let It Bleed
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR10 -0.08 dB -10.99 dB 4:35 01-Gimme Shelter
    DR11 -0.65 dB -14.41 dB 4:23 02-Love In Vain
    DR10 -0.08 dB -12.42 dB 3:10 03-Country Honk
    DR10 -0.06 dB -11.00 dB 3:37 04-Live With Me
    DR9 -0.07 dB -10.35 dB 5:34 05-Let It Bleed
    DR10 0.00 dB -12.90 dB 6:57 06-Midnight Rambler
    DR11 0.00 dB -15.37 dB 2:55 07-You Got The Silver
    DR10 -0.07 dB -11.64 dB 4:15 08-Monkey Man
    DR9 -0.08 dB -12.17 dB 7:32 09-You Can't Always Get What You Want
    DR9 -0.07 dB -10.92 dB 4:32 10-Gimme Shelter (Alternate Version)
    DR10 0.00 dB -12.23 dB 3:03 11-Honky Tonk Women (Alternate Version)
    DR9 -0.07 dB -11.22 dB 6:36 12-Loving Cup (Alternate Version)
    DR10 -0.80 dB -13.87 dB 2:48 13-You Got the Silver (Alternate Version)
    DR12 -0.07 dB -17.13 dB 5:33 14-Sister Morphine (Alternate Version)
    DR11 -0.08 dB -12.62 dB 3:51 15-Memo From Turner (Alternate Version)
    DR12 -0.08 dB -14.22 dB 3:00 16-Honky Tonk Woman (Mono 7' Mix)
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 16
    Official DR value: DR10

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 845 kbps
    Codec: FLAC
    ================================================================================





    PLEASE VISIT VOLUMES 01-10 HERE

    PLEASE VISIT VOLUMES 21-31 HERE

    _______________________________________________________________________________________________________________


    Ripped and Scanned from the Stadium Studios Library March-June 2013
    Aftermath (USA) + 11 Bonus (1966)







    Got Live If You Want It! + 11 Bonus (1966)







    Big Hits (High Tide And Green Grass) (UK) + 6 Bonus (1966)







    Between The Buttons (UK) + 7 Bonus (1967)







    Between The Buttons (USA) + 9 Bonus (1967)







    Their Satanic Majesties Request + 10 Bonus (1967)







    Flowers + 10 Bonus (1967)







    Beggars Banquet + 7 Bonus (1968)







    Through The Past, Darkly (Big Hits Vol. 2) (UK) + 8 Bonus (1969)







    Let It Bleed + 7 Bonus (1969)